In all emergencies there is always one step which you may take on firm ground where gravity will assure you footing. So you hold a draft on Fate payable at sight.

Feb. 6. Saturday. One may discover a new side to his most intimate friend when for the first time he hears him speak in public. He will be stranger to him as he is more familiar to the audience. The longest intimacy could not foretell how he would behave then. When I observe my friend's conduct toward others, then chiefly I learn the traits in his character, and in each case I am unprepared for the issue.

When one gets up to address briefly a strange audience, in that little he may have opportunity to say he will not quite do himself injustice. For he will instantly and instinctively average himself to his audience, and while he is true to his own character still, he will in a few moments make that impression which a series of months and years would but expand. Before he answers, his thought like lightning runs round the whole compass of his experiences, and he is scrupulous to speak from that which he is and with a more entire truthfulness than usual. How little do we know each other then! Who can tell how his friend would behave on any occasion?

As for those Swiss, I think of the fields their hands have plowed and reaped, and respect their costume as the memorial or rather cotemporary and witness of this. What is there in a toga but a Roman? What but a Quaker in a broad-brimmed hat? He who describes the dress of a Janizary going to war does me a similar service as when he paints the scenery of the battle-field. It helps make his exploit picturesque.

Costume is not determined by whim, not even the tattooing and paint of the savage. Sun, wind, rain, and the form of our bodies shape our hats and coats for us, more even than taste. Good taste secures the utmost gratification without sacrificing any conveniences. If all nations derived their fashions from Paris or London, the world would seem like a Vanity Fair or all fools' day, and the Tartar and Bedouin ride in it like jesters in a circus, and the Pawnee and Esquimau hunt in masquerade. What I am must make you forget what I wear. The fashionable world is content to be eclipsed by its dress, and never will bear the contrast. Only industry will reform their dress. They are idle,—exostrious, building without.

The value of the recess in any public entertainment consists in the opportunity for self-recovery which it offers. We who have been swayed as one heart, expanding and contracting with the common pulse, find ourselves in the interim, and set us up again, and feel our own hearts beating in our breasts. We are always a little astonished to see a man walking across the room, through an attentive audience, with any degree of self-possession. He makes himself strange to us. He is a little stubborn withal, and seems to say, "I am self-sustained and independent as well as the performer, and am not to be swallowed up in the common enthusiasm. No, no, there are two of us, and John's as good as Thomas." In the recess the audience is cut up into a hundred little coteries, and as soon as each individual life has recovered its tone and the purposes of health have been answered, it is time for the performances to commence again.

In a public performer, the simplest actions, which at other times are left to unconscious nature, as the ascending a few steps in front of an audience, acquire a fatal importance and become arduous deeds.

When I select one here and another there, and strive to join sundered thoughts, I make but a partial heap after all. Nature strews her nuts and flowers broadcast, and never collects them into heaps. A man does not tell us all he has thought upon truth or beauty at a sitting, but, from his last thought on the subject, wanders through a varied scenery of upland, meadow, and woodland to his next. Sometimes a single and casual thought rises naturally and inevitably with a queenly majesty and escort, like the stars in the east. Fate has surely enshrined it in this hour and circumstances for some purpose. What she has joined together, let not man put asunder. Shall I transplant the primrose by the river's brim, to set it beside its sister on the mountain? This was the soil it grew in, this the hour it bloomed in. If sun, wind, and rain came here to cherish and expand it, shall not we come here to pluck it? Shall we require it to grow in a conservatory for our convenience?

I feel slightly complimented when Nature condescends to make use of me without my knowledge, as when I help scatter her seeds in my walk, or carry burs and cockles on my clothes from field to field.[207] I feel as though I had done something for the commonweal, and were entitled to board and lodging. I take such airs upon me as the boy who holds a horse for the circus company, whom all the spectators envy.

"Lu ral lu ral lu" may be more impressively sung than very respectable wisdom talked. It is well-timed, as wisdom is not always.