One improvement we could suggest in this last, as indeed in most epics,—that he should let in the sun oftener upon his picture. It does not often enough appear, but it is all revolution, the old way of human life turned simply bottom upward, so that when at length we are inadvertently reminded of the “Brest Shipping,” a St. Domingo colony, and that anybody thinks of owning plantations, and simply turning up the soil there, and that now at length, after some years of this revolution, there is a falling off in the importation of sugar, we feel a queer surprise. Had they not sweetened their water with revolution then? It would be well if there were several chapters headed “Work for the Month,”—Revolution-work inclusive, of course,—“Altitude of the Sun,” “State of the Crops and Markets,” “Meteorological Observations,” “Attractive Industry,” “Day-Labor,” &c., just to remind the reader that the French peasantry did something beside go without breeches, burn châteaus, get ready knotted cords, and embrace and throttle one another by turns. These things are sometimes hinted at, but they deserve a notice more in proportion to their importance. We want not only a background to the picture, but a ground under the feet also. We remark, too, occasionally, an unphilosophical habit, common enough elsewhere, in Alison’s History of Modern Europe, for instance, of saying, undoubtedly with effect, that if a straw had not fallen this way or that, why then—but, of course, it is as easy in philosophy to make kingdoms rise and fall as straws.
The poet is blithe and cheery ever, and as well as nature. Carlyle has not the simple Homeric health of Wordsworth, nor the deliberate philosophic turn of Coleridge, nor the scholastic taste of Landor, but, though sick and under restraint, the constitutional vigor of one of his old Norse heroes, struggling in a lurid light, with Jötuns still, striving to throw the old woman, and “she was Time,”—striving to lift the big cat, and that was “the Great World-Serpent, which, tail in mouth, girds and keeps up the whole created world.” The smith, though so brawny and tough, I should not call the healthiest man. There is too much shop-work, too great extremes of heat and cold, and incessant ten-pound-ten and thrashing of the anvil, in his life. But the haymaker’s is a true sunny perspiration, produced by the extreme of summer heat only, and conversant with the blast of the zephyr, not of the forge-bellows. We know very well the nature of this man’s sadness, but we do not know the nature of his gladness.
The poet will maintain serenity in spite of all disappointments. He is expected to preserve an unconcerned and healthy outlook over the world, while he lives. Philosophia practica est eruditionis meta,—Philosophy practised is the goal of learning; and for that other, Oratoris est celare artem, we might read, Herois est celare pugnam,—the hero will conceal his struggles. Poetry is the only life got, the only work done, the only pure product and free labor of man, performed only when he has put all the world under his feet, and conquered the last of his foes.
Carlyle speaks of Nature with a certain unconscious pathos for the most part. She is to him a receded but ever memorable splendor, casting still a reflected light over all his scenery. As we read his books here in New England, where there are potatoes enough, and every man can get his living peacefully and sportively as the birds and bees, and need think no more of that, it seems to us as if by the world he often meant London, at the head of the tide upon the Thames, the sorest place on the face of the earth, the very citadel of conservatism.
In his writings, we should say that he, as conspicuously as any, though with little enough expressed or even conscious sympathy, represents the Reformer class, and all the better for not being the acknowledged leader of any. In him the universal plaint is most settled, unappeasable, and serious. Until a thousand named and nameless grievances are righted, there will be no repose for him in the lap of nature, or the seclusion of science and literature. By foreseeing it, he hastens the crisis in the affairs of England, and is as good as many years added to her history.
To do himself justice, and set some of his readers right, he should give us some transcendent hero at length, to rule his demigods and Titans; develop, perhaps, his reserved and dumb reverence for Christ, not speaking to a London or Church of England audience merely. Let not “sacred silence meditate that sacred matter” forever, but let us have sacred speech and sacred scripture thereon.
Every man will include in his list of worthies those whom he himself best represents. Carlyle, and our countryman Emerson, whose place and influence must erelong obtain a more distinct recognition, are, to a certain extent, the complement of each other. The age could not do with one of them, it cannot do with both. To make a broad and rude distinction, to suit our present purpose, the former, as critic, deals with the men of action,—Mahomet, Luther, Cromwell; the latter with the thinkers,—Plato, Shakespeare, Goethe; for, though both have written upon Goethe, they do not meet in him. The one has more sympathy with the heroes, or practical reformers, the other with the observers, or philosophers. Put their worthies together, and you will have a pretty fair representation of mankind; yet with one or more memorable exceptions. To say nothing of Christ, who yet awaits a just appreciation from literature, the peacefully practical hero, whom Columbus may represent, is obviously slighted; but above and after all, the Man of the Age, come to be called workingman, it is obvious that none yet speaks to his condition, for the speaker is not yet in his condition.
Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West,—
In the East fames are won,
In the West deeds are done.