“And love,” suggested the sub-editor, placing his hand dramatically on the right side of his broad waistcoat instead of the left. He could afford to joke on the subject now that the grass grew high in the little country churchyard where he had laid his young wife fifteen years before. In those days he was a grave, self-contained man, but that sorrow had entirely changed his nature. The true William Morgan only came out on paper now.

Mr. Bodery was right. Christian had yet to learn a great lesson, and unconsciously he was even now beginning to grasp its meaning. His whole mind was full of his work, and out of those earnest grey eyes his soul was looking at the man who was perhaps saving his life.

“We can easily manage it,” said the editor, continuing his advantage. “I will take over the foreign policy article. The reviewing you can do yourself, as we can always send you the books, and there is no pressing hurry about them. The general work we will manage somehow—won't we, Morgan?”

“Of course we will; as well as and perhaps better than he could do it himself, eh? Ha, ha!”

“But seriously, Vellacott,” continued Mr. Bodery, “things will go on just as well for a time. When I was young I used to make that mistake too. I thought that no one could manage things like myself, but in time I realised (as you will do some day) that things went on as smoothly when I was away. Depend upon it, my boy, when a man is put on the shelf, worn out and useless, another soon fills his place. You are too young to go on the shelf yet. To please me, Vellacott, go away for three weeks.”

“You are very kind, sir—” began the young fellow, but Mr. Bodery interrupted him.

“Well, then, that is settled. Shall we say this day week? That will give you time to make your plans.”

With a few words of thanks Christian left the room. Vaguely and mechanically he wandered upstairs to his own particular den. It was a disappointing little chamber. The chaos one expects to find on the desk of a literary man was lacking here. No papers lay on the table in artistic disorder. The presiding genius of the room was method—clear-headed, practical method. The walls were hidden by shelves of books, from the last half-hysterical production of some vain woman to the single-volume work of a man's lifetime. Many of the former were uncut, the latter bore signs of having been read and studied. The companionship of these silent friends brought peace and contentment to the young man's spirit. He sat wearily down, and, leaning his chin upon his folded arms, he thought. Gradually there came into his mind pictures of the fair open country, of rolling hills and quiet valleys, of quiet lanes and running waters. A sudden yearning to breathe God's pure air took possession of his faculties. Mr. Bodery had gained the day. In the room below Mr. Morgan wrote on in his easy, comfortable manner. The editor was still thoughtfully playing with his pencil. The sharp little boy was standing on his head in the passage. At last Mr. Bodery rose from his chair and began his preparations for leaving. As he brushed his hat he looked towards his companion and said:

“That young fellow is worth you and me rolled into one.”

“I recognised that fact some years ago,” replied the sub-editor, wiping his pen on his coat. “It is humiliating, but true. Ha, ha!”