How, for instance,

"Sahara will be populous
With families of gentlemen retired
From commerce in more Central Africa,
Who order coolness, as we order coal,
And have a lobe anterior strong enough
To think away the sand-storms."

Or how, as water is probably a non-conductor of the Thought-atmosphere,

"Fishes may lead carnivorous lives obscure,
But must not dream of culinary rank
Or being dished in good society."

Then follows the author's own melancholy head-shake and her reflections on the theme that there can be no easy millennium, and that

"Bitterly
I feel that every change upon this earth
Is bought with sacrifice";

and that, even if Mr. Butterworth's axioms were not too good to be true, one might deprecate them in the interest of that happiness which is associated with error that is deeply familiar. Human improvement, she concludes, is something both larger and smaller than the vegetarian bliss, and consists less in a realised perfection than in the sublime dissatisfaction of generous souls with the shortcomings of the actual. All this is unfolded in verse which, if without the absolute pulse of spontaneity, has at least something that closely resembles it. It has very fine passages.

Very fine, too, both in passages and as a whole, is "The Legend of Jubal." It is noteworthy, by the way, that three of these poems are on themes connected with music; and yet we remember no representation of a musician among the multitudinous figures which people the author's novels. But George Eliot, we take it, has the musical sense in no small degree, and the origin of melody and harmony is here described in some very picturesque and sustained poetry.

Jubal invents the lyre and teaches his companions and his tribe how to use it, and then goes forth to wander in quest of new musical inspiration. In this pursuit he grows patriarchally old, and at last makes his way back to his own people. He finds them, greatly advanced in civilisation, celebrating what we should call nowadays his centennial, and making his name the refrain of their songs. He goes in among them and declares himself, but they receive him as a lunatic, and buffet him, and thrust him out into the wilderness again, where he succumbs to their unconscious ingratitude.

"The immortal name of Jubal filled the sky,
While Jubal, lonely, laid him down to die."