HOLSTENTHOR, LÜBECK.
Of their domestic architecture little, unhappily, remains to us, the practice of building with wood having wrecked most of the cities. Such houses as survive, however, testify to the national love of cunning carvings and inscriptions of didactic purpose. For it is the keynote of that time to express in artistic form its ardent faith and activity, and its somewhat rough-and-ready philosophy. Theorizings and abstractions were little understood. Thus in old legal codes we see the punishments to be inflicted pictorially portrayed. Contempt and mocking also took tangible form, and the clergy were by no means exempted from such satire. Notwithstanding all the piety of the age, the people were ever on their guard against the encroachments of the wily priests. The deeds of Reynard the Fox—that favourite national comic epic, so wholly in keeping with the Hansa spirit of practical good sense and business cunning—was a favourite theme for weaving into arras and carpet; and it was common to give a distinct hit at the clergy in the person of the sly beast.
It was the custom to depict the Last Judgment in the court of justice of each guildhall. That painted in 1341 for Hamburg led to a long lawsuit before the Papal Court at Avignon, because the local dean and chapter saw in it personal allusions. Thus devoutness did not impede the townspeople from rigidly retaining their mental independence of view and action.
Science and literature—such as those ages could boast—were, like art, more or less pressed into the service of the Church. The only exception is to be found in the few popular folk-tales, all comic, like the deeds of Eulenspiegel, and in the town chroniclers who were in the pay of the municipal council; but activity was not great in this latter domain. In most cities, schools were attached to all the parishes, in which the children of the wealthy classes learned reading, writing, some arithmetic, singing, and a little Latin. These institutions were founded in defiance of the priests, who loved to keep the people in the darkness and enslavement of ignorance.
Nearly all the merchants and many artizans could read and write, even if they did not practise these arts with great facility. Business letters were indited either in Latin or German, for the latter tongue was more widely diffused for commercial purposes than in our day.
But if the wealth of the towns led them to encourage the gentler aspects of life, it also enabled them to give expression to less refined tastes, and refinement of taste was never a speciality of these rather coarse-grained and boorish Teutons. The Middle Ages were essentially a time of animal enjoyment and license; the people loved life and all life could offer on the material side. We come across constant records of carouses and feasts, at which the manners and customs were—to our ideas, at least—most gross. No occasion for merry-making, which meant largely eating and drinking, was allowed to slip by unheeded. Nor were these occasions few, for the Catholic Church, with its endless list of saints, furnishes easy and constant excuses for holiday-making, as we see to this day in Catholic countries.
When guilds, corporations, or associations met for convivial intercourse, this was pursued according to established rules, some of which survive in the student corps of German universities. Breaches of regulation were punished by extra rations of beer that were paid for by the delinquent. Entrance fees were defrayed by giving a feast to all members. In short, they ate hard and drank yet harder, with the result that nightly drunken brawls were frequent, the quieter folk often lodging complaints concerning disturbed sleep or rioting beneath their windows between the younger burghers and the watchman. Occasionally a man is banished for molesting the town guard, while intoxicated and disorderly, for undue license was not winked at by the town council.
This was also the epoch when flourished those civic games which furthered the sentiment of brotherhood, and served, besides, to improve the youth of the city in the use and practice of arms. Among these, the May games, May processions, May empires, took a foremost place. They had their origin in the pagan conception of spring as a fair youth, who, in victorious duel, overcame the treacherous winter.
The May emperor was usually elected from among the town council. The one who had obtained the wreath during the previous year delivered it up at the beginning of May or at Whitsuntide. He would ride out into a neighbouring wood "upon his good horse," accompanied by all the councillors clad in armour, to the sound of martial music and with the town's flag flying. This was called "going to fetch the May." A beautiful boy generally headed the procession. What ceremonies went on in the wood is not known, but when the procession returned, leading in the new May emperor, the boy would bear a flowery wreath upon his long pole as token of victory; while all the councillors and the huge crowd that followed in their train were decked with green branches and boughs. The newly-elected emperor was expected to treat the crowd. After a while this grew a heavy and serious expense, and we find it recorded that a certain burgher of Stralsund, who knew he would be elected to this honour, fled the city. He was, however, followed and brought back, made to accept the post and its expenses, and heavily fined into the bargain.