Apart from the evidences of figures and statistics, the evidences of wealth and luxury can also be found in the yet extant monuments of the time, and, above all, in the churches. In the Middle Ages the one converging point of ideal life was the Church. Everything that went beyond the immediate practical needs of daily existence, every form of charity, every endeavour after culture, every striving of artistic and scientific activity had in those days a religious foundation. Imagination, too, came to the aid of this tendency in the shape of the possible and probable dangers encountered by "sea and sand," by the town traders. Thus in 1401 we find merchants and shippers at Lübeck founding "an eternal brotherhood and guild to the honour of God, of Mary His beloved mother, and all the saints; above all, the holy true helper in need, St. Nicholas, that they may aid and comfort the living and the dead, and all those who seek their rightful livelihood on the water, many of whom, alas! perish in water troubles, are thrown overboard or expire in other ways, dying unconfessed and without repentance; for on account of their agonies they could feel neither remorse nor penitence for their sins, and who have none who pray for them except the general prayers."
Such guilds were by no means rare. Legacies, too, were left for similar ends, by which thousands of our money were willed away: churches, monasteries, and holy foundations of all kinds raised or aided to pray for the benefit of the souls of the dead.
Nor were distant pilgrimages unknown. The merchant would go in person, combining business and religion on the road, or he would send a substitute, who for a certain sum would visit Rome, the Holy Land, San Jago in Spain, or Rocamadour in Guyenne. Such pilgrims by profession were frequent. St. Peter, St. James, after them St. John, then St. Nicholas and St. Clement as patron saints of merchants, shippers and fishermen, and among the women saints St. Catherine, were the chosen objects of North German piety. In no town was lacking a leper house, a refuge for those troubled with that plague of the Middle Ages, happily now almost unknown in Europe. These were dedicated to the Holy Ghost and to St. George, the slayer of dragons.
Above all, worship was paid to the Virgin Mary. All the municipal churches were dedicated to her. There is not a town that has not its church of "Our Lady." The municipal council were put under her especial protection. To this day the so-called Beautiful Door of the Mary Church at Danzig bears the inscription in golden letters: "Queen of Heaven, pray for us!"
HOHE-THOR, DANZIG.
These churches and religious buildings of all kinds, many of which survive to this day amid surroundings to which they have grown strange, speak more eloquently of the Hansa's might than piles of old parchment records. All Scandinavia can show nothing to compare with these architectural monuments, and we can well comprehend that the Northman entering the Elbe, the Trave, or other Baltic rivers, and seeing the lighthouses, churches, and mighty buildings of the towns, were awed by the Germans' wealth and power and strength, much as we are impressed now-a-days when we first set eyes upon Eternal Rome. These buildings resembled each other in externals; in each we find the same tall graceful steeples rising into the heavens, the same proud, defiant battlements and turrets, the same high-gabled many storeyed, small-windowed houses, the same tendency to employ bricks as building materials, and to use coloured varieties as ornamentation. Of this method of building and decoration the Holstenthor of Lübeck is a well-preserved example, as indeed these double gates to the towns were also a characteristic feature. One, a round tower, resembling greatly the Castel St. Angelo of Rome, situated on the south side of Rostock, was so strongly built that even the mechanical contrivances of our days found it hard work to demolish it when modern progress required its removal.
Art was then almost exclusively the handmaiden of religion, and hence it is also in the churches we have to seek evidences of what the Hansa could produce in this respect. Metal gravestones, rich bindings, cunning iron work, attest its taste. Evidence of a love of painting is found in many works now preserved in museums of the pre-Holbein day. And, incredible though it may seem, they were so famous for glass painting that early in the fifteenth century men came from Italy to Lübeck to learn perfection in the craft.