[28] Athenæ Oxonienses, vol. iii.
Salmasius. 16. But the greatest in this province of literature was Claude Saumaise, best known in the Latin form Salmasius, whom the general suffrage of his compeers placed at their head. An incredible erudition, so that it was said, what Salmasius did not know, was beyond the bounds of knowledge, a memory such as none but those great scholars of former times seem to have possessed, a life passed, naturally enough, in solitary labour, were sufficient to establish his fame among the learned. His intellectual strength has been more questioned; he wrote, it has been alleged, on many subjects that he did not well understand, and some have reduced his merit to that of a grammatical critic, without altogether rating this so highly as the world has done.[29] Salmasius was very proud, self-confident, disdainful, and has consequently fallen into many errors, and even contradictions, through precipitancy. In his controversy with Milton, for which he was little fitted, he is rather feeble, and glad to escape from the severity of his antagonist by a defence of his own Latinity.[30] The works of Salmasius are numerous, and on very miscellaneous subjects; among the philological, his Annotations on the Historiæ Augustæ Scriptores seem to deserve mention. But the most remarkable, besides the Commentary on the Hellenistic Dialect, of which an account has been given, is the Plinianæ Exercitationes, published in 1629. These remarks, nominally on Pliny, are, in the first instance, on Solinus. Salmasius tells us that he had spent much time on Pliny; but finding it beyond the powers of one man to write a commentary on the whole Natural History of that author, he had chosen Solinus, who is a mere compiler from Pliny, and contains nothing from any other source. The Plinianæ Exercitationes is a mass of learning on the geography and natural history of Pliny in more than 900 pages, following the text of the Polyhistor of Solinus.[31]
[29] Baillet, n. 511, is excessively severe on Salmasius; but the homage due to his learning by such an age as that in which he lived cannot be extenuated by the censure of a man like Baillet, of extensive, but rather superficial attainments, and open to much prejudice.
[30] Milton began the attack by objecting to the use of persona for an individual man; but in this mistaken criticism uttered himself the solecism vapulandum. See Johnson’s Lives of the Poets. This expression had previously been noticed by Vavasseur.
[31] Nemo adeo ut propriam, suumque veluti regnum, sibi criticen vindicatum ivit, ac Claudius Salmasius, qui, quemadmodum nihil unquam scripsit, in quo non insignia multa artis criticæ vestigia deprehendas, ita imprimis, ut auctores cum notis et castigationibus absolutissimis editos taceamus, vasto illo Plinianarum Exercitationum opere, quantum in eo eruditionis genere valeret demonstratum dedit. Morhof. lib. v. c. 1. § 12. The Jesuits, Petavius and Harduin, who did not cordially praise any Protestant, charged this book with passing over real difficulties, while a mass of heterogeneous matter was foisted in. Le Clerc (or La Croze) vindicates Salmasius against some censures of Harduin in Bibl. Univ. vol. iv.
Good writers of Latin. 17. It had been the desire of those who aspired to reputation for taste and eloquence to write well in Latin, the sole language, on this side of the Alps and Pyrenees, to which the capacity of choice and polished expression was conceded. But when the French tongue was more cultivated and had a criticism of its own, this became the natural instrument of polite writers in France, and the Latin fell to the merely learned who neglected its beauties. In England it had never been much studied for the purposes of style; and though neither in Germany nor the Low Countries it was very customary to employ the native language, the current Latin of literature was always careless and often barbarous. Even in Italy the number of good writers in that language was now very scanty. Two deserve to be commemorated with praise, both historians of the same period. The History and Annals of Grotius, in which he seems to have emulated, with more discretion than some others, the nervous brevity of Tacitus, though sometimes not free from a certain hardness and want of flow, nor equal, consequently, in elegance to some productions of the sixteenth century, may be deemed a monument of vigorous and impressive language. The Decades of Famianus Strada, a Roman Jesuit, contain a history of the Flemish war, not written certainly in imitation of Tacitus, whom the author depreciated, but with more classical spirit than we usually find in that age. Scarcely any Latin, however, of this period is equal to that of Barclay in the Argenis and Euphormio. His style, though rather diffuse, and more florid than that of the Augustan age, is perhaps better suited to his subjects, and reminds us of Petronius Arbiter, who was probably his model.
Scioppius. 18. Of the grammatical critics, whose attention was solely turned to the purity of Latin style, two are conspicuous, Gaspar Scioppius and Gerard Vossius. The first, one of those restless and angry spirits whose hand is against all the world, lived a long life of controversy and satire. His productions, as enumerated by Niceron, mostly anonymous, are about one hundred; twenty-seven of which, according to another list, are grammatical.[32] The Protestants, whom he had abandoned, and the Jesuits whom he would not join, are equally the objects of his anger. In literature, he is celebrated for the bitterness of his attacks on Cicero, whom he spared as little as he did his own contemporaries. But Scioppius was an admirable master of the Latin language. All that is remembered of his multifarious publications relates to this. |His Philosophical Grammar.| We owe to him a much improved edition of the Minerva of Sanctius. His own Grammatica Philosophica, (Milan, 1628,) notwithstanding its title, has no pretentions to be called anything more than an ordinary Latin grammar. In this I observed nothing remarkable but that he denies the gerund and supine to be parts of the verb, considering the first as passive participles, and the second as nouns substantive; a theory which seems erroneous.
[32] Niceron, vol. xxxv. Biog. Univ.
His Infamia Famiani. 19. The Infamia Famiani of Scioppius was written against Famianus Strada, whom he hated both as a Jesuit, and as one celebrated for the beauty of his style. This book serves to show how far those who wrote with some eloquence, as Strada certainly did, fell short of classical purity. The faults pointed out are often very obvious to those who have used good dictionaries. Scioppius is however so fastidious as to reject words employed by Seneca, Tacitus, and even Phædrus, as of the silver age; and sometimes probably is wrong in his dogmatic assertion of a negative, that no good authority can be found.
Judicium de Stylo Historico. 20. But his most considerable work is one called Judicium de Stylo Historico, subjoined to the last, and published after his death, in 1650. This treatise consists chiefly of attacks on the Latin style of Thuanus, Lipsius, Casaubon, and other recent authors; but in the course of it we find the remarks of a subtle and severe observer on the ancients themselves. The silver age he dates from the latter years of Augustus, placing even Ovid within it. The brazen he carries up to Vespasian. In the silver period he finds many single words as well as phrases not agreeable to the usage of more ancient authors. As to the moderns the Transalpine writers, he says, speaking as an Italian, are always deficient in purity; they mingle the phraseology of different ages as preposterously as if they were to write Greek in a confusion of dialects; they affect obscurity, a broken structure of periods, a studied use of equivocal terms. This is particularly perceived in the school of Lipsius, whose own faults, however, are redeemed by many beauties even of style.[33] The Italians, on the contrary, he proceeds to say, read nothing but what is worthy of imitation, and shun every expression that can impair the clearness and purity of a sentence. Yet even in Manutius and in the Jesuit Maffei, he finds instances of barbarism, much more in the French and German scholars of the sixteenth age; expressing contempt upon this account for his old enemy, Joseph Scaliger. Thuanus, he says, is full of modern idioms; a crime not quite unpardonable, when we remember the immensity of his labour, and the greater importance of other objects of it that he had in view.