The children were seldom indoors unless it rained. There were no schools; there were few ranches where there were teachers, and the fathers and mothers generally had their hands too full to devote themselves to their children’s education, so in the early days it was all playtime. Later, schools were started for boys, and dreadful places they were.

As General Vallejo describes them, they were generally held in a narrow, badly lighted room, with no adornment but a large green cross or some picture of a saint hanging beside the master’s table. The master was often an old soldier in fantastic dress, with ill-tempered visage. The scholar entered, walked the length of the room, knelt before the cross or picture, recited a prayer, then tremblingly approached the master, saying, “Your hand, Senor Maestro,” when with a grunt the hand would be extended to him to be kissed. Little was taught besides the reading of the primer and the catechism.

Ranch boys early learned to ride, each having his own horse and saddle. Every year there was a rodeo, or “round-up,” held in each neighborhood, where cattle from all the surrounding ranches were driven to one point for the purpose of counting the animals and branding the young. Each stock owner had to be there with all the men from his ranch who could ride, nor must he forget his branding irons. These brands were recorded in the government book of the department, and any one changing the form of his iron in any manner without the permission of the judge was guilty of a crime.

To the boys the rodeo was the most interesting time of the whole year. The coming of the strange herds and vaqueros, the counting and the separating of the animals, and the branding of the young stock made a period of excitement and fun. Here was offered a chance for the display of good horsemanship. Sometimes as the cattle were being gradually herded into a circular mass, an unruly cow or bull would suddenly dart from the drove and run away at full speed. A vaquero on horseback would immediately dash after the animal, and, coming up with it, lean from the saddle and seizing the runaway by the tail, spur his horse forward. Then by a quick movement he would give a jerk and suddenly let go his hold, when the animal would fall rolling over and over on the ground. By the time it was up again it was tamed. Many a boy earned his first praise for good riding at a rodeo.

Nowhere in the world were there better and more graceful riders. Horses used for pleasure were fine, spirited animals. The saddle and the bridle were generally handsomely inlaid with silver or gold. A California gentleman in fiesta costume, mounted on his favorite horse, was a delight to the eyes. His hat, wide in the brim, high and pointed in the crown, was made of soft gray wool and ornamented with gold or silver lace and cord, sometimes embroidered with rubies and emeralds until it was very heavy and exceedingly valuable. His white shirt was of thin, embroidered muslin, and the white stock, too, was of thin stuff wrapped several times around the neck, then tied gracefully in front. The jacket was of cloth or velvet, in dark colors, blue, green, or black, with buttons and lace trimmings of silver or gold, often of a very elaborate design. About the waist was tied a wide sash of soft material and gay color, the ends hanging down at the side. The breeches were of velvet or heavy cloth, dark in color, save when the rider was gay in his taste, then they might be of bright tints. They either ended at the knee, below which were leggings of deerskin, or fitted the figure closely down to just above the ankle, where they widened out and were slashed at the outer seam, showing thin white drawers, which puffed prettily between the slashes. A gentleman in Los Angeles still has the trimmings for such suit, consisting of three hundred and fifty pieces of silver filigree work.

Every one seemed to live out of doors, and though the ranchos were widely scattered, there was much visiting and social gayety. All who could, traveled on horseback; while the mother of the family, the children, and old people used the clumsy carreta with its squeaking wheels.

One of the prettiest sights was a wedding procession as it escorted the bride from her home to the mission church. Horses were gayly caparisoned, and the riders richly dressed. The nearest relative of the bride carried her before him on the saddle, across which hung a loop of gold or silver braid for her stirrup, in which rested her little satin-shod foot. Her escort sat behind her on the bearskin saddle blanket. Accompanying the party were musicians playing guitar and violin, each managing horse and instrument with equal skill.

The California woman generally wore a full skirt of silk, satin, wool, or cotton, a loose waist of thin white goods, and, in cold weather, a short bolero jacket of as rich material as could be obtained. A bright-colored ribbon served for a sash, and a lace handkerchief or a muslin scarf was folded over the shoulders and neck. In place of bonnet and wrap a lace or silk shawl, or a narrow scarf called a rebosa, was gracefully draped over the head and shoulders.

Children were dressed like the older people, and very pretty were the girls in their low-necked, short-sleeved camisas or waists, and full gay skirts, their hair in straight braids hanging down over the shoulders. The short breeches, pretty round jackets, and gay sashes were very becoming to the boys.

At night the daughters of the house, big and little, were locked into their rooms by their mother, the father attending in the same manner to the boys. In the morning the mother’s first duty was to unlock these doors.