Romantic Love and Personal Beauty / Their development, causal relations, historic and national peculiarities

by Henry T. Finck

• Face, the, [411], [448], [490]
• Factories: unhealthy, [400];
  • whistles, [434]
• Fashion: the Handmaid of Ugliness, [328];
  • a disease, [352];
  • mutilates the feet, [352], [360];
  • frustrates advantages of dancing, [365];
  • prescribes absurd hours, [367];
  • its essence vulgar exaggeration, [375];
  • crinoline craze, [375];
  • wasp-waist mania, [379];
  • lacing, [380];
  • Fashion Fetish analysed, [385];
  • and Darwinism, [389];
  • repeats itself, [389];
  • ludicrous features, [390];
  • masculine, [391], [393];
  • disgusting pictures, [393];
  • deforms the breasts, [395];
  • finger-nails, [406];
  • gloves, [407];
  • right-handedness, [408];
  • teeth, [415];
  • powders and paints, [425], [458], [459];
  • ears, [432];
  • noses, [436], [443];
  • versus Taste, [437];
  • forehead, [431], [450], [451];
  • court-plaster, [452];
  • eyebrows, [474];
  • hollow eyes, [483];
  • mutilates eyes, [485];
  • head-dresses, [494];
  • tyranny of ugliness, [496];
  • in France, [509];
  • and bad manners, [510]
• Fat, cosmetic value of, [120], [132]
• Feet, the: size, [351];
  • fashionable ugliness, [352];
  • tests of Beauty, [354];
  • not enlarged by graceful walking, [362]
• Feminine Beauty: in masculine eyes, [177];
  • prematurely lost, [186], [312];
  • rarer than masculine, [313];
  • greater than masculine, [342];
  • bosom, [342], [394], [400], [403];
  • face, [411];
  • nose, [441];
  • forehead, [388], [448], [496];
  • wrinkles, [451];
  • skin, [488];
  • beard, [489], [521]
• Feminine Inferiority, [260], [262], [274]
• Feminine Love: less deep than masculine, [120], [273];
  • desire to please, [159];
  • dynamic, not æsthetic, [178], [253], [303];
  • at thirty, [193];
  • expression of, [224];
  • lessens delicacy, [254];
  • Fichte on, [284], [401]
• Feminine virtues, [98];
  • mediæval culture, [105];
  • cruelty, [150];
  • devotion, [160]
• Femininity, standard of, [290]
• Fichte: feminine Love, [284]
• Fickleness of genius, [210]
• Figuier, [458], [506], [509], [511], [517]
• Figure: a good, inspires Love, [154];
  • Oriental, [540];
  • plump, [541]
• Filial Love, [22]
• Finger-nails, [406]
• Fletcher, [167]
• Flirtation and coquetry, [122];
  • definition of, [123];
  • versus coyness, [123];
  • in France, [273];
  • in Spain, [278];
  • Germany, [285];
  • England, [293];
  • with the eyes, [484], [491]
• Flower love and beauty, [7-11]
• Flower, Prof.: walking, [358];
  • toes, [359];
  • nose-rings, [443]
• Forehead, the, [388], [411];
  • Beauty and brain, [448];
  • fashionable deformity, [450], [496]
• Fragrance, a tonic, [447]
• France: the source of vulgar Fashions, [352]
• Franklin, B.: early marriages, [189];
  • advantages of large families, [189]
• Freckles, not caused by sunshine, [462], [500], [524]
• French Beauty: rare as Love-marriages, [272];
  • feet, [362];
  • ugly fashions, [389];
  • brunettes and blondes, [499];
  • general 506;
  • in America, [510];
  • compared with English, [533]
• French Love: Chivalry, [99];
  • Troubadours, [102];
  • no flirtation, [123], [126];
  • grandchildren sacrificed, [162];
  • lower classes, [176];
  • feminine, at thirty, [193], [196];
  • killed by ridicule, [243], [265-274], [341], [508]
• French, T. R.: nose-breathing, [445]
• Freytag, G.: mediæval German marriages, [281]
• Friendship, [24];
  • among animals, [34];
  • female, in Greece, [81], [180];
  • advantages over conjugal love, [258]
• Fringe, [388], [495]

• Gait, graceful, [357], [363];
  • defects in woman’s, [373], [375], [376];
  • in Spain, [518], [520], [533]
• Gallantry: an overtone of Love, [30];
  • among animals, [39];
  • among savages, [66];
  • birth of, in Rome, [91];
  • crazy mediæval, [100], [157];
  • modern, [157];
  • conjugal, [185];
  • extravagant forms of, [221];
  • feminine, [244];
  • flattery in actions, [245];
  • Italian, [274];
  • Spanish, [278];
  • German, [283];
  • American, [298];
  • true, [388];
  • why on the wane, [495]
• Galton: on Coyness, [124];
  • callous feelings, [148];
  • morals and large families, [189];
  • heredity of genius, [201];
  • woman’s senses less delicate than man’s, [261];
  • ancestral influences, [306];
  • criminal types, [324];
  • stature and marriage, [521];
  • change in English physiognomy, [530]
• Gastronomy: cosmetic value of, [446];
  • England, [535];
  • America, [539]
• Gautier, Th.: woman has no sense of beauty, [124]
• Genius: emotional, [2], [90], [110];
  • and Health, [179];
  • and marriage, [197];
  • and Love, [201], [217];
  • modern, abundant, [203];
  • in Love, [204];
  • amorous precocity, [204];
  • ardour, [207];
  • versus rank and money, [209];
  • fickleness, [210];
  • multiplicity, [213];
  • and Monopoly, [214];
  • fictitiousness, [215]
• Georgian women, [60]
• German Beauty: 144;
  • Bavarian corpulence, [385];
  • Brunettes gaining on Blondes, [499];
  • physiognomy, [514];
  • general, [522-528]
• German Love: chivalry, [99];
  • Minnesingers, [103];
  • in Folksongs, [105];
  • word for courtship, [118], [126];
  • in novels, [143], [196];
  • gallantry, [240];
  • compared with French, [266], [280-288]
• Girls: of the Period, [119];
  • plain, chances of getting married, [154];
  • pretty, apt to be spoiled, [155], [200];
  • wrong education, [156], [261];
  • cages versus nets, [185];
  • hints on men, [187];
  • American and English, [188];
  • best education for, [195];
  • easily duped, [224];
  • in France, [267];
  • Germany, [283];
  • know when they are ugly, [307];
  • should skate, [373];
  • how to acquire a fine figure, [385], [404]
• Gladstone: Greek hair, [496], [498];
  • stature, [520]
• Godkin, E. L.: true character of milliners, [387]
• Goethe: Elective Affinities, [5];
  • affection for nature, [15];
  • ancient love, [116];
  • first love, [136];
  • intellect and Love, [157];
  • love affairs, [202], [206], [212], [213];
  • unhappy marriages, [258];
  • transitoriness of Love, [287];
  • aversion to noise, [435]
• Goldsmith: on Love, [116], [165];
  • his first love, [211];
  • English Love, [299]
• Grace, where found, [308], [343];
  • of gait, [357];
  • acquired by dancing, [364];
  • destroyed by corsets, [382];
  • movements of the head, [401];
  • French, [507];
  • Italian, [514];
  • Spanish, [518], [520]
• Gradation, [42], [339], [355], [371], [394], [400], [404], [459]
• Grandchildren: sacrificed to money-marriages, [160], [162], [245], [260]
• Gratiolet, [479]
• Greek Beauty, [83];
  • sources of, [313];
  • animals as ideals, [332];
  • no expression, [348], [349];
  • feet, [356];
  • gymnastics, [384];
  • hands, [406];
  • chin, [413];
  • lips, [414];
  • ears, [430], [433];
  • beards, [489];
  • arrangement of hair, [495];
  • colour of hair, [495];
  • stature, [520]
• Greek Love, [75], [116], [157], [180], [191]
• Griffin, Sir L.: French women, [506];
  • American women, [536]
• Grose: noses, [437]
• Grote, G.: Platonic love, [80];
  • Greek Beauty, [83];
  • Amazons, [191]
• Gymnastics: among Greeks, [384]
• Gypsy, Spanish, [516]

• Haeckel, Prof., [431], [523]
• Hair: how to wear, [388], [530];
  • on the arm, [403];
  • cause of man’s nudity, [486];
  • how to remove, [491];
  • preserved by Sexual Selection, [492];
  • æsthetic value of, [494];
  • blonde and brunette, [496], [501];
  • red, [503]
• Hamerton, P. G.: Love and age, [138];
  • feminine sympathy, [156];
  • embers of passion, [264];
  • French Love, [267], [271], [272]
• Hammond, Dr. W.: Delirium of Persecution, [220];
  • erotomania, [222]
• Hand, [402], [405], [408]
• Handel, [199]
• Harrison, J. P.: length of first and second toes, [359]
• Hartmann, E. von: pleasure and pain, [168];
  • masculine and feminine Love, [284]
• Hats, tall, [393];
  • hideous French, [388], [494]
• Haweis, Mrs.: Fashion versus Beauty, [494];
  • turban, [495];
  • hair-powder, [503]
• Hawthorne, N.: a love-letter, [250];
  • English Beauty, [531];
  • American physique, [538]
• Hawthorne, Julian: German Beauty, [526]
• Haydn, [198], [206]
• Hazlitt, [258]
• Head, the deformities of, [328];
  • and hair, [492]
• Health: correlated with Beauty in flowers, [8], [10];
  • in animals, [46];
  • men and women, [178];
  • source of Love, [303];
  • source of Beauty, [310-317], [331], [534];
  • and delicacy, [344];
  • exercise, [372];
  • lacing, [380];
  • sins against, [419];
  • and colour, [347], [453], [458];
  • and lustre, [469], [477];
  • eyelids, [473];
  • and sunshine, [500];
  • in Italy, [512];
  • England, [534];
  • America, [538].
• Hebra, Prof.: freckles, [462]
• Hebrews: Love among ancient, [69];
  • sense of beauty, [72];
  • absence of jealousy, [129];
  • beauty and ugliness of, [320];
  • noses, [438], [440]
• Hegel: colour of the skin, [453]
• Heine: flower and butterfly love, [10];
  • the word love, [11];
  • joy and torture, [32];
  • persiflage of coyness, [118], [120];
  • jealousy, [130], [132];
  • on first Love, [137];
  • his marriage, [157];
  • poet for lovers, [170], [202];
  • his first love, [205];
  • his true love, [208];
  • æsthetic love, [211];
  • multiplicity, [213];
  • wedding music, [259];
  • woman’s character, [259];
  • curing Love with Love, [264];
  • French Love, [267];
  • an emotional educator, [286];
  • Italian Beauty, [515]
• Helmholtz: overtones, [29]
• Herder: Love, [71];
  • eyes of great men, [482]
• Heredity: of genius, [201]
• Hetairai, [79]
• Higginson, T. W.: sexual likeness, [174];
  • American physique, [541]
• Hindoo Love maxims, [73]
• History of Love, [67]
• Holland, F. W.: morals and large families, [189]
• Holmes, O. W.: feminine barbarity, [151];
  • refined lips, [419]
• Homer: Helen’s Beauty, [314]
• Honeymoon, [164], [188]
• Horwicz, [16], [21], [240]
• Hottentots: notions of Beauty, [376]
• Howells, W. D.: monogamy, [133];
  • feminine self-abnegation, [259];
  • Italian courtship, [275-276];
  • broken engagements, [300];
  • playful flattery, [301]
• Hueffer, F.: Troubadours, [102]
• Hume: uncertainty augments passion, [124];
  • mixed emotions, [172]
• Humphrey, Dr.: walking, [358]
• Hungarian Beauty, [319]
• Huxley: female education, [261];
  • ape’s foot, [358]
• Hygiene, modern: a source of Beauty, [316];
  • of the feet, [362];
  • legs, [373];
  • chest, [397], [398];
  • fatal consequences of neglect, [399];
  • eyes, [485], [527];
  • hair, [493];
  • in England, [534]
• Hyperbole: emotional, an overtone of Love, [32];
  • in ancient Aryan Love, [74];
  • modern, [162-166];
  • after marriage, [184];
  • pathologic analogies, [219], [221];
  • contact, [225];
  • and genius, [243];
  • in America, [301]

• Indians, American: wooing, [173];
  • standard of Beauty, [327];
  • muscular power, [371];
  • deformed skulls, [450]
• Indifference, feigned: value to lovers, [241]
• Individual Preference: an overtone of Love, [30];
  • among animals, [42];
  • savages, [57], [59];
  • Hebrews, [70], [78];
  • Greeks, [79];
  • Romans, [87];
  • mediæval times, [94], [112];
  • modern, [173-177], [188];
  • in France, [268];
  • Italy, [275];
  • Spain, [278];
  • Germany, [282];
  • England, [288], [535];
  • America, [300];
  • Schopenhauer on, [310]
• Individualism versus Fashion, [389]
• Individuality, [174];
  • and nationality, [300], [350], [482], [508]
• Individuals: sacrificed to species, [302], [308]
• Insanity and Love: analogies, [218];
  • erotomania, [222]
• Intellect and Beauty, [61], [155], [217], [324], [326], [534]
• Intellect and Love, [61], [74], [79], [83], [90], [122], [154], [157], [193], [203], [209], [216], [285], [299], [304]
• Intoxication, amorous, [163], [197]
• Iris, [466], [479]
• Irving, Washington: transient Love, [211];
  • intellect and Beauty, [324];
  • Spanish Beauty, [519]
• Italian Beauty: 274, [276];
  • feet, [359], [361];
  • nose, [437];
  • hair, [497], [502];
  • complexion, [501];
  • general, [511-515]
• Italian Love: chivalry, [101];
  • no word for courtship, [118], [196], [274-277], [512]

• Jaeger, G.: personal perfumery, [446]
• James, Henry: American women, [158];
  • Daisy Miller, [295]
• Japan: jealousy, [129], [133]
• Jaws, the, [408]
• Jealousy: an overtone of Love, [30];
  • among animals, [39];
  • moral mission of, [62];
  • occasional absence among savages, [62];
  • Greek, [77];
  • mediæval, [103];
  • modern, [127-133];
  • retrospective and prospective, [131];
  • aroused by Beauty, [133], [172];
  • conjugal, [184];
  • Oriental, [185];
  • morbid, [221]
• Jeffrey: on Taste, [328];
  • theory of Beauty, [335]
• Jews. See [Hebrews]
• Johnson, Dr.: second Love, [135];
  • marriage and Love, [258]
• Jowett, Prof.: Sokrates, love and friendship, [258]

• Kant: women ensnared by counterfeit lovers, [243];
  • value of smiles, [421]
• Karr, A.: Woman’s Love, [259]
• Keats: amorous hyperbole, [163];
  • paradox, [168];
  • Beauty and Love, [177];
  • love-letters, [246-248]
• Kissing, [142], [227];
  • among animals, [227];
  • savages, [228];
  • origin of, [229];
  • ancient, [232];
  • mediæval, [233];
  • modern, [234];
  • love-kisses, [235];
  • art of, [237];
  • varieties of, [414];
  • on the ears, [432];
  • cheeks, [425]
• Knight: Beauty and utility, [336], [340]
• Knille: Italian Beauty, [514]
• Kollmann, Prof.: feminine Beauty, [342];
  • walking, [371];
  • muscular development, [373];
  • gait, [374];
  • breasts, [395];
  • face, [411];
  • nose, [436];
  • hair, [502];
  • results of crossing, [320]
• Koran, the: on woman’s soul, [94]
• Krafft-Ebing: Insanity and Love, [173], [222]

• La Bruyère: how to win love, [244];
  • on use of paint, [459]
• Lacing: fatal to Beauty, [379]
• Lamartine: genius and Love, [210];
  • love-affairs, [252]
• Lamb, Chas.: amorous paradoxes, [166];
  • love-affairs, [212]
• Language of Love: words, [223];
  • facial expression, [224];
  • caresses, [225];
  • kissing, [227]
• La Rochefoucauld: Love and friendship, [26];
  • and absence, [256]
• Lathrop, G. P.: Love-making in Spain, [278];
  • Spanish Beauty, [518]
• Laughter, [421]
• Lavater: chin, [412];
  • ocular lustre, [470]
• Lawson, F. P.: effect of education on Beauty, [324]
• Leanness, [304], [382];
  • how to cure, [384]
• Lecky: on kindness to animals, [18];
  • family affections among Greeks, [75];
  • asceticism and chastity, [93];
  • feminine devotion, [160];
  • southern type of Beauty, [501]
• Lenau: love-letters, [248];
  • music and Love, [257]
• Leo, Judah: on Love, [4]
• Lessing: every woman a shrew, [259]
• Life: prolonged through hygienic care, [316]
• Lips, [227], [231];
  • expression of scorn, [410];
  • refined, [413];
  • lip language, [414];
  • effect on, of æsthetic culture, [419]
• Liszt, [199]
• London, [435]
• Longfellow, [264]
• Love-charms (and calls): among animals, [50];
  • for women, [250], [426]
• Love-dramas, among flowers, [9]
• Love-maxims: Hindoo, [11]
• Love, Romantic: a modern sentiment, [1], [180];
  • superior to friendship, [26];
  • to maternal love, [27];
  • secures to man the benefits of cross-fertilisation, [28];
  • overtones of, [29];
  • a great moral, æsthetic and hygienic force, [28], [97];
  • among animals, [33];
  • savages, [54];
  • Egyptians, [67];
  • Hebrews, [69];
  • ancient Aryans, [72];
  • more traces of modern in Indian poetry than in Greek and Roman, [73];
  • among Greeks, [75];
  • origin of, [85];
  • among Romans, [86];
  • Mediæval, [92];
  • wooing and waiting, [101];
  • dependent on refinement, [101];
  • maid versus married woman, [105];
  • birth of modern, [109];
  • order of development proved, [111];
  • at the altar, [113];
  • in novels, [113];
  • pleasure of pursuit, [115];
  • value of procrastination, [116], [118];
  • coyness lessens woman’s, [119];
  • masculine deeper than feminine, [120], [259], [272];
  • modern jealousy, [127];
  • passion or admiration, [130];
  • is transient, [135], [180];
  • is first best? [136];
  • Heine on first, [137];
  • first is not best, [137];
  • individual versus the species, [139];
  • coquetry, [142];
  • opposed by rank, [143];
  • intensifies emotions, [147];
  • stimulates social sympathy, [149];
  • selfish aspect of, [151];
  • at first sight, [38], [152];
  • inspired by a fine figure, [154];
  • by sympathy, [156];
  • responsible for general growth of Gallantry, [158];
  • refines men, [159];
  • impels toward self-sacrifice, [159], [161];
  • in France, [162];
  • emotional hyperbole, [162], [175];
  • intoxication of, [163];
  • honeymoon, [164];
  • mixed moods and paradoxes, [166];
  • course of true, [170];
  • lunatic, lover, and poet, [172];
  • and conjugal, [173];
  • individual choice, [174];
  • and culture, [176];
  • idealised by Beauty, [177-180];
  • responsible for Beauty, [177];
  • differs from conjugal, [180];
  • elements of, in conjugal affection, [184];
  • makes men embarrassed, [187];
  • free choice does not always imply Love, [188];
  • eliminates ugly and masculine women, [190];
  • inspired by Beauty, [194];
  • a duty, [196];
  • must be mutual, [196];
  • genius is amorous, [201];
  • a creative impulse, [202];
  • imagined is real, [203];
  • arouses genius, [204];
  • precocious, [204];
  • most intense in men of genius, [208];
  • fickle, [210], [216];
  • loving two at once, [213];
  • “sublimed” by Beauty, [218];
  • pathologic analogies, [218];
  • erotomania, [222];
  • language of, [223];
  • facial expression of, [224];
  • caresses, [225];
  • kissing, [227];
  • how to win, [237-255];
  • feminine, and genius, [242];
  • effects of, [242];
  • compliments, [244];
  • love-letters not necessarily slovenly, [247];
  • extracts from, [247-250];
  • charms for women, [251];
  • masculine, and vanity, [252];
  • opposed to viragoes, [252];
  • proposing, [253];
  • signs and tests of, [254];
  • how to cure, [255];
  • effect of absence on, [256];
  • effects of marriage on, [257];
  • poisoned by humiliation, [263];
  • versus Love, [264];
  • chances of recovery, [265];
  • national peculiarities, [265];
  • massacred in France, [266];
  • Italian, [274], [276];
  • Spanish, [277];
  • German, [280];
  • English, [288], [299];
  • American, [294];
  • a cause of Beauty, [280], [301], [309];
  • points out woman’s sphere, [292];
  • obedience to, a moral duty, [286];
  • Schopenhauer’s theory of, [301-310];
  • sources of, [303];
  • complementary, explanation of, [307];
  • leads to happy marriages, [309];
  • a source of Beauty, [322];
  • displaces cruel Natural Selection, [323], [424];
  • is inspired by grace, [344], [357], [362];
  • more concerned with form than with colour, [347];
  • guided by subtle signs, [349];
  • individualisation and “beauty-spots,” [350];
  • neglects no detail of Beauty, [351];
  • the object of dancing, [365];
  • killed by fashionable deformity, [380];
  • feminine and masculine, [401];
  • maintains æsthetic proportion, [412];
  • related to Health and Beauty, [415];
  • beautifies the face, [324], [418];
  • special expression of, [418];
  • beautifies the lips, [420];
  • the cheeks, [424];
  • and fresh air, [426];
  • and blushes, [429];
  • inspired by a musical voice, [435];
  • beautifies the nose, [440];
  • eliminates high feminine foreheads, [448], [450];
  • method of amorous selection, [458];
  • awakens the sense of beauty, [458];
  • banishes rouge, [459];
  • inspired by eyes, [464], [482];
  • beautifies the eyes, [469];
  • eyebrows, [474], [485];
  • large pupils, [479];
  • musculus amatorius, [482];
  • killed by sunken eyes, [483];
  • preserves the hair, [492];
  • favours brunettes, [305], [497], [529];
  • eye-lashes, [503];
  • and Beauty, [508];
  • favours small women, [520];
  • versus reason, [522];
  • and Beauty in England, [534];
  • sexual differentiation, [541];
  • in America, [541];
  • age of, [542]
• Lovers: selfish bores, [135], [147];
  • quarrels, [170];
  • musician and poet for, [169];
  • falsetto, [224], [436]
• Love-sickness: real, [222]
• Love-stories; none in Greek literature, [76]
• Lubbock, Sir J.: on flowers and insects, [8];
  • absence of certain emotions in savages, [55];
  • kissing, [228]
• Lungs: hygiene of, [398]
• Lustre, [345];
  • in eyes, [469], [476]
• Luther: and marriage, [97]
• Lynn-Linton, Mrs.: Girl of the Period, [187]

• Macaulay: Petrarch’s love, [216]
• Madonna, Sistine, [481];
  • blond, [497]
• Magnus, Dr. Hugo: colour of the eye, [469];
  • lustre, [470];
  • expression, [475];
  • portraits, [481];
  • individuality, [481]
• Manicure secrets, [407]
• Manners: essence of good, [495];
  • Spanish, [530]
• Mantegazza: on courtship, [118];
  • caresses, [226];
  • Esquimaux nose, [437];
  • Italian noses, [437], [444];
  • wrinkles, [452];
  • Italian Beauty, [512]
• Manu, laws of: on woman, [72]
• Mariolatry: influence on woman’s position, [97]
• Marlowe: amorous hyperbole, [165];
  • half-kisses, [238]
• Marriage: among animals, [36], [37];
  • Egyptian trial, [68];
  • modern ideal of, [68];
  • in Greece, [78];
  • in Rome, [93];
  • and chivalry, [99], [103];
  • Love versus expediency, [112];
  • maiden versus wife, [115];
  • through accident, [139];
  • men becoming cautious, [156];
  • Love not a motive in France, [162];
  • of men of genius, [164], [197], [199];
  • money versus Beauty, [177];
  • “the sunset of Love,” [181];
  • conditions of happy, [182];
  • nets and cages, [185];
  • of love, versus “reason,” [186], [522];
  • hints, [188];
  • chances for ugly women, [191];
  • age for, advancing, [192];
  • misery of, [257-260];
  • in France, [268];
  • Germany, [281];
  • America, [301];
  • based on Love, [302];
  • and dancing, [367];
  • and noses, [436];
  • and complexion, [459];
  • Albinos, [501];
  • and stature, [521]
• Masculine Beauty: in feminine eyes, [177];
  • more common than feminine, [312], [348], [397], [400], [403];
  • face, [411];
  • nose, [441];
  • forehead, [448];
  • wrinkles, [451];
  • beard, [489], [490], [521];
  • in Germany, [524]
• Masculine Love; deeper than feminine, [120], [259], [273];
  • coquetry, [142];
  • Gallantry, [158];
  • beautifying impulse, [179];
  • insincerity, [187];
  • comic expression of, [224];
  • won vid Vanity, [252];
  • increases delicacy, [254];
  • versus feminine, [284]
• Masculine vanity, [252]
• Masculine women: eliminated as old maids, [190], [253]
• Massage, [403]
• Maternal Love, [19];
  • among animals, [34], [183]
• Mediæval Love, [92];
  • celibacy, versus marriage, [92];
  • woman’s lowest degradation, [93];
  • negation of feminine choice, [95];
  • Christianity and love, [97];
  • chivalry, militant and comic, [99];
  • poetic, [101];
  • female culture, [105];
  • Personal Beauty, [107];
  • Spenser on Love, [108];
  • Dante and Shakspere, [109]
• Mediæval Ugliness: causes of, [315]
• Meditation beautifies the face, [480]
• Mental culture: a source of Beauty, [324];
  • France, [509];
  • Italy, [513];
  • Spain, [519], [520];
  • Germany, [522];
  • England, [534];
  • America, [541]
• Middleton, [167]
• Mill, J. S.: female self-denial, [161];
  • companionship in marriage, [184];
  • woman’s sphere, [194]
• Milliners’ cunning, [387]
• Milton, [107], [198]
• Minnesingers, [103]
• Mitchell, Dr. W.: American physique, [538]
• Mitchell, P. C.: monkeys’ kisses, [228]
• Mixed Moods and Paradoxes of Love, [32], [166], [185]
• Mixture of races (see also [Crossing]): and Love, [508];
  • in France, [508];
  • Italy, [511];
  • Spain, [515];
  • Germany, [522];
  • England, [516], [528], [538]
• Modesty: a source of Coyness, [115];
  • and blushes, [164]
• Monogamy: favours the development of Love, [64];
  • in Egypt, [68]
• Monopoly: an overtone of Love, [30];
  • among savages, [63];
  • in ancient Aryan Love, [74];
  • modern, [133-141];
  • and genius, [213];
  • three are a crowd, [221];
  • in Lenau’s love-letters, [249];
  • masculine and feminine Love, [284], [504]
• Montagu, Lady: on woman, [259]
• Montaigne: on marriage, [259];
  • Italian Beauty, [274]
• Moore, T.: genius and marriage, [197], [200];
  • first love, [204]
• Moral impressions: confounded with æsthetic, [479]
• Mormons, [63]
• Mountains: feelings inspired by, [12]
• Mouth: muscles of, [413];
  • self-made, [420]
• Muscles: development of, [303];
  • use and disuse, [327];
  • the plastic material of Beauty, [384];
  • of an athlete, [403];
  • facial, [417];
  • mouth, [418]
• Music: of male birds, does it charm the females? [50];
  • dance-music, [103];
  • Chopin’s funeral march, [170];
  • fans love, [257], [330], [339], [408], [419], [480]

• Nationality: and Beauty, [505];
  • and Love, [266]
• Natural Selection: a cause of Beauty, [42] seq.;
  • replaced by Love, [323], [424];
  • blushes, [426];
  • complexion, [455];
  • eyebrows, [475];
  • loss of hair, [486], [492]
• Neck, [400]
• Negroes: African, strangers to Love, [55];
  • American, can they love? [66];
  • ugliness of, [319];
  • standard of Beauty, [328], [331];
  • feet, [355];
  • legs, [371], [405];
  • teeth, [415];
  • lips, [416];
  • cause of blackness, [456];
  • complexion, inferiority of, [458];
  • eyes, [464], [467], [468], [483];
  • hair, [492]
• New York: a silly fashion in, [390];
  • noise in, [435], [447];
  • effeminate men, [541]
• Nordau, Max: love in Germany, [176]
• Norton, C. E.: on Dante, [109]
• Nose, the: shape and size, [436];
  • evolution of, [437];
  • Greek and Hebrew, [440];
  • fashion and cosmetic surgery, [442];
  • important functions of, [445]
• Nose-breathing: importance of, [398], [445]
• Novels: Love in, [11]
• Novelty: and first Love, [140]
• Nudity: cause of man’s, [486]

• Odours: cosmetic value of, [446]
• Old Maids, [190]
• O’Rell, Max: French chaperonage, [269];
  • English degraded women, [531]
• Origin of Love, [85]
• Ornamentation: non-æsthetic, [328]
• Ovid: on tricks of Gallantry, [1];
  • rarity of Beauty in Rome, [88];
  • art of making love, [90];
  • Gallantry, [92];
  • conception of Love, [118];
  • enduring a rival, [129];
  • estimate of, [201];
  • loving two at once, [213];
  • how to cure love, [255], [257], [262]