At the top of this card is an engraving of the machine; at the foot a rude sketch of a nightman’s cart, with men at work. All the cards I saw reiterated the address, so that no mistake might lead the customer to a rival tradesman.

As to their politics, the sweepers are somewhat similar to the dustmen and costermongers. A fixed hatred to all constituted authority, which they appear to regard as the police and the “beaks,” seems to be the sum total of their principles. Indeed, it almost assumes the character of a fixed law, that persons and classes of persons who are themselves disorderly, and to a certain extent lawless, always manifest the most supreme contempt for the conservators of law and order in every degree. The police are therefore hated heartily, magistrates are feared and abominated, and Queen, Lords, and Commons, and every one in authority, if known anything about, are considered as natural enemies. A costermonger who happened to be present while I was making inquiries on this subject, broke in with this remark, “The costers is the chaps—the government can’t do nothink with them—they allus licks the government.” The sweepers have a sovereign contempt for all Acts of Parliament, because the only Act that had any reference to themselves “threw open,” as they call it, their business to all who were needy enough and who had the capability of availing themselves of it. Like the “dusties” they are, I am informed, in their proper element in times of riot and confusion; but, unlike them, they are, to a man, Chartists, understanding it too, and approving of it, not because it would be calculated to establish a new order of things, but in the hope that, in the transition from one system to the other, there might be plenty of noise and riot, and in the vague idea that in some indefinable manner good must necessarily accrue to themselves from any change that might take place. This I believe to be in perfect keeping with the sentiments of similar classes of people in every country in the world.

The journeymen lay by no money when in work, as a fund to keep them when incapacitated by sickness, accident, or old age. There are, however, a few exceptions to the general improvidence of the class; some few belong to sick and benefit societies, others are members of burial clubs. Where, however, this is not the case, and a sweeper becomes unable, through illness, to continue his work, the mode usually adopted is to make a raffle for the benefit of the sufferer; the same means are resorted to at the death of a member of the trade. When a chimney-sweeper becomes infirm through age, he has mostly, if not invariably, no refuge but the workhouse.

The chimney-sweepers generally are regardless of the marriage ceremony, and when they do live with a woman it is in a state of concubinage. These women are always among the lowest of the street-girls—such as lucifer-match and orange girls, some of the very poorest of the coster girls, and girls brought up among the sweepers. They are treated badly by them, and often enough left without any remorse. The women are equally as careless in these matters as the men, and exchange one paramour for another with the same levity, so that there is a promiscuous intercourse continually going on among them. I am informed that, among the worst class of sweepers living with women, not one in 50 is married. To these couples very few children are born; but I am not able to state the proportion as compared with other classes.

There are some curious customs among the London sweepers which deserve notice. Their May-day festival is among the best known. The most intelligent of the masters tell me that they have taken this “from the milkmen’s garland” (of which an engraving has been given). Formerly, say they, on the first of May the milkmen of London went through the streets, performing a sort of dance, for which they received gratuities from their customers. The music to which they danced was simply brass plates mounted on poles, from the circumference of which plates depended numerous bells of different tones, according to size; these poles were adorned with leaves and flowers, indicative of the season, and may have been a relic of one of the ancient pageants or mummeries.

The sweepers, however, by adapting themselves more to the rude taste of the people, appear to have completely supplanted the milkmen, who are now never seen in pageantry. In Strutt’s “Sports and Pastimes of the People of England,” I find the following with reference to the milk-people:—

“It is at this time,” that is in May, says the author of one of the papers in the Spectator, “we see brisk young wenches in the country parishes dancing round the Maypole. It is likewise on the first day of this month that we see the ruddy milkmaid exerting herself in a most sprightly manner under a pyramid of silver tankards, and, like the Virgin Tarpeia, oppressed by the costly ornaments which her benefactors lay upon her. These decorations of silver cups, tankards, and salvers, were borrowed for the purpose, and hung round the milk-pails, with the addition of flowers and ribands, which the maidens carried upon their heads when they went to the houses of their customers, and danced in order to obtain a small gratuity from each of them. In a set of prints, called ‘Tempest’s Cries of London,’ there is one called the ‘Merry Milkmaid,’ whose proper name was Kate Smith. She is dancing with the milk-pail, decorated as above mentioned, upon her head. Of late years the plate, with the other decorations, were placed in a pyramidical form, and carried by two chairmen upon a wooden horse. The maidens walked before it, and performed the dance without any incumbrance. I really cannot discover what analogy the silver tankards and salvers can have to the business of the milkmaids. I have seen them act with much more propriety upon this occasion, when, in place of these superfluous ornaments, they substituted a cow. The animal had her horns gilt, and was nearly covered with ribands of various colours formed into bows and roses, and interspersed with green oaken leaves and bunches of flowers.”

THE MILKMAID’S GARLAND.