Expositor's Bible: The Gospel of St Luke

by Henry Burton

No sooner is the "I will" spoken than there is a reversing of all the wheels. The hands follow whither the heart has gone; the feet shake off the dust of the far country, retracing the steps they measured so foolishly and lightly before; while the eyes, washed by their bitter tears—

"Not backward are their glances bent,
But onward to the Father's house."

"And he arose and came to his father." He came to himself first; and having found that better self, he became conscious of the void he had not felt before. For the first time he realizes how much the father is to him, and how terrible the bereavement and loss he inflicted upon himself when he put between that father and himself the desert of an awful distance. And as the bright memories of other days flash up within his soul, like the converging rays of a borealis, they all turn towards and centre in the father. Servants, home, and loaves of bread alike speak of him whose very shadow is brightness to the self-orphaned child. He yearns for the father's presence with a strange and intense yearning; and could that presence be his again, even if he were nothing more than a servant, with but casual interviews, hearing his voice but in its commanding tones, he would be content and happy.

And so he comes and seeks the father; will the father relent and receive him? Can he overlook and forgive the waywardness and wantonness which have embittered his old age? Can he receive him back even as a servant, a child who has scorned his authority, slighted his love, and squandered his substance in riotous living? Does the father say, "He has made his own bed, and he must lie upon it; he has had his portion, even to the swept-up crumbs, and there is nothing left for him now"? No, for there is something left, a treasure which he might scorn, indeed, but which he could not throw away, even a heritage of love. And what a picture the parable draws of the love that hopeth and endureth all things! "But while he was yet afar off, his father saw him, and was moved with compassion, and ran, and fell on his neck, and kissed him." As the moon in her revolutions lifts up the tides, drawing the deep oceans to herself, so do the unsounded depths of the father's heart turn towards the prodigal whose life has set, dropping out of sight behind wildernesses of darkness. Thought, prayer, pity, compassion, love flow out towards the attraction they can no longer see. Nay, it seems as if the father's vision were transfixed riveted to the spot where the form of his erring lad vanished out of sight; for no sooner has the youth come within sight of the home, than the father's eyes, made telescopic with love, discern him, and as if by intuition, recognize him, even though his attire be mean and tattered, and his step has no longer the lightness of innocence nor the firmness of integrity. It is, it is his child, the erring but now repenting child, and the pent-up emotions of the father's soul rush out as in a tumultuous freshet to meet him. He even "ran" to meet him, all forgetful of the dignity of years, and throwing himself upon his neck, he kissed him, not either with the cold kiss of courtesy, but with the warm, fervent kiss of love, as the intensive prefix of the verb implies.

So far this scene of reconciliation has been as a dumb show. The storm of emotion so interrupted the electric flow of quiet thought and speech that no word was spoken in the mutual embrace. When, however, the power of speech returns the youth is the first to break the silence. "Father," he said, repeating the words of his mental resolve when in the far country, "I have sinned against Heaven, and in thy sight: I am no more worthy to be called thy son." It is no longer the sense of physical need, but the deeper sense of guilt, that now presses upon his soul. The moral nature, which by the anodynes of sin had been thrown into a state of coma, awakes to a vivid consciousness, and in the new awakening, in the broadening light of the new dawn, he sees one thing only, and that is his sin, a sin which has thrown its blackness over the wasted years, which has embittered a father's heart, and which cast its shadow even into heaven itself. Nor is it the conviction of sin only; there is a full and frank confession of it, with no attempt at palliation or excuse. He does not seek to gloss it over, but smiting his breast with bitter reproaches, he confesses his sin with "a humble, lowly, penitent, and obedient heart," hoping for the mercy and forgiveness he is conscious he does not deserve. Nor does he hope in vain. Even before the confession is completed, the absolution is spoken, virtually at least; for without allowing the youth to finish his sentence, in which he offers to renounce his sonship and to accept a menial position, the father calls to the servants, "Bring forth quickly the best robe, and put it on him; and put a ring on his hand, and shoes on his feet: and bring the fatted calf, and kill it, and let us eat and make merry." In this peal of imperatives we detect the rapid beating of the father's heart, the loving, eager haste to wipe out all the sad marks that sin has left. In the luminous atmosphere of the father's love the youth is no more the prodigal; he is as one transfigured; and now that the chrysalis has left the mire, and crept up into the sunlight, it must have a dress befitting its new summer life, wings of gauze, and robes of rainbow hues. The best, or "the first robe" as it is in the Greek, must be brought out for him; a signet-ring, the pledge of authority, must be put upon his hand; shoes, the badge of freedom, must be found for the tired and bared feet; while for the merry-making which is extemporized, the domestic festa which is the crown of these rejoicings, the fatted calf, which was in reserve for some high festival, must be killed. And all this is spoken in a breath, in a sort of bewilderment, the ecstasy of an excessive joy; and forgetting that the simple command is enough for servants, the master must needs tell out his joy to them: "For this my son was dead, and is alive again; he was lost, and is found."

If the three parables were all through coincident, the parable of the Prodigal Son should close at this point, the curtain dropping over the festive scene, where songs, and music, and the rhythm of the dance are the outward and weak expressions of the father's joy over the son who comes back from the far country, as one alive from the dead. But Jesus has another purpose; He must not only plead the cause of the outcast and the low, setting open for them the door of mercy and of hope; He must also rebuke and silence the unreasoning murmur of the Pharisees and scribes—which He does in the picture of the Elder Brother. Coming from the field, the heir is surprised to find the whole house given up to an impromptu feast. He hears the sounds of merriment and music, but its strains fall strange and harsh upon his ear. What can it mean? Why was he not consulted? Why should his father thus take occasion of his absence in the fields to invite his friends and neighbours? The proud spirit chafes under the slight, and calling one of the servants, he asks what it all means. The answer is not reassuring, for it only perplexes and pains him the more: "Thy brother is come; and thy father hath killed the fatted calf, because he hath received him safe and sound"—an answer which does but deepen his displeasure, turning his sullenness to anger. "And would not go in." They may end the feast, as they began it, without him. The festive joy is something foreign to his nature; it awakes but feelings of repulsion, and all its music is to him a grating discord, a Miserere.

But let us not be too severe upon the elder brother. He was not perfect, by any means, but in any appraisement of his character there are certain veinings of worth and nobleness that must not be omitted. We have already seen how, in the division of the father's goods, when he divided unto them his living, while the younger took away his portion, and swiftly scattered it in riotous living, the elder brother took no advantage of the deed of gift. He did not dispossess the father, securing for himself the paternal estate. He put it back into his father's hands, content with the filial relation of dependence and obedience. The father's word was still his law. He was the dutiful son; and when he said, "These many years do I serve thee, and I never transgressed a commandment of thine," the boast was no exaggeration but the statement of a simple truth. Compared with the life of the prodigal, the life of the elder brother had been consistent, conscientious, and moral. Where, then, was his failure, his lack? It was just here, in the lack of heart, the absence of affection. He bore the name of a son, but he carried the heart of a servant. His nature was servile, rather than filial; and while his hands offered a service unremitting and precise, it was the cold service of an impassive mechanism. Instead of love passing out in living heart-throbs, suffusing all the life with its warmth, and clothing it in its own iridescent colouring, it was only a metallic mainspring called "duty." The father's presence is not the delight to him; he does not once mention that tender name in which the repenting one finds such a heaven; and when he draws the picture of his highest happiness, the feast of his earthly Walhalla, "my friends" are there, though the father is excluded. And so between the father and the elder brother, with all this seeming nearness, there was a distance of reserve, and where the voices of affection and of constant communion should have been heard there was too often a vacancy of silence. It takes a heart to read a heart; and since this was wanting in the elder brother, he could not know the heart of the father; he could not understand his wild joy. He had no patience with his younger brother; and had he received him back at all, it would have been with a haughty stiffness, and with a lowering in his looks, which should have been at once a rebuke for the past and a warning for the future. The father looked on his son's repentance; the elder brother did not regard the repentance at all; perhaps he had not heard of it, or perhaps he could not understand it; it was something that lay out of the plane of his consciousness. He saw the sin only, how the younger son had devoured his living with harlots; and so he was severe, exacting, bitter. He would have brought out the sackcloth, but nothing more; while as to the music and the fatted calf, they would appear to his loveless soul as an absurd anachronism.

But far removed as he is from the father's spirit, he is still his son; and though the father rejoices more over the younger than over the elder, as was but natural, he loves them both with an equal love. He cannot bear that there should be any estrangement now; and he even leaves the festive throng, and the son he has welcomed and robed, and going out, he begs, he entreats the elder brother to pass in, and to throw himself into the general joy. And when the elder son complains that, with all his years of obedient, dutiful service, he has never had even a kid, much less a fatted calf, on which to feast his friends, the father says, lovingly, but chidingly, "Son"—or "Child," rather, for it is a term of greater endearment than the "son" he had just used before—"thou art ever with me, and all that is mine is thine. But it was meet to make merry and be glad: for this thy brother was dead, and is alive again; and was lost, and is found." He plays upon the "child" as upon a harp, that he may drive away the evil spirits of jealousy and anger, and that even within the servant-heart he may awake some chords, if only the far-off echoes of a lost childhood. He reminds him how vastly different their two positions are. For him there has been no break in their intercourse; the father's house has been his home; he has had the free range of all: to the younger that home has been nothing but a distant memory, with a waste of dreary years between. He has been heir and lord of all; and so completely have father and son been identified, their separate personalities merged the one in the other, that the possessive pronouns, the "mine" and the "thine," are used interchangeably. The younger returns penniless, disinherited by his own misdeed. Nay, he has been as one dead; for what was the far country but a vault of slimy things, the sepulchre of a dead soul? "And should we not make merry and be glad, when thy brother" (it is the antithesis to "thy son" of ver. 30, a mutual "thy") "comes back to us as one raised from the dead?"

Whether the father's pleading prevailed, or not, we are not told. We can but hope it did, and that the elder brother, with his asperities all dissolved, and his jealousies removed, did pass within to share the general joy, and to embrace a lost brother. Then he too would know the sweetness of forgiveness, and taught by the erring but now forgiven one, he too would learn to spell out more correctly that deep word "father," the word he had stammered at, and perhaps misspelt before, as the fatherhood and the brotherhood became to him not ideas merely, but bright realities.

Gathering up now the lessons of the parables, they show us (1) the Divine grief over sin. In the first two this is the prominent thought, the sorrow of the loser. God is represented as losing that which is of worth to Him, something serviceable, and therefore valuable. In the third parable the same idea is suggested rather than stated; but the thought is carried farther, for now it is more than a loss, it is a bereavement the father suffers. The retreating form of the wanderer throws back its shadow across the father's home and heart, a shadow that congeals and stays, and that is darker than the shadow of Death itself. It is the Divine Grief, whose depths we cannot sound, and from whose mystery we must stand back, not one stone's cast, but many.