THE TEMPEST
VOL.PAGE.ACT.SC.LINE.DEVICE OR SUBJECT.PAGES.
I.20I.2387Appreciation of music[116]
36II.27Ape and miser’s gold[488]
48III.2135Hands of Providence. Plate XVI.[489]
50III.321Unicorn[373]
50III.321Phœnix[373], [385]
50III.322Phœnix, type of oneliness[234], [236]
53III.395Laurel, type of conscience[422], [424]
54IV.11Thread of life[454], [455]
57IV.1110Diligence and idleness[145], [146]
64V.121rarer action in virtuev462#
THE TWO GENTLEMAN OF VERONA.
I.112II.624a swarthy Ethiope[162]
121III.1153Phaeton[285], [286]
129III.268Orpheus and harp[273], [274]
135IV.238Gem in ring of gold[418], [419]
143IV.487The Fox and Grapes[310], [312]
THE MERRY WIVES OF WINDSOR.
I.177I.364East and West Indies[351], [352]
186II.1106Actæon and hounds[275], [276]
190II.25Gemini,—Zodiac. Plate XIII.[353], [355]
196II.2187Shadows fled and followed[466], [468]
MEASURE FOR MEASURE.
I.296I.128Hen eating her own eggs[411], [412]
303I.2158Zodiac, signs of. Plate XIII.[353], [354]
324II.2149Gold on the touchstone[175], [180]
327II.41Student entangled in love[441]
334III.16Idiot-fool, and death, Holbein’s Simulachres[472]
334III.117Sleep and death, Holbein’s Simulachres[469], [470]
340III.1175Gem in ring of gold[417], [418]
THE COMEDY OF ERRORS.
I.411II.197Eagle renewing its feathers[369]
417II.2167Elm and vine[307], [309]
425III.227Sirens and Ulysses[253], [254]
429III.2131America[351], [352]
437IV.253Time turning back[473]
455V.1210Circe transforming men[252]
MUCH ADO ABOUT NOTHING.
II.22II.1214Withered branch[181]
69V.14Water through a sieve[329], [331]
75V.1170Adam hiding[415], [416]
LOVE’S LABOUR’S LOST.
II.97I.11Ruins and writings[443], [444]
97I.14Time leading the Seasons. [Plate XVII.][491]
114II.156Bear, cub, and Cupid[349], [350]
138IV.2100Oak and reed, or osier[315], [316]
144IV.397Rose and thorn[333], [334]
144IV.3111Juno but an Ethiope were[162]
151IV.3308Bacchus[247], [249]
MIDSUMMER NIGHT’S DREAM.
II.204I.1168arrow with a golden head[404]
205I.1180Astronomer and magnet[335], [336]
206I.1232Bear, cub, and Cupid[349]
215II.1148Appreciation of melody[116]
216II.1155Cupid and Death[401], [404]
216II.1173Drake’s ship[413], [415]
216II.1181Ape and miser’s gold[488]
217II.1194Astronomer and magnet[335], [336]
218II.1227Daphne changed to a laurel[296], [297]
218II.1231Gelding’s Ovid used[244]
225II.2145Countryman and serpent[197], [198]
239III.2200Coats in heraldry[218], [220]
240III.2237Ape and miser’s gold[488]
241III.2260Snake on the finger[342], [343]
250IV.137Vine and elm[307], [309]
258V.11Æsop[302]
258V.112The poet’s glory[379], [380]
MERCHANT OF VENICE.
II.280I.150The two-headed Janus[139], [140]
281I.177The world a stage[133]
281I.177The world a stage. Plate XV.[407], [410]
284I.1161Golden fleece and Phryxus[229], [230]
286I.224The old man prophesying[213], [215]
286I.24Lottery[208], [209]
296II.111Lottery[208], [209]
312II.74A casket scene[150]
312II.720golden mind,” “golden bed[404]
313II.762Casket scene[150]
318II.963Casket scene[151]
319II.979Moth and candle[151], [153]
325III.241Insignia of Poets[218], [219]
328III.2115A painter’s power[112]
345IV.175The mountain pine[476]
347IV.1124Envy, description of[432], [433]
360V.154Appreciation of melody[116]
361V.170Power of music[271], [273]
AS YOU LIKE IT.
II.391I.369Juno’s swans, Golding’s Ovid[244]
393I.3120Ganymede, Golding’s Ovid[244]
394II.129The wounded stag[397], [398]
400II.443Sword broken on an anvil[326], [327]
405II.713A motley fool[485]
406II.743A motley coat[485]
409II.7136Theatre of human life. Plate XIV.[405], [406]
409II.7137Theatre of human life[133], [405]
409II.7139The seven ages of man. Plate XV.[407], [409]
427III.367Hawking[366], [368]
442IV.315The Phœnix[234], [236]
THE TAMING OF THE SHREW.
III.10Ind.241Hawking[366], [367]
10Ind.247Mythological pictures by Titian[114]
10Ind.247Cytherea, Io, Daphne, Apollo[115]
10Ind.252Jupiter and Io[246]
10Ind.255Daphne and Apollo[296], [297]
23I.224Two Italian sentences[163]
45II.1338Beautiful furniture described[112]
67IV.1174Falconry[366], [367]
78IV.3165honour peereth in the meanest habit.[Plate XVI.][490]
ALL’S WELL THAT ENDS WELL.
III.112I.176Symbolical imagery[377]
119I.258Bees,—and native land[361], [365]
123I.373A lottery[208], [210]
127I.3182Cupid and the sieve[329], [330]
132II.140cicatrice an emblem of war[9]
133II.159The Fox and the Grapes[310], [311]
201V.35Niobe’s children slain[292], [293]
TWELFTH NIGHT.
III.223I.19Actæon and the hounds[277], [278]
224I.133The rich golden shaft[404]
225I.210Arion and the dolphin[280], [282]
231I.3127Zodiac,—Taurus. Plate XIII.[353], [355]
234I.550Mottoes,—Latin, &c.[138]
240I.5214Power of judging artistic skill[113]
257II.515A turkey-cock[357]
257II.527A turkey-cock[357]
265III.168Snatches of French[163]
271III.273New map with the Indies[352]
285III.4340Whitney’s Introduction[464]
THE WINTER’S TALE.
III.323I.2115The wounded deer[398], [400]
371IV.17Old Time, power of[473]
382IV.4116Proserpina,—see Ovid[244]
383IV.4135Poetic ideas, or symbolical imagery[379]
420V.28Julio Romano[110]
422V.314Description of statuary[109]
423V.318Sleep and death, Holbein’s Simulachres[469], [470]
424V.363Description of statuary[189]
KING JOHN.
IV.17II.1134Hares biting a dead lion[305], [306]
26II.1373Theatre of human life. Plate XIV.[405], [406]
37III.196Gold on the touchstone[177], [180]
42III.1258Snake on the finger[342], [343]
65IV.2125Occasion, [259]; or Fortune[261], [264]
67IV.2170Mercury mending a lute[256], [257]
76IV.3155Wind, sun, and traveller[166]
91V.71The swan, the Poet’s badge[218], [219]
RICHARD II.
IV.116I.1202Wreath of chivalry[169], [170]
125I.3129Envy[432], [433]
130I.3275no virtue like necessity[347]
131I.3294the frosty Caucasus[347]
137II.153Wreath of chivalry[169], [170]
140II.1120The Pelican[393], [396]
145II.1270hollow eyes of death[339]
164III.212Snake in the grass[340], [343]
164III.224Cadmus and the serpent’s teeth[245]
164III.229Human dependence[465]
165III.237Drake’s ship[413], [415]
168III.2129Countryman and serpent[197], [198]
179III.3178Phaeton and the Sun-chariot[285], [286]
210V.357Countryman and serpent[197], [198]
FIRST PART HENRY IV.
IV.317IV.197Ostrich with spreading wings[370]
318IV.1104Mercury[255], [257]
323IV.330Sir Walter Blount[160]
337V.282Time leading the Seasons. Plate XVII.[491]
342V.425Hydra slain by Hercules[374], [375]
SECOND PART HENRY IV.
IV.392II.241Time terminates all[323]
405II.4165Sword with Spanish motto[137], [138]
431IV.170Occasion, [259]; Fortune[261], [264]
450IV.4103Hands of Providence. Plate XVI.[489]
453IV.535Sleep and Death, Holbein’s Simulachres[469], [470]
454IV.575Bees[361], [364]
474V.3136Prometheus chained[266], [358]
KING HENRY V.
IV.491I.Chor.5Diligence and idleness[145], [146]
493I.135Hydra slain by Hercules[374], [375]
502I.2178Bees[360], [362]
538III.41Snatches of French[163]
543III.620Image of Fortune[261], [262]
544III.644Thread of life[454], [455]
549III.710Pegasus[141], [142]
550III.754French and Latin proverb[144]
552III.7130The mastiff praised[483]
555IV.13“goodness out of evil”[447]
555IV.19Time irrevocable. Plate XVII.[491]
564IV.1256Sound sleep of the slave[147]
574IV.42Snatches of French[163]
582IV.782Human dependence[465]
588IV.8100Human dependence[465]
591V.113Turkey-cock[357], [358]
596V.248Evils of war[147]
598V.2107Snatches of French[163]
FIRST PART HENRY VI.
V.8I.1127A Talbot! a Talbot![207]
14I.2129Halcyon days[392]
20I.449Adamant on the anvil[347], [348]
25I.66Adonis’ gardens, Golding’s Ovid[243]
29II.178The cry, “A Talbot! a Talbot!”[207]
32II.311The cry, “A Talbot! a Talbot!”[207]
33II.336A picture gallery named[114]
36II.430Rose and thorn[333], [334]
40II.528Death[469]
68IV.1188Chaos,—discord[450], [453]
71IV.317Prometheus bound[266], [268]
72IV.347Prometheus bound[267], [268]
78IV.646Icarus and his ill fortune[288], [291]
80IV.760Order of St. Michael[227]
80IV.760Order of the Golden Fleece[227], [228]
82IV.792Phœnix[386], [388]
86V.330Circe[252]
SECOND PART HENRY VI.
V.129I.416Ban-dog[484]
132II.11Falconry[366], [367]
145II.345Pine-trees in a storm[477]
153III.155Fox and Grapes[310], [312]
153III.169Jackdaw in peacock’s feathers312
158III.1224Snake in the grass[340], [341]
162III.1343Countryman and serpent[197], [198]
162III.1360The porcupine[231], [232]
168III.2125Bees[361], [363]
171III.2232Conscience[421], [422]
174III.2310Envy[432], [433]
182IV.183The pelican[393], [394], [397]
185IV.227Thread of life[454], [455]
197IV.749Latin proverb, “bona terra,” &c.139
206IV.1023Ostrich eating iron[233], [234]
213V.1143Bear and ragged staff[237], [239]
215V.1196Bear and ragged staff[237], [240]
217V.228The game of chess[320]
217V.228French proverb, “La fin couronne,” &c.[320]
218V.245Æneas and Anchises[191], [192]
THIRD PART HENRY VI.
V.244I.416Phaeton[285], [286]
245I.435Phœnix[385], [386], [388]
245I.439Leash of proverbs[318]
252II.150Cupid felling a tree[324]
252II.168Human skull[337], [339]
271II.610Phaeton[285], [287]
280III.248Many drops pierce the stone[324]
281III.251Inverted torch[171], [173], [174]
284III.2153Bear, cub, and Cupid[349], [350]
285III.2188Countryman and serpent, Sinon[197], [200]
309IV.432Olive branch and laurel crown[223]
312IV.724Fox and Grapes[310], [312]
319V.134Atlas[245]
319V.154Wrongs on marble[458], [461]
324V.31Four wreaths on a spear[221], [222]
325V.41Ships sailing[435], [436], [438]
329V.525Æsop[303]
332V.618Icarus[288], [290]
KING RICHARD III.
V.473I.11Sun of York[223]
580IV.28Gold on the touchstone[177], [180]
583IV.265D. O. M.[464]
606IV.4418The phœnix[385], [389]
615V.2Sir James Blount[160]
617V.330Sir James Blount[160]
625V.3181Laurel, type of conscience[422], [425]
KING HENRY VIII.
VI.3Prol.15A motley coat[485]
45II.360Gem in a ring of gold[418], [419]
46II.375Gem in a ring of gold[418], [420]
56III.11Orpheus and his harp[271], [274]
76III.2372Laurel, type of conscience[422], [424]
79III.2446D. O. M.[465]
84IV.181Emblems literally[9]
87IV.227Wrongs on marble[458], [459]
88IV.277Swan, the Poet’s badge[218], [219]
103V.310D. O. M.[464]
104V.343Envy[432], [433]
114V.528Phœnix[385], [390]
TROILUS AND CRESSIDA
VI.130I.194Daphne[295], [296]
134I.2100Epithet golden[403], [404]
142I.333Ship sailing forward[436], [439]
142I.333Perseus’ horse[299], [300]
142I.339Pegasus[143]
143I.349Oak and reed, or osier[315], [316]
144I.375Bees[360], [361], [363]
144I.375Chaos[449], [451]
155I.3391Ban-dog, or Mastiff[483]
164II.281Paris and Helen[463]
164II.292Paris and Helen[463]
168II.39Mercury[255], [257]
169II.318Envy[432], [433]
175II.3189Cancer,—Zodiac. Plate XIII.[353], [355]
177II.3237Milo[297]
178II.3240Milo[244], [344]
191III.2169Astronomer, magnet, polestar[335], [337]
198III.3145Active exertion demanded[378]
201III.3196Hand of Providence[489]
228IV.5183Pegasus[299], [300]
230IV.5223Setting sun[323]
247V.337kindness befitting a lion[282]
253V.511Sagittary,—Zodiac. Plate XIII.[353], [355]
259V.921Hares biting a dead lion[304], [305]
261V.1116Niobe and her children[292], [294]
CORIOLANUS.
VI.287I.37Wreath of oak[224], [225]
304I.958Wreaths of victory[221], [225]
312II.1109Wreath of oak[224], [226]
323II.284Wreath of oak[224], [225]
344III.1161D. O. M.[465]
369IV.144Gold on the touchstone[175], [177], [181]
380IV.5100Sword on an anvil[325], [326]
403V.2102Oak and reed, or osier[315], [316]
407V.3101Great Roman names[201]
411V.3206Great Roman names[201]
TITUS ANDRONICUS.
VI.450II.15The zodiac. Plate XIII.[353]
451II.114Prometheus chained[266], [268]
451II.118Sirenes[253], [254]
456II.21Tabley Old Hall, chimneypiece[131]
459II.355Actæon and hounds[277], [279]
472III.112to write in the dust[461]
483III.29Theatre of human life. Plate XIV.[405], [406]
490IV.185Wrongs on marble[458], [460]
490IV.1102Wrongs on marble[458], [460]
492IV.218Conscience, power[420]
501IV.352The zodiac. Plate XIII.[353], [354]
522V.2192Progne[193]
527V.385Countryman and serpent,Sinon[200]
ROMEO AND JULIET.
VII.23I.44Cupid hoodwinked[329], [331]
30I.541Gem set in gold[418], [420]
42II.390Venus dispensing Cupid from his oaths[327]
58II.4187Astronomer and magnet[187], [335]
59II.58Doves and winged Cupid[245]
72III.21Phaeton[285], [286]
75III.269Snake in the grass[340], [341]
84III.3126Dispensing from oaths[327], [328]
117V.115Time and eternity, symbol. Plate XVII.[492]
124V.361D. O. M.[464]
126V.3111Theatre of human life. Plate XIV.[405], [406]
TIMON OF ATHENS.
VII.228II.128Jackdaw in borrowed plumes[312], [314]
245III.31Gold on the touchstone[175], [177], [180]
254III.531Wrongs on marble[458], [459]
263III.6103Timon’s intense hatred[427], [428]
265IV.135The extravagance of Timon’s hatred[429]
269IV.318The extravagance of Timon’s hatred[429]
270IV.351The extravagance of Timon’s hatred[429]
288IV.3473The extravagance of Timon’s hatred[429]
269IV.325Gold on the touchstone[175], [177], [178]
281IV.3317Mention of many animals[375]
281IV.3324Mention of many animals[376]
281IV.3331The unicorn[371], [373]
283IV.3377Gold on the touchstone[177], [178]
305V.469Timon’s epitaph[430]
JULIUS CÆSAR.
VII.322I.168Jackdaw in borrowed plumes[312], [313]
326I.2107Æneas and Anchises[191], [193]
329I.2192Characteristics of Brutus and Cassius[205]
334I.35Oak and reed, or osier[315], [316]
347II.1203Unicorn[371], [372]
363III.158Astronomer and magnet[335], [336]
368III.1205The wounded stag[398], [399]
375III.273Wrongs on marble[458], [459]
384IV.112Three-cornered world[351], [352]
389IV.321Dog baying at the moon[269], [270]
396IV.3213Occasion. Plate XII.[259], [260]
409V.380Wreath of victory[221], [224], [226]
413V.525Death of Brutus[202], [203]
MACBETH.
VII.438I.561Snake in the strawberry[340], [341]
442I.744I dare not,” “I would[376]
444II.17D. O. M.[464]
454II.271Sleep and death, Holbein’s Simulachres[469], [470]
454II.367Gorgon, Golding’s Ovid[244]
459II.410Falconry[366], [368]
467III.222After life’s fretful fever he sleeps well[492]
512V.519Theatre of life. Plate XIV.[405], [406]
512V.524Time leading on the Seasons. Plate XVII.[491]
HAMLET.
VIII.14I.271Time leading the Seasons. Plate XVII.[491]
35I.513The porcupine[231], [232]
63II.2295Man a God to man[283], [284]
79III.162Theatre of life. Plate XIV.[405], [406]
79III.160Sleep and death, Holbein’s Simulachres[469], [470]
79III.170Death’s praises, life’s evils[471]
80III.176Fardel on a swimmer[481]
97III.2259The wounded stag[398], [399]
111III.453The herald Mercury[255], [256], [258]
111III.455A poet’s artistic description[112]
117III.4205Cannon bursting[344], [345]
127IV.433The camel and his driver[283]
135IV.5135The pelican[393], [394], [396]
145IV.784Pegasus[143], [144]
153V.173Human skull[337], [338]
154V.186Human skull[337], [338]
158V.1191Human skull[337], [339]
164V.28Drake’s ship[413], [414]
KING LEAR.
VIII.280I.493Child and motley fool[485]
295I.533why seven stars[356]
307II.273King-fishers[392], [393]
317II.461Ants and grasshopper[148], [149]
320II.4129Prometheus and the vulture[266], [358]
342III.468Pelican[393], [394], [396]
366IV.164Hands of Providence. Plate XVI.[489]
416V.3171our pleasant vices, &c.[425]
OTHELLO.
VIII.477II.1129Old fond paradoxes[474]
498II.3290Hydra slain by Hercules[374], [375]
500II.3326Symbols[2]
505III.147Occasion. Plate XII.[259], [261], [265]
512III.3145Confidence kept back[434]
513III.3159Calumny[434]
574V.27Light; the Canoness[469]
581V.2146Swan[218]
586V.2249Swan[213], [216], [218], [220]
ANTONY AND CLEOPATRA.
IX.38II.2201Appreciation of art[113]
40II.2245The lottery[208], [211]
48II.595Narcissus at the stream[205], [206]
60II.7101Bacchus[246], [247]
64III.27The Phœnix[381], [387], [389]
100III.13195Ostrich, or estridge[371], [372]
109IV.65Map, “three-nooked world”[351], [353]
118IV.123Medeia, swallows on her breast[190]
123IV.1446Lamp, or torch of life[456]
132IV.1584Lamp of life[456]
150V.2277Time’s and eternity’s emblems. Plate XVII.[491]
151V.2305Chimney-piece at the Old Hall, Tabley[131]
CYMBELINE.
IX.167I.1130The eagle renewing its feathers[369]
183I.612The phœnix[234], [235], [236]
183I.615The phœnix, “Arabian bird”[387], [390]
184I.630Ape and miser’s gold[488]
185I.646Contrasts of epithets[474]
191I.6188Jewels and ornaments of rare device[8]
207II.468Adornments of Imogen’s chamber[111]
212II.533Envy[432], [433]
226III.457Countryman and serpent, Sinon[197], [208]
240III.631Diligence and idleness[145], [147]
253IV.2172Pine-trees in a storm[477]
257IV.2259The oak and reed, or osier[315]
PERICLES PRINCE OF TYRE.
IX.325I.2102Thread of life[454], [455]
343II.217The Triumph Scene[158], [159]
343II.219A black Ethiope[160]
343II.227Spanish motto[162]
343II.230Wreath of chivalry[168], [169]
343II.232Inverted torch[170], [171], [173]
343II.233Quod or qui me alit[170], [174]
344II.236Gold on the touchstone[175], [177]
344II.243Withered branch[181], [183]
345II.39Wreath of victory[223], [224]
366III.226Man a God to man[283], [284]
375IV.Intr.12Envy[432], [433]

POEMS.

VENUS AND ADONIS.
VOL.PAGE.LINE.SONNET.DEVICE OR SUBJECT.PAGES.
IX.436Dedication[475]
RAPE OF LUCRECE.
IX.5441723The chimney-piece, Tabley Old Hall[133]
515869Occasion or opportunity. Plate XII.[259], [264]
5371513Countryman and serpent, Sinon[197], [200]
SONNETS.
IX.578155Ruins and writings[443], [445]
583165Ruins and writings[443], [445]
A LOVER’S COMPLAINT.
IX.63892Phœnix[381], [385], [389]
THE PHŒNIX AND THE TURTLE.
IX.67121Phœnix[381], [385], [388]
67125Phœnix with two hearts[384]
67137Phœnix with two hearts[384]
67253Phœnix’ nest[23], [381], [389]

Hesius, 1536.
Per cæcum videt omnia punctum.


GENERAL INDEX,

ARRANGED ACCORDING TO FOUR SUBJECTS:

1. EMBLEM WRITERS PREVIOUS TO A.D. 1616.