“Oh, come to Agar's,” one man (save the mark) would say to another. “Ripping coffee, topping cigarettes.”
So they went; they drank the ripping coffee, smoked the topping cigarette, and if they happened to be men of stomach ventured on a clinking cigar. Moreover, they were made welcome. Agar was like a vain woman who loved to see a full saloon. And he paid for his pleasure in more honourable coin than many a vain woman has laid down since daughters of Eve commenced drawing fops around them—namely, the adjectived items of hospitality above mentioned.
It did not matter much who the guests were, provided that they filled the diminutive room in those spaces left vacant by bric-a-brac and furniture of the spindle-legged description. So the men came. There were freshmen who fell over the footstools and bumped their heads against the painted sabots on the wall containing ever-fresh flowers, as per florist's bill; who were rather over-powered by the profusion of painted photograph frames, fans, and fal-lals. There was the man who sang a comic song and dined out on it at least twice a week. There was the calculating son of a poor North-country parson, who liked coffee after dinner and knew the value of sixpence. There was the man who came to play his own valse, and he who came to hear his own voice, und so weiter. Do we not know them all? Have we not run against them in after-life, despite many attempts to pass by on the other side? The habitual acceptors of hospitality have no objection to crossing the road through the thickest mud.
“By their rooms ye shall know them,” might well, if profanely, be written large over any college gate. Arthur Agar's rooms were worthy of the man. There was, even on the little stone staircase, a faint odour of pastille or scent spray, or something of feminine suggestion. The unwary visitor would as likely as not catch some part of his person against a silk hanging or a lurking portière on crossing the threshold; and the impression which struck (as all rooms do strike) from the threshold was one of oppressive drapery. A man, by the way, should never know anything about drapery or draping. Such knowledge undermines his virility. This is an age of undermining knowledge. We all, from the lowest to the highest, learn many things of which we were better ignorant. The school-board infant acquires French; Arthur Agar and his like bring away from Cambridge a pretty knack of draping chair-backs.
There were little screens in the room, with shelves specially constructed to hold little gimcracks, which in their turn were specially shaped to stand upon the little shelves. There was a portentous standing-lamp, six feet high in its bare feet, with a shade like a crinoline. There were settees and poufs and des prie-Dieu, and strange things hanging on the wall without rhyme, reason, or beauty. And nowhere a pipe, or a tennis racket, or even a pair of boots—not so much as a single manly indiscretion in the way of a cricket-bat in the corner, or a sporting novel on the table.
In the midst of this the temporary proprietor of the rooms sat disconsolately at an inlaid writing-table with his face buried in his arms—weeping.
The outer door was shut. Arthur Agar had sported his rare oak, not to work but to weep. It sometimes does happen to men, this shedding of the idle tear, even to Englishmen, even to Cambridge men. Moreover, it was infinitely to the credit of Arthur Agar that he should bury his face in the sleeve of his perfectly-fitting coat thus and sob, for he was weeping (quietly and to himself) the advent of three thousand pounds per annum.
At his elbow lay a telegram—that flimsy pink paper which, with all our progress, all our knowledge, the bravest of us fear still.
“Jem killed in India; come home at once.—AGAR.”
Honour to whom honour. Arthur Agar's only thought had been one of sudden horror. He had read the telegram over twice before going out to close his outer door. Then he came back and sat weakly down at the table where he had written more scented notes than noted themes, deliberately, womanlike, to cry.