Shakespeare and the Emblem Writers / an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616

by Henry Green

• S, O. L., Giovio’s Sent. Imp. 3, Lyons, 1562, pp. [156], [515];
  • O. L., Sambucus (Emb. 232), Antverp., 1564, p. [302].
• 1. Sadeler, Symbola divina et humana, 1600, 1601, p. [95];
  • Theatrum morum, 1608, pp. [95], [96], [97].
• Sambigucius, Interpretatio, 1556, p. [77].
• Sambucus, Emblemata, 1564, and Emblêmes de Jehan Sambucus, 1567, p. [85];
  • Notes by Don John of Austria, 1572, p. [86].
• Sanctius, or Sanchez, on Alciat, 1573, pp. [71], [88].
• Sassus, referred to by Menestrier, [79].
• Sceve, Delie, 1544, p. [75].
• Schopperus, Πανοπλία, 1568, and De omnibus illiberalibus sive mechanicis artibus, 1574, p. [88].
• Schrot, Wappenbuch, 1581, p. [90].
• Scribonius, 1550. See [Graphæus].
• Sevus, referred to by Menestrier, [79].
• Shyp of fooles. See [Watson] and [Barclay].
• Sicile, Le blason de toutes armes, and Le blason des couleurs, 1495, p. [58].
• Simulachres & historiees faces de la mort, 1538, p. [71];
  • Fifteen editions, [72], [471].
• Soto. See [De Soto].
• S. (P.), Heroical devices, 1591, pp. [75], [120].
• Spanish Emblem-books, passim, and, [70], [90], [99].
• Speculum humanæ salvationis, MS., printed about 1430 by Koster, [43];
  • Description of his edition, [43];
  • Many editions and kindred works before 1500, p. [43];
  • Plates [IV.] and [V.], [44].
• Spelen van sinne, allegorical plays, 1539, p. [81].
• Stam und wapenbuch, 1579, p. [31].
• Stimmer, Neue kunstliche figuren Biblischen, 1576, p. [90].
• Stockhamer, commentariola to Alciat, 1556, p. [70].
• Stultifera navis, previous to 1500, Locher, Riviere, Plate IX., [57];
  • Other versions, [57];
  • Badius, [61].
• Symeoni, Vita et Met. d’Ovid., 1559, pp. [3], [35], [79];
  • Devises ou emblemes heroiques et morales, 1561, pp. [15], [16];
  • Imprese, 1574, p. [17];
  • Imprese heroiche et morale, 1562, p. [78];
  • Sententiose imprese, 1562, p. [78].
• 2. Sa virtu m’attire, [123];
• Scelesti hominis imago & exitus, [53];
• Scribit in marmore læsus, [457], [458];
• Scripta manent, [443];
• Servati gratia ciuis, [224];
• Sibi canit et orbi, [217];
• Sic majora cedunt, [366];
• Sic spectanda fides, [159], [175], [178];
• Si Deus nobiscum, quis contra nos?, [342];
• Si fortuna me tormenta, il sperare me contenta, [137], [138];
• Si fortune me tourmente, l’esperance me contente, [138];
• Silentium, [208];
• Sine justitia confusio, [449], [450];
• Sola facta, solum Deum sequor, [234];
• Sol animi virtus, [161];
• Sola vivit in illo, [126];
• Speravi et perii, [130];
• Spes altera vitæ, [1833, #184];
• Spes aulica, [182];
• Spes certa, [182];
• Spiritus durissima coquit, [233];
• Stultitia sua seipsum saginari, [310];
• Stultorum infinitus est, [66];
• Superbia, [292];
• Superbiæ vltio, [293].
• 3. Sadeler, Zodiacus christianus, 1618, p. [353].
• Sambucus, quoted:
  • —Actæon, [277];
  • Astronomer, [335];
  • Ban-dog, [482];
  • Child and motley fool, [484];
  • Elephant, [196];
  • Forehead, [129];
  • Hen eating her own eggs, [411];
  • Laurel, [422];
  • Mercury and lute, [256];
  • Pine-trees in a storm, [475];
  • Ship on the waves, [435];
  • Time flying, [466];
  • Timon, [427];
  • World, map of, [351].
• Schiller, Werke, [199].
• Schlegel, on Pericles, [157].
• Shakespeare quoted, by way of allusion, or of reference to:
  • —Æsop’s Fables, [303];
  • Actæon, [276], [279];
  • Adam hiding, [416];
  • Adamant, [348];
  • Æneas and Anchises, [191];
  • Ape and miser’s gold, [488];
  • Apollo and the Christian muse, [379];
  • Argonauts and Jason, [230];
  • Arion, [283];
  • Astronomer and magnet, [356];
  • Atlas, [245];
  • Bacchus, [249];
  • Ban-dog, [484];
  • Bear and ragged staff, [237]–240;
  • Bear and cub, [349], [350];
  • Bees, [361]–365;
  • Bellerophon and chimæra, [300];
  • Brutus, [201]–205;
  • Butterfly and candle, [153];
  • Cadmus, [245];
  • Cannon bursting, [345];
  • Casket scenes, [149]–154, [186];
  • Cassius and Cæsar, [193];
  • Chaos, [451]–453;
  • Child and motley fool, [485];
  • Chivalry, wreath of, [168];
  • Circe, [252];
  • Cliffords, [192];
  • Clip the anvil of my sword, [327];
  • Commonwealth of Bees, [362]–365;
  • Conscience, power of, [421];
  • Coriolanus, [201];
  • and his civic crowns, [226];
  • Coronation scene, [9];
  • Countryman and serpent, [197];
  • Cupid blinded, [331];
  • Cupid in mid-air, [404];
  • Daphne, [297];
  • Death, [469];
  • Dog baying the moon, [269];
  • Dogs not praised, [145], [483];
  • D. O. M., [464], [465];
  • Drake’s ship, [415];
  • Drinking bout of Antony and his friends, [246];
  • Drops pierce the stone, [324];
  • Dust, to write in, [461];
  • Eagle renewing its youth, [369];
  • Elizabeth, queen, [404];
  • Elm and vine, [309];
  • Emblem defined, [9];
  • Emblems without device, [149]–151;
  • End crowns all, [320], [323];
  • Engineer hoist, [345];
  • Envy, [433];
  • Estridge, [371];
  • Eternity, [491], [492];
  • Falconry, [367], [368];
  • Fame armed with a pen, [445], [446];
  • Fin couronne les œuvres, [320]–323;
  • Fortune, [262];
  • Fox and grapes, [311];
  • Frosty Caucasus, [346];
  • Gem in a ring, [419];
  • Golden, [400], [404];
  • Gold on the touchstone, [175], [180];
  • Golden Fleece, [227];
  • Good out of evil, [447];
  • Greatest out of least, [337]–339;
  • Hands of Providence, [489], [490];
  • Happe some goulden honie bringes, [365];
  • Hares and dead lion, [304];
  • Hen eating her own eggs, [412];
  • Heraldry, [222], [223];
  • Homo homini lupus, [280], [283];
  • Homo homini Deus, [283], [284];
  • Hydra, [375];
  • Icarus, [291];
  • Inverted torch, [170];
  • Jackdaw in fine feathers, [313];
  • Janus, two-headed, [140];
  • Jupiter and Io, [246];
  • Jove laughs at lovers’ perjuries, [328];
  • King-fisher, [392];
  • Labour in vain, [331], [332];
  • Lamp burning, [456];
  • Laurel, [422]–425;
  • Lottery, [209]–211;
  • Love’s transforming power, [349];
  • Man with a fardel or burden, [481];
  • Man’s greatness, [284];
  • Map of the world, [351], [352];
  • Medeia, [192];
  • Mercury, [257], [258];
  • Michael, order of St., [227];
  • Milo, [297];
  • Narcissus, [296];
  • Niobe, [293], [294];
  • Oak and reed, [315], [316];
  • Occasion, or opportunity, [260], [264], [265];
  • Old Time, [473];
  • Orpheus, [273], [274];
  • Ostrich, [234], [371];
  • Pegasus, [299], [300];
  • Pelican, [394]–397;
  • Pen, its eternal glory, [447];
  • Pericles,—the triumph scene, [158], [160]–186;
  • Phaeton, [286], [287];
  • Phœnix, [236], [381]–390;
  • Pine-trees, [477];
  • Poet’s badge, [218], [219];
  • Poet’s glory, [379], [380];
  • Porcupine, [232];
  • Powers granted for noble purposes, [412];
  • Progne, [194];
  • Prometheus bound, [268];
  • Romano, Julio, [110];
  • Ruins and writings, [443]–445;
  • Rose and thorn, [333], [334];
  • Serpent in the breast, [198];
  • Seven ages of man, [407]–410;
  • Shadows fled and pursued, [468];
  • Ship in storm and calm, [435]–440;
  • Sirens, [254];
  • Skull, human, [337]–339;
  • Snake in the grass, [341];
  • Snake on the finger, [343];
  • Stag wounded, [397]–400;
  • Student entangled in love, [441];
  • Sun and wind, [160];
  • The setting sun, [323];
  • The swan, [219];
  • Sword on an anvil, [327];
  • Sword with a motto, [138];
  • Testing of gold, [175], [180], [181];
  • Theatre of life, [405], [406];
  • Things at our feet, [411], [412];
  • Thread of life, [454];
  • Time leading the seasons, [491];
  • Timon, [427]–431;
  • Turkey and cock, [357], [358];
  • Unicorn, [371], [372];
  • Vine and olive, [249];
  • Whitney’s dedication lines, [464];
  • Wreath of chivalry, [168];
  • Wreaths, [222];
  • Wreath of oak, [225];
  • Wrongs on marble, [457]–462;
  • Zodiac, signs of, [353].
• Shakespeare, acquainted with languages, [106], [107], [168];
  • with the works of Julio Romano, [110];
  • and of Titian, [115];
  • with Emblems, [137], [158], [186].
  • —Attainments, [106]–116;
    • sufficient for cultivating Emblem literature, [107], [108].
  • —Dramatic career, 1590–1615, pp. [91], [92];
    • An Emblem writer, [148], [154], [493];
    • Genius, [105];
  • Judgment in works of art,—sculpture, [109], [110];
    • ornament, [111];
    • painting, [112]–115;
    • melody and song, [115], [116].
  • —Knowledge of ancient history and customs, [105], [106], [225], [226];
    • Marks of reading and thought, [242];
    • Tendency to depreciate his attainments, [105];
  • Use of term Symbol, [2];
  • Device, [8];
  • Emblem, [9].
• Shepheards calender, Spenser, [134]–137, [186].
• Siegenbeek, Geschiedenis der Nederlandsche letterkunde, [82].
• Smith, Dictionary of Greek and Roman Antiquities, [10].
• Sotheby, Principia typographica, 1858, pp. [48], [49].
• Spenser, ideas of devices, [8];
  • Early sonnets, [88];
  • Visions, [134];
  • Shepheards calender, [134], [136], [185];
  • Ban-dogs, [481].
• Stamm Buch, 1619, Adam hiding, [416].
• Statius, badges, [47].
• Suetonius, Tiber. Cæsaris vita, [5].
• Symbola divina et humana, 1652, p. [176].
• Symeoni, quoted:—Ape and miser’s gold, [486];
  • Butterfly and candle, [153];
  • Chaos, [448];
  • Creation and confusion, [35];
  • Diana, [3];
  • Dolphin and anchor, [16];
  • Forehead shows the man, [129];
  • Inverted torch, [171];
  • Phaeton, [284];
  • Serpent’s teeth, [245];
  • Wounded stag, [398];
  • Wrongs on marble, [457].
• Syntagma de symbolis, [2].
• 4. Saint Germain, fair at, imprese, [124], [note].
• Salamander, impresa of Francis I., [123], [125].
• Satan, fall of, Boissard, 1596, Plate XI., [132], [133].
• Satire in Emblems, [33].
• Saviour’s adoption of a human soul, Vænius, Plate II., [32].
• Savoy, duke of, his impresa, 124;
  • Madame Bona of, her device, [235].
• Sepulchre and cross, Diana of Poitiers, [183].
• Serpent and countryman, Freitag, Reusner, [197];
  • Serpent in the bosom, Shakespeare, [198].
• Seven ages of man, Arundel MS., [406];
  • Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, [407];
  • Block-print described, Plate XV., [407], [408];
  • Shakespeare, [409], [410].
• Shadow, fled and pursued, Whitney, [467];
  • Shakespeare, [468].
• Shield untrustworthy. See [Brasidas].
• Shields of Achilles, Hercules, Æneas, &c., [20].
• Ship, with mast overboard, Drummond, [124];
  • Ship on the sea, Drummond, [125];
  • Ship tossed by the waves, Sambucus, Whitney, [435];
  • Ship sailing forward, Whitney, Alciat, [436];
  • Boissard, [437];
  • Shakespeare, [438]–440.
• Sieve held by Cupid, [340]. See [Cupid].
• Silent academy at Hamadan, [17].
• Silversmiths, their craft and emblems, [20].
• Similitudes and identities in literature, [302].
• Sinon, [194]–200;
  • Virgil, [194];
  • Whitney, [195], [196], [199];
  • Shakespeare, [200].
• Sirens,—Alciat, [253];
  • Whitney, [254];
  • Shakespeare, [254].
• Six direct references to Emblems in the Pericles of Shakespeare, [156]–186.
• Skiff of foolish tasting, Badius, 1502, p. [61].
• Skull, human, Aneau, Whitney, [337];
  • Shakespeare, [338], [339].
• Snake in the grass, Paradin, Whitney, [340];
  • Shakespeare, [341].
• Snake on the finger, Paradin, [342];
  • Whitney, Shakespeare, [343].
• Soul, its hieroglyphic sign, [25], [26].
• Spanish motto, [162], [164], [167].
• Speculum humanæ salvationis, Plates IV. and V., [44].
• Stag wounded, Giovio and Symeoni, [398];
  • Paradin, Camerarius, Virgil, Ovid, Vænius, [399];
  • Shakespeare, [399], [400].
• Stage, the world a, [409]. See [Seven ages].
• Star, its hieroglyphic meaning, [25].
• Statuary and architecture excluded, [11].
• Stirling-Maxwell, Bart., of Keir, De Bry’s Stam und wapenbuch, 1593, p. [32];
  • ΜΙΚΡΟΚΟΣΜΟΣ, by Costerius, [98]. See also [Keir].
• Stork, emblem of filial piety, &c., [28];
  • Epiphanius and Alciat, [28].
• Student in love, Alciat, Whitney, [441];
  • Shakespeare, [442].
• Subjects of the Emblem Imprese, &c., [515]–530.
• Sun and moon, in dialogue, [52].
• Sun of York, [223];
  • Sun in eclipse, [124];
  • Sun setting, Whitney, [323];
  • Sun, wind, and traveller, Corrozet, [165];
  • Freitag, Shakespeare, [166].
• Swan singing at death, Æschylus, Horapollo, [213];
  • Virgil, Horace, [214];
  • Old age eloquent, Aneau, [215];
  • Pure truth, Reusner, [216];
  • Camerarius, [217];
  • Insignia of Poets, Alciat, Whitney, [218];
  • Shakespeare, [219], [220].
• Sword with motto, [138].
• Sword on anvil, Perriere, [326];
  • Whitney, [327];
  • Shakespeare, [325], [327].
• Sword to weigh gold, Drummond, [124].
• Symbol, more exact use, Pindar, Æschylus, Cudworth, Shakespeare, [2].
• Symbols and Emblems, almost convertible terms, [1];
  • yet a difference, [2].
• Symbolic properties of animals, [28].
• Symbolical imagery, fine example of, [377].

T.

• T, O. L., Nef des Folz. 7, Paris, 1499, p. [xiii].
• 1. Taëgius, referred to by Menestrier, [79].
• Tambaco, Speculũ-paciẽtierum, 1509, p. [65].
• Tasso, Torq., Discorsi del poeme, [79], [92].
• Tasso, Herc., referred to by Menestrier, [79].
• Taurellius, Emblema physico-ethica, 1595, pp. [94], [96].
• Tewrdannckh, in honour of Maximilian I., dedicated to Charles V., splendid volume, [67].
• Théatre des animaux, [93]. See [Desprez].
• Todtentanz, the original editions, 1485 to 1490, not by the Holbeins, [56].
• Trebatius, Latin version of Horapollo, 1515, p. [64].
• Triumphwagen, [67]. See [Durer].
• Troiano, Discorsi delli triomfi, 1568, p. [86].
• Turnier-buch, [68]. See [Durer].
• Typotius, 1601–1603, p. [95]. See [Sadeler].
• 2. ’t Geld vermagalles, [177];
• Temere ac pericvlose, or Temerité dangerevse, [152];
• Tempus irrevocabile, [36], [490];
• Tempus omnia terminat, [323];
• Te stante virebo, [124];
• Time terminates all, [323];
• Trino non convenit orbis, [124];
• True as needle to the pole, [334];
• True as steel, [337].
• 3. Tennyson, Elaine, [30].
• Tibullus, on lovers’ vows, quoted, [328].
• Timperley, Dictionary of printers, 1839, pp. [44], [56].
• Titian, Triumph of truth and fame, [32];
  • his paintings, [111], [114].
• Tod, remarks on Spenser, [137].
• 4. Tabley, Cheshire, ancient hall of the Leycesters, with emblem, [131].
• Talbot, earl of Shrewsbury, [207], [227].
• Theatre, human life, Boissard, Plate XIV., [405];
  • Shakespeare, [406].
• Theological conjecture, a curious, [383].
• Thieves, so triumph, [319].
• Things at our feet, Whitney, Sambucus, [411];
  • Types of powers to be used, Shakespeare, [412].
• Thingwall, the emblem library there, [86].
• Thompson, H. Yates, of Thingwall, [5], [44].
• Thread of life, Horapollo, [454];
  • Shakespeare, [455].
• Time flying, Sambucus, [466];
  • Whitney, [467];
  • Plutarch, [468];
  • Shakespeare, [468], [469];
  • Turning back, Shakespeare, [473].
• Time leads the seasons, Vænius, Horace, Plate XVII., [491];
  • Shakespeare, [491].
• Timon of Athens, Dr. Drake, [426];
  • North, Plutarch, Sambucus, [426], [427];
  • Shakespeare, [428], [429];
  • Epitaph, [430];
  • Mode of death, [431].
• Titus, son of Vespasian, his emblem, [16].
• Tongue with bat’s wings, Cullum and Paradin, [128].
• Tree of life, [126]. See [Arrow wreathed].
• Tree in a churchyard, Drummond, [124].
• Triangle, sun and circle, Drummond, [124].
• Triumph scene in the Pericles, 1589, pp. [160]–186.
• Tronus Cupidinis, De Passe, [348].
• Trophy on a tree, Drummond, [124].
• True as needle, Sambucus, [334];
  • Whitney, [335];
  • Shakespeare, [336];
  • lode stars, [336].
• True as steel, [337].
• True men so yield, [319].
• Truth, an emblem so named, [20].
• Turkeycock, Freitag, Camerarius, [357];
  • Shakespeare, [358].

U.

• 1. Ulloa, Alphonsus, 1561, Menestrier, [79].
• 2. Unde, [124], [note];
  • Undique, [123];
  • Unica semper avis, [385];
  • Unum quidem, sed leonem, [124];
  • Ut casus dederit, [124];
  • Ut parta labuntur, [128];
  • Utilia prudenti, imprudenti futilia, [53].
• 4. Ulysses and Diomed as an emblem, [5].
  • Unicorn, [371];
  • Reusner, Brucioli, Penny Cyclopædia, and Camerarius, [372];
  • Shakespeare, [373].

V.

• 1. Vænius, [93];
  • Zinnebeelden, 1603, p. [98];
  • Q. Horatii Fl. Emblemata, 1607 & 1612, pp. [36], [95];
  • Amorum Emblemata, Latin, English, and Italian, 1608, pp. [95], [99];
  • Amorum Emblemata, Spanish, 1608, pp. [99], [122];
  • Amoris Divini Emblemata, 1615, pp. [32], [99].
• Valence, Emblesmes—du Segnor Espagnol, 1608, pp. [93], [94].
• Valerian, [80]. See [Pierius].
• Vander Noot’s Theatre, &c., 1568, pp. [87], [91].
• Van Ghelen, Flem. trans. Navis stultorum, 1584, p. [90].
• Van Vischer, Sinnepoppen (Emblem play), 1614, p. [98].
• Verdier, trans. into French, Imagini, &c., 1581, p. [87].
• Villava, Empresas Espirituales, &c., 1613, p. [99].
• Virgil Solis, [85];
  • Libellus sartorum, 1555, p. [77];
  • Figures for the New Testament, and Artistic book of animals, between 1560 and 1568, p. [85].
• Volucribus, de, sive de tribus columbis, MS., 13th century, [44].
• 2. Vel post mortem formidolosi, [205];
• Veritas armata, [123];
• Veritas invicta, [264];
• Via, veritas, vita, [462];
• Victrix animi equitas, [314];
• Victrix casta fides, [371];
• Video et taceo, [208];
• Vigilantia et custodia, [210];
• Vina coronal, [101];
• Vincit qui patitur, [315];
• Violentior exit, [154];
• Vipera vim perdet, sine vi pariente puella, [47];
• Virgo salutatur, innupta manens gravidatur, [47];
• Virtuti fortuna comes, [211];
• Vine ut viuas, [444];
• Volat irrevocabile tempus, [36], [494];
• Voluptas ærumnosa, [277];
• Vijt Adams appel Sproot, Ellende Zonde en Doodt, [132].
• 3. Vænius, quoted, Butterfly and candle, [152];
  • Christian Love presenting the soul to Christ, [Plate II.], [32];
  • Conscience, [421];
  • Cupid felling a tree, [324];
  • Elm and vine, [308];
  • Fortune, [263];
  • Rose and thorn, [333];
  • Ship sailing, [437];
  • Time leading the seasons, [Plate XVII.], [490], [491];
  • Two Cupids at work, [179];
  • Venus dispensing Cupid from his oaths, [328];
  • Wounded stag, [399];
  • Amorum Emblemata, Latin, English, and Italian, [179], [437].
• Van der Veen, Adams appel, 1642, [Plate X.], [132].
• Van Hooghe, Frontispiece of Cebes, 1670, p. [13].
• Virgil, Æneid, Bees, [359];
  • Circe, [251];
  • Crests, [14];
  • Shield of Æneas, [20];
  • Sinon, [194];
  • Stag wounded, [398];
  • Swan, [214];
  • L’Eneide de Virgile, Lyons, 1560, p. [36].
• 4. Van Hooft, illustrious Dutch poet, [98].
• Varieties of Emblems, [18];
  • great, [34].
• Vases with emblems, Warwick, [10];
  • Italo-Græco, [19].
• Venus dispensing Cupid from his oaths, [328].
• Verard, 1503, publisher of Les figures, &c., [63].
• Vine and olive, Whitney, Alciat, [249].
• Vine watered with wine, Drummond, [124].
• Volvelle, astrological, [42].
• Vostre, Simon, of Paris, printer, [39].

W.

• W, O. L., Symeoni’s Vita d’ Ovidio, Lyons, 1559, p. [1].
• 1. Watson, Shyppe of Fooles, 1509, pp. [57], [65], [119].
• Whitney, Choice of Emblemes, 1586, pp. [91], [120].
• Willet, Sacrorum Emblematum Centuria, 1598, pp. [99], [100], [119], [120].
• Wohlgemuth, Libri cronicarum, 1493, p. [56].
• Wyrley, True use of armorie, 1592, pp. [99], [100].
• 2. Wat den mensch aldermeest tot’ conste verwect?, [82];
• Where the end is good, all is good, [437];
• With manie blowes the oke is ouerthrowen, [324].
• 3. Walcott, Sacred Archæology, 1868, p. [27].
• Waller, master-bee, [363].
• Wedgwood, Life of, fictile ornament, [19].
• Whitney, Fac-simile Reprint, 1866, p. [172];
  • Emblems quoted by Knight to illustrate Hamlet, [396].
• Whitney, quoted:—Definition of Emblems, [6];
  • Actæon, [278];
  • Adam hiding, [416];
  • Æneas bearing Anchises, [191];
  • Ants and grasshopper, [148];
  • Ape and miser’s gold, [128], [487];
  • Arion and the dolphin, [281];
  • Astronomer and magnet, [335];
  • Bacchus, [248];
  • Ban-dog, [483];
  • Barrel with holes, [332];
  • Bear and ragged staff, [236];
  • Bees, [361], [364];
  • Brasidas, [195];
  • Brutus, [202];
  • Chaos, [450];
  • Child and motley fool, [484];
  • Circe, [251];
  • Cupid and death, [402];
  • Diligence and idleness, [146];
  • Dog baying the moon, [270];
  • D. O. M., [464];
  • Drake’s ship, [413];
  • Elephant, [196];
  • Elm and vine, [308];
  • Envy, [432];
  • Fame armed with a pen, [446];
  • Fardel on a swimmer, [480];
  • Fleece, golden, [229], [230];
  • Forehead, [129];
  • Fox and grapes, [311];
  • Gold on the touchstone, [178];
  • Hares and dead lion, [305];
  • Harpocrates, silence, [208];
  • Hen eating her own eggs, [412];
  • Hope and Nemesis, [182];
  • Icarus, [288];
  • Introductory lines, D. O. M., [464];
  • Inverted torch, [173];
  • Janus, [139], [note];
  • Laurel, [423];
  • Lottery in London, [208];
  • Medeia, [190];
  • Mercury and lute, [256];
  • Mouse and oyster, [130];
  • Narcissus, [295];
  • Niobe, [293];
  • Oak and reed, [315];
  • Occasion, [260];
  • Orpheus, [272];
  • Ostrich stretching out its wings, [370];
  • Pelican, [395];
  • Phœnix, [387];
  • Pine-trees in a storm, [476];
  • Prometheus, [267];
  • Rose and thorn, [333];
  • Ruins and writings, [443];
  • Serpent in the bosom, [199];
  • Shadows, [468];
  • Ship tossed by the waves, [435];
  • Ship sailing forward, [436];
  • Sirens, [254];
  • Skull, [338];
  • Snake in the grass, [340];
  • Snake on the finger, [342];
  • Student entangled, [441];
  • Sun setting, [323];
  • Swan, of poets, [217];
  • Sword on an anvil, [327];
  • Time flying, [467];
  • Vine and olive, [249];
  • Wreaths on a spear, [222];
  • Wrongs on marble, [460].
• Wrangham, Plutarch, [431].
• 4. Walker, Rev. T., [462].
• Waves and siren, [125], [note];
  • Waves with sun over them, [125].
• Wheat among bones, Paradin, [183];
  • Camerarius, [184];
  • Boissard and Messin, [185].
• Wheel rolling into the sea, [124].
• Whitehall, collection of paintings there, founded by Henry VIII. and Charles I., [111].
• Who against us? Paradin and Whitney, [342];
  • Shakespeare, [343].
• Wilbraham, Tho., Esq., the old English gentleman, [467].
• William III., history of, in medals, [14].
• Wings and feathers scattered, [124].
• Wolf and ass, a fable, [52]–54.
• Woltmann, Holbein and his time, Death’s fool, [471];
  • Shakespeare’s mistakes as to costume, [106].
• Woodcock, so strives the, with the gin, Shakespeare and Æsop, [319].
• Words and forms of thought, some, the same in Whitney and Shakespeare, [463].
• World, inhabited, three-cornered, earth the centre, Brucioli, [350];
  • Sambucus, [351];
  • No. America, [351], [352];
  • Shakespeare, 52;
  • Three-nooked world, [353].
• World a stage, [133].
• Wreath of chivalry, Paradin, [169];
  • Shakespeare, [168], [170].
• Wreath of oak, Paradin, [224];
  • Shakespeare, [225], [226].
• Wreaths of victory, Whitney, Camerarius, [222];
  • Shakespeare, [222], [223];
  • Paradin, [224].
• Writings remain, Whitney, [443];
  • Boissard, [444];
  • Shakespeare, [444], [445].
• Wrongs on marble, Symeoni, [457];
  • Paradin, [458];
  • Shakespeare, [459], [460];
  • Whitney, [460];
  • Origin of the sentiment, [460];
  • Sir T. More and Columbus, [461];
  • Nobler sentiments, [462].

X.