[521]. Harvey Wiley Corbett (b. 1873), a pupil of Pascal at the École des Beaux-Arts, was probably the designer.
[522]. Carrère was dead by this time, but the firm name remained unchanged; as has been mentioned earlier, Professor Sir Charles Reilly was consultant, and he probably made some real contribution to the design.
[523]. C.-F. Mewès (1858-1947) and Arthur Joseph Davis (1878-1951), both pupils of Pascal, like Corbett.
[524]. Gropius is very insistent on the desirability of anonymous team-work in architecture. His TAC, the one-time Tecton group in London, and other firms with similar names are examples of this ideal which aims, of course, at something rather different from the anonymity of the large commercial firms. Theirs is fact rather than ideal.
[525]. See Weisman, W., ‘Group Practice’, Architectural Review, CXIV (1953), 145-51.
[526]. Sir John J. Burnet (1857-1938), another pupil of Pascal at the École; Thomas S. Tait (1882-1954).
[527]. See Pevsner, N., ‘Building with Wit; the Architecture of Sir E. Lutyens’, Architectural Review, CX (1951), 217-25.
[528]. See Purdom, C. B., The Garden City, London, 1913; and Culpin, E. G., The Garden City Movement Up-to-Date, London, 1913.
[529]. See Macfadyen, D., Sir Ebenezer Howard and the Town Planning Movement, London, 1933.
[530]. See Unwin, R., Town Planning and Modern Architecture at the Hampstead Garden Suburb, London, 1909.