[Illustration: She then gave a loose to her passions]
"What do you hear?" reiterated she. "You hear the resentment of the most injured of women. You have heard, you say, of the murder; but do you know the cause, Mr. Booth? Have you since your return to England visited that country where we formerly knew one another? tell me, do you know my wretched story? tell me that, my friend."
Booth hesitated for an answer; indeed, he had heard some imperfect stories, not much to her advantage. She waited not till he had formed a speech; but cried, "Whatever you may have heard, you cannot be acquainted with all the strange accidents which have occasioned your seeing me in a place which at our last parting was so unlikely that I should ever have been found in; nor can you know the cause of all that I have uttered, and which, I am convinced, you never expected to have heard from my mouth. If these circumstances raise your curiosity, I will satisfy it."
He answered, that curiosity was too mean a word to express his ardent desire of knowing her story. Upon which, with very little previous ceremony, she began to relate what is written in the following chapter.
But before we put an end to this it may be necessary to whisper a word or two to the critics, who have, perhaps, begun to express no less astonishment than Mr. Booth, that a lady in whom we had remarked a most extraordinary power of displaying softness should, the very next moment after the words were out of her mouth, express sentiments becoming the lips of a Dalila, Jezebel, Medea, Semiramis, Parysatis, Tanaquil, Livilla, Messalina, Agrippina, Brunichilde, Elfrida, Lady Macbeth, Joan of Naples, Christina of Sweden, Katharine Hays, Sarah Malcolm, Con Philips,[Footnote: Though last not least.] or any other heroine of the tender sex, which history, sacred or profane, ancient or modern, false or true, hath recorded.
We desire such critics to remember that it is the same English climate, in which, on the lovely 10th of June, under a serene sky, the amorous Jacobite, kissing the odoriferous zephyr's breath, gathers a nosegay of white roses to deck the whiter breast of Celia; and in which, on the 11th of June, the very next day, the boisterous Boreas, roused by the hollow thunder, rushes horrible through the air, and, driving the wet tempest before him, levels the hope of the husbandman with the earth, dreadful remembrance of the consequences of the Revolution.
Again, let it be remembered that this is the selfsame Celia, all tender, soft, and delicate, who with a voice, the sweetness of which the Syrens might envy, warbles the harmonious song in praise of the young adventurer; and again, the next day, or, perhaps the next hour, with fiery eyes, wrinkled brows, and foaming lips, roars forth treason and nonsense in a political argument with some fair one of a different principle.
Or, if the critic be a Whig, and consequently dislikes such kind of similes, as being too favourable to Jacobitism, let him be contented with the following story:
I happened in my youth to sit behind two ladies in a side-box at a play, where, in the balcony on the opposite side, was placed the inimitable B—-y C—-s, in company with a young fellow of no very formal, or indeed sober, appearance. One of the ladies, I remember, said to the other—"Did you ever see anything look so modest and so innocent as that girl over the way? what pity it is such a creature should be in the way of ruin, as I am afraid she is, by her being alone with that young fellow!" Now this lady was no bad physiognomist, for it was impossible to conceive a greater appearance of modesty, innocence, and simplicity, than what nature had displayed in the countenance of that girl; and yet, all appearances notwithstanding, I myself (remember, critic, it was in my youth) had a few mornings before seen that very identical picture of all those engaging qualities in bed with a rake at a bagnio, smoaking tobacco, drinking punch, talking obscenity, and swearing and cursing with all the impudence and impiety of the lowest and most abandoned trull of a soldier.