The bells begin to ring. The four strokes of the hour are just falling from the steeple which the rising mists touch already, though the evening makes use of it last of all; and just then one would say that the church is beginning to talk even while it is singing.
The important people get onto their horses or into their carriages and go away—a cavalcade where uniforms gleam and gold glitters. We can see the procession of the potentates of the day outlined on the crest of the hill which is full of our dead. They climb and disappear, one by one. Our way is downward; but we form—they above and we below—one and the same mass, all visible together.
"It's fine!" says Marie, "it looks as if they were galloping over us!"
They are the shining vanguard that protects us, the great eternal framework which upholds our country, the forces of the mighty past which illuminate it and protect it against enemies and revolutions.
And we, we are all alike, in spite of our different minds; alike in the greatness of our common interests and even in the littleness of our personal aims. I have become increasingly conscious of this close concord of the masses beneath a huge and respect-inspiring hierarchy. It permits a sort of lofty consolation and is exactly adapted to a life like mine. This evening, by the light of the setting sun, I see it and read it and admire it.
All together we go down by the fields where tranquil corn is growing, by the gardens and orchards where homely trees are making ready their offerings—the scented blossom which lends, the fruit which gives itself. They form an immense plain, sloping and darkling, with brown undulations under the blue which now alone is becoming green. A little girl, who has come from the spring, puts down her bucket and stands at the roadside like a post, looking with all her eyes. She looks at the marching multitude with beaming curiosity. Her littleness embraces that immensity, because it is all a part of Order. A peasant who has stuck to his work in spite of the festival and is bent over the deep shadows of his field, raises himself from the earth which is so like him, and turns towards the golden sun the shining monstrance of his face.
* * * * * *
But what is this—this sort of madman, who stands in the middle of the road and looks as if, all by himself, he would bar the crowd's passage? We recognize Brisbille, swaying tipsily in the twilight. There is an eddy and a muttering in the flow.
"D'you want to know where all that's leading you?" he roars, and nothing more can be heard but his voice. "It's leading you to hell! It's the old rotten society, with the profiteering of all them that can, and the stupidity of the rest! To hell, I tell you! To-morrow look out for yourselves! To-morrow!"
A woman's voice cries from out of the shadows, in a sort of scuffle,
"Be quiet, wicked man! You've no right to frighten folks!"