Expositor's Bible: The Gospel of St Luke

by Henry Burton

LOST AND FOUND.

Luke xv.

In this chapter we see how the waves of influence, moving outward from their Divine centre, touch the outermost fringe of humanity, sending the pulsations of new excitements and new hopes through classes Religion and Society both had banned. "Now all the publicans and sinners were drawing near unto Him, for to hear Him." It was evidently a movement widespread and deep. The hostility of Pharisees and scribes would naturally give to these outcasts a certain bias in His favour, causing their hearts to lean towards him, while His words of hope fell upon their lives like the breaking of a new dawn. Nor did Jesus forbid their approach. Instead of looking upon it as an intrusion, an impertinence, the attraction was mutual. Instead of receiving them with a cold and scant courtesy, He welcomed them, receiving them gladly, as the verb of the Pharisees' murmur implies. He even mingled with them in social intercourse, with an acceptance, if not an interchange, of hospitality. To the Pharisaic mind, however, this was a flagrant lapse, a breach of the proprieties which was unpardonable and half criminal, and they gave vent to their disapprobation and disgust in the loud and scornful murmur, "This man receiveth sinners, and eateth with them." It is from this hard sentence of withering contempt, as from a prickly and bitter calyx, we have the trifoliate parables of the Lost Sheep, the Lost Coin, and the Lost Man, the last of which is perhaps the crown and flower of all the parables. With minor differences, the three parables are really one, emphasizing, as they reiterate, the one truth how Heaven seeks after the lost of earth, and how it rejoices when the lost is found.

The first parable is pastoral: "What man of you," asks Jesus, using the Tu quoque retort, "having a hundred sheep, and having lost one of them, doth not leave the ninety and nine in the wilderness, and go after that which is lost, until he find it?" It is one of those questions which only need to be asked to be answered, an interrogative which is axiomatic and self-evident. Jesus tries to set his detractors in His place, that they may think His thoughts, feel His feelings, as they look out on the world from His standpoint; but since they cannot follow Him to these redemptive heights, He comes down to the lower level of their vision. "Suppose you have a hundred sheep, and one of them, getting separated from the rest, goes astray, what do you do? Dismissing it from your thought, do you leave it to its fate, the certain slaughter that awaits it from the wild beasts? or do you seek to minimize your loss, working it out by the rule of proportion as you ask, 'What is one to ninety-nine?' then writing off the lost one, not as a unit, but as a common fraction? No; such a supposition is incredible and impossible. You would go in search of the lost directly. Turning your back upon the ninety and nine, and turning your thoughts from them too, you would leave them in their mountain pasture,[4] as you sought the lost one. Calling it by its name, you would climb the terraced hills, and awake the echoes of the wadies, until the flinty heart of the mountain had felt the sympathy of your sorrow, repeating with you the lost wanderer's name. And when at last you found it you would not chide or punish it; you would not even force it to retrace its steps across the weary distance, but taking compassion on its weakness, you would lift it upon your shoulders and bear it rejoicing home. Then forgetful of your own weariness, fatigue and anxiety swallowed up in the new-found joy, you would go round to your neighbours, to break the good news to them, and so all would rejoice together."

Such is the picture, warm in colour and instinct with life, Jesus sketches in a few well-chosen words. He delicately conceals all reference to Himself; but even the chromatic vision of the Pharisees would plainly perceive how complete was its justification of His own conduct, in mingling thus with the erring and the lost; while to us the parable is but a veil of words, through which we discern the form and features of the "Good Shepherd," who gave even His life for the sheep, seeking that He might save that which was lost.

The second, which is a twin parable, is from domestic life. As in the parables of the kingdom, Jesus sets beside the man with the mustard-seed the woman with her leaven, so here He makes the same distinction, clothing the Truth both in a masculine and a feminine dress. He asks again, "Or what woman" (He does not say "of you," for if women were present amongst His hearers they would be in the background) "having ten pieces of silver, if she lose one piece, doth not light a lamp, and sweep the house, and seek diligently until she find it? And when she hath found it, she calleth together her friends and neighbours, saying, Rejoice with me, for I have found the piece which I had lost." Much objection has been taken to this parable for its supposed want of naturalness and reality. "Is it likely," our objectors say, "that the loss of a small coin like a drachma, whose value was about sevenpence-halfpenny, could be the occasion of so much concern, and that its recovery should be enough to call forth the congratulations of all the village matrons? Surely that is not parable, but hyperbole." But things have a real as well as an intrinsic value, and what to others would be common and cheap, to its possessor might be a treasure beyond reckoning, with all the added values of association and sentiment. So the ten drachmas of the woman might have a history; they might have been a family heirloom, moving quietly down the generations, with whole poems, ay, and even tragedies, hidden within them. Or we can conceive of a poverty so dire and strait that even one small coin in the emergent circumstance might grow into a value far beyond its intrinsic worth. But the parable does not need all these suppositions to steady it and keep it from falling to the ground. When rightly understood it becomes singularly natural, the truth of truth, if such an essence can be distilled in human speech. The probable interpretation is that the ten drachmas were the ten coins worn as a frontlet by the women of the east. This frontlet was given by the bridegroom to the bride at the time of marriage, and like the ring of western life, it was invested with a kind of sanctity. It must be worn on all public occasions, and guarded with a jealous, sacred care; for should one of its pieces be lost, it would be regarded as an indication that the possessor had not only been careless, but also that she had been unfaithful to her marriage vow. Throwing, then, this light of eastern custom upon the parable, how vivid and lifelike it becomes! With what intense eagerness would she seek for the missing coin! Lighting her lamp—for the house would be but dimly lighted with its open door and its small unglazed window—how carefully and almost tremblingly she would peer along its shelves, and sweep out the corners of her few rooms! and how great would be her joy as she saw it glistening in the dust! Her whole soul would go out after it, as if it were a living, sentient thing. She would clasp it in her hand, and even press it to her lips; for has it not taken a heavy care and sorrow from her heart? That one coin rising from the dust has been to her like the rising of another sun, filling her home with light and her life with melody; and what wonder that she hastens to communicate her joy, as, standing by her door, after the eastern wont, she holds up the missing treasure, and calls on her neighbours and friends (the substantives are feminine now) to rejoice with her.

The third parable carries the thought still higher, forming the crown of the ascending series. Not only is there a mathematical progression, as the lost fraction increases from one-hundredth to one-tenth, and then to one-half of the whole, but the intrinsic value of the loss rises in a corresponding series. In the first it was a lost sheep, a loss which might soon be replaced, and which would soon be forgotten; in the second it was a lost coin, which, as we have seen, meant the loss of what was more valuable than gold, even honour and character; while in the third it is a lost child. We call it the parable of the Prodigal Son; it might with equal propriety be called the Parable of the Bereaved Father, for the whole story crystallizes about that name, repeating it, in one form or another, no less than twelve times.

"A certain man," so begins this parabolic Paternoster, "had two sons." Tired of the restraints of home and the surveillance of the father's eye, the younger of them determined to see the world for himself, in order, as the sequel shows, that he might have a free hand, and give loose reins to his passions. With a cold, impertinent bluntness, he says to the father, whose death he thus anticipates, "Father, give me the portion of thy substance that falleth to me," a command whose sharp, imperative tone shows but too plainly the proud, masterful spirit of the youth. He respects neither age nor law; for though the paternal estate could be divided during the father's life, no son, much less the younger, had any right to demand it. The father grants the request, dividing "unto them," as it reads, "his living;" for the same line which marks off the portion of the younger marks out too that of the elder son, though he holds his portion as yet only in promise. Not many days after—for having found its wings, the foolish bird is in haste to fly—the youth gathers all together, and then takes his journey into a far country. The down grades of life are generally steep and short, and so one sentence is enough to describe this descensus Averni, down which the youth plunges so insanely: "He wasted his substance with riotous living," scattering it, as the verb means, throwing it away after low, illicit pleasures. "And when he had spent all"—the "all" he had scrambled for and gathered a short while before—"there arose a mighty famine in that country; and he began to be in want;" and so great were his straits, so remorseless the pangs of hunger, that he was glad to attach himself to a citizen of that country as swineherd, living out in the fields with his drove, like the swineherds of Gadara. But such was the pressure of the famine that his mere pittance could not cope with famine prices, and again and again he hungered to have his fill of the carob-pods, which were dealt out statedly and sparingly to the swine. But no man gave even these to him; he was forgotten, as one already dead.

Such is the picture Jesus draws of the lost man, a picture of abject misery and degradation. When the sheep wandered it strayed unwittingly, blindly, getting farther from its fellows and its fold even when bleating vainly for them. When the drachma was lost it did not lose itself, nor had it any consciousness that it had dropped out of its proper environment. But in the case of the lost man it was altogether different. Here it is a wilful perversity, which breaks through the restraints of home, tramples upon its endearments, and throws up a blighted life, scarred and pealed amid the husks and swine of a far country. And it is this element of perversity, self-will, which explains, as indeed it necessitates, another marked difference in the parables. When the sheep and the drachma were lost there was an eager search, as the shepherd followed the wanderer over the mountain gullies, and the woman with broom and lamp went after the lost coin. But when the youth is lost, flinging himself away, the father does not follow him, except in thought, and love, and prayer. He sits "still in the house," nursing a bitter grief, and the work on the farm goes on just as usual, for the service of the younger brother would probably be not much missed. And why does not the father summon his servants, bidding them go after the lost child, bringing him home, if necessary, by force? Simply because such a finding would be no finding. They might indeed carry the wanderer home, setting down his feet by the familiar door; but of what use is that if his heart is still wayward and his will rebellious? Home would not be home to him; and with his heart in the far country, he would walk even in his father's fields and in his father's house as an alien, a foreigner. And so all embassies, all messages would be in vain; and even a father's love can do no more than wait, patiently and prayerfully, in hopes that a better spirit may yet come over him, and that some rebound of feeling may bring him home, a humbled penitent. The change comes at length, and the slow morning dawns.

When the photographer wishes to develop the picture that is hidden in the film of the sensitive plate he carries it to a darkened room, and bathed in the developing solution the latent image gradually appears, even to the minutest details. It was so here; for when in his extremest need, with the pinch of a fearful hunger upon him, and the felt darkness of a painful isolation surrounding him, there came into the prodigal's soul a sweet picture of the far-away home, the home which might still have been his but for his wantonness, but which is his now only in memory. It is true his first thoughts of that home were not very lofty; they only crouched with the dogs under the father's table, or hovered around the plentiful board of the servants, attracted by the "bread enough and to spare." But such is the natural association of ideas; the carob-pods of the swine naturally suggest the bread of the servants, while this in turn opens up all the chambers of the father's house, reviving its half-faded images of happiness and love, and awaking all the sweet memories that sin had stifled and silenced. That it was so here, the lower leading up to the higher thought, is evident from the young man's soliloquy: "I will arise and go to my father, and will say unto him, Father, I have sinned against Heaven and in thy sight: I am no more worthy to be called thy son: make me as one of thy hired servants." The hunger for the servants' bread is all forgotten now, swallowed up in the hunger of the soul, as it pines for the father's presence and for the father's smile, longing for the lost Eden. The very name "father" strikes with a strange music upon his awakened and penitent soul, making him for the time half-oblivious to his present wretchedness; and as Memory recalls a bright but vanished past, Hope peoples the dark sky with a heavenly host, who sing a new Advent, the dawn of a heavenly day. An Advent? Perhaps it was an Easter rather, with a "resurrection from earth to things above," an Easter whose anthem, in songs without end, was, "I will arise and go to my father," that Resurgam of a new and holier life.