"Work, madame!" exclaimed little Madame M., as she described a day's work under the system which had trained her. "But yes, I could not so work now, but then I saw always before me an end. I had the sentiment. It was always that the colors arranged themselves, and so with my sister, who is modiste and whose compositions are a marvel. My back has ached, my eyes have burned, I have seen sparks before them and have felt that I could no more, when the days are long and the heat perhaps is great, or even in winter crowded together and the air so heavy. But we laughed and sang; we thought of a future; we watched for talent, and if there was envy or jealousy, it was well smothered. I remember one talented Italian who would learn and who hated one other who had great gifts; hated her so, she has stabbed her suddenly with sharp scissors in the arm. But such things are not often. We French care always for genius, even if it be but to make a shoe most perfect, and we do not hate—no, we love well, whoever shows it. But to-day all is different, and once more I say, madame, that too much is made, and that thus talent will die and gifts be no more needed."
There is something more in this feeling than the mere sense of rivalry or money loss from the new system represented by the Bon Marché and other great establishments of the same nature. But this is a question in one sense apart from actual conditions, save as the concentration of labor has had its effect on the general rate of wages. Five francs a day is considered riches, and the ordinary worker or assistant in either dressmaking or millinery department receives from two and a half to three and a half francs, on which sum she must subsist as she can. With a home where earnings go into a common fund, or if the worker has no one dependent upon her, French thrift makes existence on this sum quite possible; but when it becomes a question of children to be fed and clothed, more than mere existence is impossible, and starvation stands always in the background. For the younger workers the great establishments, offer many advantages over the old system, and hours have been shortened and attempts made in a few cases to improve general conditions of those employed. But there is always a dull season, in which wages lessen, or even cease for a time, the actual number of working days averaging two hundred and eighty. Where work is private and reputation is established, the year's earnings are a matter of individual ability, but the mass of workers in these directions drift naturally toward the great shops which may be found now in every important street of Paris, and which have altered every feature of the old system. Whether this alteration is a permanent one, is a question to which no answer can yet be made. Wages have reached a point barely above subsistence, and the outlook for the worker is a very shadowy one; but the question as a whole has as yet small interest for any but the political economists, while the women themselves have no thought of organization or of any method of bettering general conditions, beyond the little societies to which some of the ordinary workers belong, and which are half religious, half educational, in their character. As a rule, these are for the lower ranks of needlewomen, but necessity will compel something more definite in form for the two classes we have been considering, as well as for those below them, and the time approaches when this will be plain to the workers themselves, and some positive action take the place of the present dumb acceptance of whatever comes.
CHAPTER XVIII.
A SILK-WEAVER OF PARIS.
"No, madame, there is no more any old Paris. The Paris that I remember is gone, all gone, save here and there a corner that soon they will pull down as all the rest. All changes, manners no less than these streets that I know not in their new dress, and where I go seeking a trace of what is past. It is only in the churches that one feels that all is the same, and even with them one wonders why, if it is the same, fewer and fewer come, and that men smile often at those that enter the doors, and would close them to us who still must pray in the old places. Is there that consolation for the worker in America, madame? Can she forget her sorrow and want at a shrine that is holy, and feel the light resting on her, full of the glory of the painted windows and the color that is joy and rest? Because, if there had not been the church, my St. Etienne du Mont, that I know from a child, if there had not been that, I must have died. And so I have wondered if your country had this gift also for the worker, and, if it has not bread enough, has at least something that feeds the soul. Is it so, madame?"
Poor old Rose, once weaver in silk and with cheeks like her name, looking at me now with her sad eyes, blue and clear still in spite of her almost seventy years, and full of the patience born of long struggle and acceptance! St. Etienne had drawn me as it had drawn her, and it was in the apse, the light streaming from the ancient windows, each one a marvel of color whose secret no man to-day has penetrated, that I saw first the patient face and the clasped hands of this suppliant, who prayed there undisturbed by any thought of watching eyes, and who rose presently and went slowly down the aisles, with a face that might have taken its place beside the pictured saints to whom she had knelt. Her sabots clicked against the pavement worn by many generations of feet, and her old fingers still moved mechanically, telling the beads which she had slipped out of sight.
"You love the little church," I said; and she answered instantly, with a smile that illumined the old face, "Indeed, yes; and why not? It is home and all that is good, and it is so beautiful, madame. There is none like it. I go to the others sometimes, above all to Nôtre Dame, which also is venerable and dear, and where one may worship well. But always I return here; for the great church seems to carry my prayers away, and they are half lost in such bigness, and it is not so bright and so joyous as this. For here the color lifts the heart, and I seem to rise in my soul also, and I know every pillar and ornament, for my eyes study often when my lips pray; but it is all one worship, madame, else I should shut them close. But the good God and the saints know well that I am always praying, and that it is my St. Etienne that helps, and that is so beautiful I must pray when I see it."
This was the beginning of knowing Rose, and in good time her whole story was told,—a very simple one, but a record that stands for many like it. There was neither discontent nor repining. Born among workers, she had filled her place, content to fill it, and only wondering as years went on why there were not better days, and, if they were to mend for others, whether she had part in it or not. Far up under the roof of an old house, clung to because it was old, Rose climbed, well satisfied after the minutes in the little church in which she laid down the burden that long ago had become too heavy for her, and which, if it returned at all, could always be dropped again at the shrine which had heard her first prayer.