Containing the extraordinary behaviour of Miss Matthews on her meeting with Booth, and some endeavours to prove, by reason and authority, that it is possible for a woman to appear to be what she really is not.

Eight or nine years had past since any interview between Mr. Booth and Miss Matthews; and their meeting now in so extraordinary a place affected both of them with an equal surprize.

After some immaterial ceremonies, the lady acquainted Mr. Booth that, having heard there was a person in the prison who knew her by the name of Matthews, she had great curiosity to inquire who he was, whereupon he had been shewn to her from the window of the house; that she immediately recollected him, and, being informed of his distressful situation, for which she expressed great concern, she had sent him that guinea which he had received the day before; and then proceeded to excuse herself for not having desired to see him at that time, when she was under the greatest disorder and hurry of spirits.

Booth made many handsome acknowledgments of her favour; and added that he very little wondered at the disorder of her spirits, concluding that he was heartily concerned at seeing her there; "but I hope, madam," said he—

Here he hesitated; upon which, bursting into an agony of tears, she cried out, "O captain! captain! many extraordinary things have passed since last I saw you. O gracious heaven! did I ever expect that this would be the next place of our meeting?"

She then flung herself into her chair, where she gave a loose to her passion, whilst he, in the most affectionate and tender manner, endeavoured to soothe and comfort her; but passion itself did probably more for its own relief than all his friendly consolations. Having vented this in a large flood of tears, she became pretty well composed; but Booth unhappily mentioning her father, she again relapsed into an agony, and cried out, "Why? why will you repeat the name of that dear man? I have disgraced him, Mr. Booth, I am unworthy the name of his daughter."—Here passion again stopped her words, and discharged itself in tears.

After this second vent of sorrow or shame, or, if the reader pleases, of rage, she once more recovered from her agonies. To say the truth, these are, I believe, as critical discharges of nature as any of those which are so called by the physicians, and do more effectually relieve the mind than any remedies with which the whole materia medica of philosophy can supply it.

When Mrs. Vincent had recovered her faculties, she perceived Booth standing silent, with a mixture of concern and astonishment in his countenance; then addressing herself to him with an air of most bewitching softness, of which she was a perfect mistress, she said, "I do not wonder at your amazement, Captain Booth, nor indeed at the concern which you so plainly discover for me; for I well know the goodness of your nature: but, O, Mr. Booth! believe me, when you know what hath happened since our last meeting, your concern will be raised, however your astonishment may cease. O, sir! you are a stranger to the cause of my sorrows."

"I hope I am, madam," answered he; "for I cannot believe what I have heard in the prison—surely murder"—at which words she started from her chair, repeating, "Murder! oh! it is music in my ears!—You have heard then the cause of my commitment, my glory, my delight, my reparation! Yes, my old friend, this is the hand, this is the arm that drove the penknife to his heart. Unkind fortune, that not one drop of his blood reached my hand.—Indeed, sir, I would never have washed it from it.—But, though I have not the happiness to see it on my hand, I have the glorious satisfaction of remembering I saw it run in rivers on the floor; I saw it forsake his cheeks, I saw him fall a martyr to my revenge. And is the killing a villain to be called murder? perhaps the law calls it so.—Let it call it what it will, or punish me as it pleases.—-Punish me!—no, no—-that is not in the power of man—not of that monster man, Mr. Booth. I am undone, am revenged, and have now no more business for life; let them take it from me when they will."

Our poor gentleman turned pale with horror at this speech, and the ejaculation of "Good heavens! what do I hear?" burst spontaneously from his lips; nor can we wonder at this, though he was the bravest of men; for her voice, her looks, her gestures, were properly adapted to the sentiments she exprest. Such indeed was her image, that neither could Shakspear describe, nor Hogarth paint, nor Clive act, a fury in higher perfection.