How is it that motion will always find space to move in, and rest a seat? Men hate antagonism, and the weaker will always yield to the stronger. If a stranger enter with sufficient determination into a crowded assembly, as if commissioned by the gods to find a seat there, as the falling stone by a divine impulse seeks a resting-place, each one will rise without thinking to offer his place. Now we have only to be commissioned to sit, and depend upon it the gods will not balk their own work. Ye came one day too late, as did the poet after the world had been divided, and so returned to dwell with the god that sent him. When presumptuous womanhood demands to surrender my position, I bide my time,—though it be with misgiving,—and yield to no mortal shove, but expect a divine impulse. Produce your warrant, and I will retire; for not now can I give you a clear seat, but must leave part of my manhood behind and wander a diminished man, who at length will not have length and breadth enough to fill any seat at all. It was very kind in the gods who gave us a now condition, or condition of rest, in which we might unhurriedly deliberate before taking a step. When I give up my now and here without having secured my then and there, I am the prodigal son of a kind father and deserve no better than the husks which the swine eat, nor that the fatted calf be killed for me.
Rest forever. When instinct comes to the rescue of your politeness, it will seat you securely still, though it be to hang by a rail or poise yourself on a stick. To do otherwise is to be polite only as the soldier who runs away when the enemy demands his post. Politeness is rather when the generals interchange civilities before the fight, not when one returns a sword after the victory.
Not only in his cunning hand and brain, but when he speaks, too, does man assert his superiority. He conquers the spaces with his voice, as well as the lion. The voice of a strong man modulated to the cadence of some tune is more imposing than any natural sound. The keeper's is the most commanding, and is heard over all the din of the menagerie. A strong, musical voice imposes a new order and harmony upon nature; from it as a centre the law is promulgated to the universe. What it lacks in volume and loudness may always be made up in musical expression and distinctness. The brute growls to secure obedience; he threatens. The man speaks as though obedience were already secured.
Brave speaking is the most entire and richest sacrifice to the gods.
Feb. 5. Friday. Only on rare occasions am I reminded that man too has a voice, as well as birds and quadrupeds, which breaks on the stillness of nature with its peculiar accent. The least sound pervades and subdues all space to it as long as it fills my ear. Contrasted single with the silence, it is as wide as it. Music is the crystallization of sound. There is something in the effect of a harmonious voice upon the disposition of its neighborhood analogous to the law of crystals; it centralizes itself and sounds like the published law of things. If the law of the universe were to be audibly promulgated, no mortal lawgiver would suspect it, for it would be a finer melody than his ears ever attended to. It would be sphere music.[204]
When by tutoring their voices singers enhance one another's performance, the harmony is more complete and essential than is heard. The quire is one family held together by a very close bond. Hence the romance we associate with Gypsies and circus companies and strolling musicians. The idea of brotherhood is so strong in them. Their society is ideal for that one end.
There is something in this brotherhood—this feeling of kind, or kindness—which insensibly elevates the subjects of it in our eyes. However poor or mean, they have something which counterbalances our contempt. This is that in the strolling pauper family which does not court our charity but can even bless and smile on us and make the kindness reciprocal. It sanctifies the place and the hour.
These Rainers, if they are not brothers and sisters, must be uncles and cousins at least. These Swiss who have come to sing to us, we have no doubt are the flower of the Tyrol.[205] Such is the instinctive kindness with which the foreigner is always received, that he is ever presumed to be the fairest and noblest of his race. The traveller finds that it is not easy to move away from his friends, after all, but all people whom he visits are anxious to supply the place to him of his parents and brothers and sisters. To these Swiss I find that I have attributed all Tell's patriotism and the devotion of Arnold Winkelried and whatever goodness or greatness belongs to the nation.
All costume off a man, when not simply doffed, is grotesque. There must be a heart inside it. When these Swiss appear before me in gaiters and high-crowned hats with feathers, I am disposed to laugh, but soon I see that their serious eye becomes these and they it. It is the sincere life passed within it which consecrates the costume of any people. A sufficiently sober eye will retrieve itself and subordinate any grotesqueness. Let Harlequin be taken with a fit of the colic in the midst of his buffoonery, and his trappings and finery will serve that mood too and with their drooping sympathy enhance the sincerity of his misfortune. When the soldier is hit by a cannon-ball, rags are as becoming as purple.[206] So soon as a man engages to eat, drink, sleep, walk, and sit, and meet all the contingencies of life therein, his costume is hallowed and a theme for poetry, whether it be a bear's skin or ermine, a beaver hat or a Turkish turban. He will not wear anything because it is blue, or black, or round, or square, but from a necessity which cannot be superseded.
I look into the face and manners for something familiar and homely even, to be assured that the costume of the foreigner is not whimsical or finical.