Anna—dearest Anna—to whom this half-completed letter was addressed, was a person for whom he had not the slightest affection. At the outset of his career he had paused, decided in haste, and had resolved to make use of the passing opportunity. Anna Hethbridge had therefore been annexed en passant. In person she was youthful and rather handsome—her fortune was extremely handsome. So Seymour Michael went out to India engaged to be married to this girl who was unfortunate enough to love him.

In India two things happened. Firstly, Seymour Michael met a second young lady with a fortune twice as large as that of Miss Anna Hethbridge. Secondly, the Mutiny broke out, and India lay before the ambitious young officer a very land of Ophir. He promptly decided to cut the first string of his bow. Anna Hethbridge was now useless—nay, more, she was a burthen. Hence the letter which lay half-written on the table of his bungalow.

He paused before this wrong to a blameless woman, and contemplated the perpetration of a greater. He weighed pro and con—carefully withholding from the balance the casting weight of Right against Wrong. Then he took up the letter and slowly tore it to small pieces. He had decided to leave the report of his death uncontradicted. It was morally certain that five weeks before that day Anna Hethbridge had read the news in the printed column lying before him. He resolved to leave her in ignorance of its falseness. Seymour Michael was not, however, a selfish man. All that he did at this time, and later in life—all the lives that he ruined—the hearts he broke—the men he sacrificed were not offered upon the altar of Self (though the distinction may appear subtle), but sold to his career. Career was this man's god. He wanted to be great, and rich, and powerful; and yet he was conscious of having no definite use for greatness, or riches, or power when acquired.

Here again was the taint of the blood that ran in his veins. The curse had reached him—in addition to the long, sad nose and the bandy legs. The sense of enjoyment was never to be his. The greed of gain—gain of any sort—filled his heart, and ennui secretly nestling in his soul said: “Thou shalt possess, but not enjoy.”

He was conscious of this voice, but did not understand it then. He only burned to possess; looking to possession to provide enjoyment. In this he was not quite alone—with him in his error are all men and women. And so we talk of Love coming after marriage—and so women marry without Love, believing that it will follow. God help them! That which comes afterwards is not even the ghost of Love, it is only Custom. This was the spirit of Seymour Michael. He had already acquired one or two objects of a vague ambition; and, possessing them, had only learnt to be accustomed to them—not to value them.

There was no elation in the thought that he was freed from the encumbrance of Anna Hethbridge by a chance misprint. Neither was there hesitation in turning accident ruthlessly to his own advantage. There was only a steady pressing forward—an unceasing, unwearying attention to his own gain.

In those days news travelled slowly, and the personal had not yet taken precedence in journalism. In the anxiety for the State, the Individual was apt to be overlooked. Seymour Michael counted on six months of oblivion at the least—he hoped for more, but with characteristic caution acted always in anticipation of the worst.

He had scarcely thrown the newspaper aside when a comrade entered the bungalow carrying another copy of the same journal.

“I say, Michael,” exclaimed this man, “do you see that you're put in among the killed?”

“Yes,” replied Seymour Michael, without haste, without hesitation. “I have already written to contradict it. Not that there is any one to care whether I am dead or alive. But it might do me harm in Leadenhall Street. I can't afford to be dead even for a week when so much promotion is going forward.”