I likes a drop of good beer;
And hang their eyes if ever they tries
To rob a poor man of his beer.’
And that ends the meeting.
“I was in Greenwich fair, doing Silly Billy, when the celebrated disturbance with the soldiers took place. I was at Smith and Webster’s booth (Richardson’s that was), and our clown was Paul Petro. He had been a bit of a fighting man. He was bending down for Silly Billy to take a jump over him, and some of the soldiers ran up and took the back. They knocked his back as they went over, and he got shirtey. Then came a row. Four of them pitched into Paul, and he cries out for help. The mob began to pelt the soldiers, and they called out to their comrades to assist them. A regular confusion ensued. The soldiers tumbled us about, and took off their belts. They cut Paul’s forehead right open. I was Silly Billy, and I got a broomstick, and when one of the soldiers gave me a lick over the face with his belt, I pitched him over on the mob with my broomstick. I was tumbled down the steps among the mob, and hang me if they didn’t pitch into me too! I got the awfullest nose you ever see. There was I, in my long pinafore, a-wiping up the blood, and both my eyes going as black as plums. I cut up a side place, and then I sat down to try and put my nose to rights. Lord, how I did look about for plaster! When I came back there was all the fair a fighting. The fighting-men came out of their booths and let into the soldiers, who was going about flourishing their belts and hitting everybody. At last the police came; two of them was knocked down, and sent back on stretchers: but at last, when a picket was sent for, all the soldiers—there was about forty of them—were walked off. They got from six to nine months’ imprisonment; and those that let into the police, eighteen months. I never see such a sight. It was all up with poor Silly Billy for that fair, for I had to wrap my face up in plaster and flannel, and keep it so for a week.
“I shouldn’t think there were more than a dozen Silly Billys going about at the present time; and out of them there ain’t above three first-raters. I know nearly all of them. When fairs ain’t on they go about the streets, either with schools of tumblers or serenaders; or else they turn to singing at the concerts. To be a good Silly Billy, it requires a man with heaps of funniment and plenty of talk. He must also have a young-looking face, and the taller the man the better for it. When I go out I always do my own gag, and I try to knock out something new. I can take a candle, or a straw, or a piece of gingerbread, or any mortal thing, and lecture on it. At fairs we make our talk rather broad, to suit the audience.
“Our best sport is where a girl comes up on the parade, and stands there before going inside—we have immense fun with her. I offer to marry her, and so does Clown, and we quarrel as to who proposed to the young woman first. I swear she’s my gal, and he does the same. Then we appeal to her, and tell her what we’ll give her as presents. It makes immense fun. The girls always take it in good part, and seem to enjoy it as much as the mob in front. If we see that she is in any ways shy we drop it, for it’s done for merriment, and not to insult; and we always strive to amuse and not to abuse our friends.”
Billy Barlow.
“Billy Barlow,” is another supposed comic character, that usually accompanies either the street-dancers or acrobats in their peregrinations. The dress consists of a cocked-hat and red feather, a soldier’s coat (generally a sergeant’s with sash), white trowsers with the legs tucked into Wellington boots, a large tin eye-glass, and an old broken and ragged umbrella. The nose and cheeks are coloured bright red with vermilion. The “comic business” consists of the songs of the “Merry Month of May,” and “Billy Barlow,” together with a few old conundrums and jokes, and sometimes (where the halfpence are very plentiful) a “comic” dance. The following statement concerning this peculiar means of obtaining a living I had from a man whom I had seen performing in the streets, dressed up for the part, but who came to me so thoroughly altered in appearance that I could hardly recognise him. In plain clothes he had almost a respectable appearance, and was remarkably clean and neat in his attire. Altogether, in his undress, he might have been mistaken for a better kind of mechanic. There was a humorous expression, however, about his mouth, and a tendency to grimace, that told the professional buffoon. “I go about now as Billy Barlow,” he said; “the character of Billy Barlow was originally played at the races by a man who is dead. He was about ten years at the street business, doing nothing else than Billy Barlow in the public thoroughfares, and at fairs and races. He might have made a fortune had he took care on it, sir; but he was a great drunkard, and spent all he got in gin. He died seven years ago—where most of the street-performers ends their days—in the workhouse. He was formerly a potman at some public-house, and got discharged, and then took to singing comic songs about the streets and fairs. The song of ‘Billy Barlow’ (which was very popular then) was among the lot that he sung, and that gave his name. He used to sing, too, the song of ‘I hope I don’t intrude;’ and for that he dressed up as Paul Pry, which is the reason of the old umbrella, the eye-glass, and the white trowsers tucked into the boots, being part of the costume at present. Another of his songs was the ‘Merry Month of May,’ or ‘Follow the Drum;’ and for that he put on the soldier’s coat and cocked-hat and feather, which we wears to this day. After this he was called ‘General Barlow.’ When he died, one or two took to the same kerachter, and they died in the workhouse, like us all. Two months ago I thought I’d take to it myself, as there was a vacancy in the purfession. I have been for thirty years at the street business, off and on. I am fifty now. I was a muffin and biscuit-baker by trade; but, like the rest on us, I got fond of a roving life. My father was a tailor by trade, but took to being a supernumerary at Covent Garden Theayter, where my uncle was a performer, and when I was nine years old I played the part of the child in ‘Pizarro,’ and after that I was one of the devils what danced round my uncle in ‘Mother Goose.’ When I was fourteen year old my uncle apprenticed me to the muffin business, and I stuck to it for five years; but when I was out of my time I made up my mind to cut it, and take to performing. First I played clown at a booth, for I had always a taste for the comic after I had played the devil, and danced round my uncle in the Covent-garden pantomime. Some time after that I took to play the drum and pipes; and since then I have been chiefly performing as musicianer to different street exhibitions. When business is bad in the winter or wet weather, I make sweetmeats, and go about the streets and sell them. I never made muffins since I left the business; you see, I’ve no stove nor shop for that, and never had the means of raising them. Sweetmeats takes little capital—toffy, brandy-balls, and Albert rock isn’t expensive to get up. Besides, I’m known well among the children in the streets, and they likes to patronise the purfession for sweetmeats, even though they won’t give nothing while you’re a performing; I’ve done much the same since I took to the Billy Barlow, as I did before at the street business. We all share alike, and that’s what I did as the drum and pipes. I never dress at home. My wife (I’m a married man) knows the part I play. She came to see me once, and laughed at me fit to bust. The landlord nor the fellow-lodgers where I live—I have a room to myself—ain’t aware of what I do; I sneaks my things out, and dresses at a public-house. It costs us a pot for dressing and a pot for undressing. We has the use of the tap-room for that. I’m like the rest of the world at home—or rather more serious, maybe,—though, thank God, I don’t want for food; things is cheap enough now; and if I can’t get a living at the buffoonery business, why I tries sweetmeats, and between the two I do manage to grab on somehow, and that’s more than many of my purfession can do. My pardner (a street-dancer whom he brought with him) must either dance or starve; and there’s plenty like him in the streets of London. I only know of one other Barlow but me in the business, and he’s only taken to it after me. Some jokes ain’t fit for ladies to listen to, but wot I says is the best-approved jokes—such as has been fashionable for many years, and can’t give no offence to no one. I say to the musician, ‘Well, master, can you tell me why are the Thames Tunnel and Hungerford Suspension Bridge like two joints badly done?’ He’ll say, ‘No, Mr. Barlow;’ and then I give him the answer: ‘Because one is over-done, and the other is under-done.’ Then I raise my umbrella, saying, ‘I think I’m purwided against the weather;’ and as the umbrella is all torn and slit, it raises a laugh. Some days I get six shillings or seven shillings as my share; sometimes not a quarter of the money. Perhaps I may average full eighteen shillings a-week in the summer, or more; but not a pound. In the winter, if there’s a subsistence, that’s all. Joking is not natural to me, and I’m a steady man; it’s only in the way of business, and I leave it on one side when I’ve got my private apparel on. I never think of my public character if I can help it, until I get my show-dress on, and I’m glad to get it off at night; and then I think of my home and children, and I struggle hard for them, and feel disgust oft enough at having been a tom-fool to street fools.”