There are two states or conditions of pride. The first is one of self-approval, the second one of self-contempt. Pride is seen probably at its purest in the last.


It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.


February 1, 1854.—A walk. The atmosphere incredibly pure, a warm caressing gentleness in the sunshine—joy in one’s whole being. Seated motionless upon a bench on the Tranchées, beside the slopes clothed with moss and tapestried with green, I passed some intense delicious moments, allowing great elastic waves of music, wafted to me from a military band on the terrace of St. Antoine, to surge and bound through me. Every way I was happy, as idler, as painter, as poet. Forgotten impressions of childhood and youth came back to me—all those indescribable effects wrought by color, shadow, sunlight, green hedges, and songs of birds, upon the soul just opening to poetry. I became again young, wondering, and simple, as candor and ignorance are simple. I abandoned myself to life and to nature, and they cradled me with an infinite gentleness. To open one’s heart in purity to this ever pure nature, to allow this immortal life of things to penetrate into one’s soul, is at the same time to listen to the voice of God. Sensation may be a prayer, and self-abandonment an act of devotion.

February 18, 1854.—Everything tends to become fixed, solidified, and crystallized in this French tongue of ours, which seeks form and not substance, the result and not its formation, what is seen rather than what is thought, the outside rather than the inside.

We like the accomplished end and not the pursuit of the end, the goal and not the road, in short, ideas ready-made and bread ready-baked, the reverse of Lessing’s principle. What we look for above all are conclusions. This clearness of the “ready-made” is a superficial clearness—physical, outward, solar clearness, so to speak, but in the absence of a sense for origin and genesis it is the clearness of the incomprehensible, the clearness of opacity, the clearness of the obscure. We are always trifling on the surface. Our temper is formal—that is to say, frivolous and material, or rather artistic and not philosophical. For what it seeks is the figure, the fashion and manner of things, not their deepest life, their soul, their secret.

March 16, 1854. (From Veevay to Geneva.)—What message had this lake for me, with its sad serenity, its soft and even tranquility, in which was mirrored the cold monotonous pallor of mountains and clouds? That disenchanted disillusioned life may still be traversed by duty, lit by a memory of heaven. I was visited by a clear and profound intuition of the flight of things, of the fatality of all life, of the melancholy which is below the surface of all existence, but also of that deepest depth which subsists forever beneath the fleeting wave.

December 17, 1854.—When we are doing nothing in particular, it is then that we are living through all our being; and when we cease to add to our growth it is only that we may ripen and possess ourselves. Will is suspended, but nature and time are always active and if our life is no longer our work, the work goes on none the less. With us, without us, or in spite of us, our existence travels through its appointed phases, our invisible Psyche weaves the silk of its chrysalis, our destiny fulfills itself, and all the hours of life work together toward that flowering time which we call death. This activity, then, is inevitable and fatal; sleep and idleness do not interrupt it, but it may become free and moral, a joy instead of a terror.

Nothing is more characteristic of a man than the manner in which he behaves toward fools.