And the firmament showeth his handiwork.
The second quality of the poetry in the Psalms is their passionate sense of the beauty of holiness. Keats was undoubtedly right in his suggestion that the poet must always see truth in the form of beauty. Otherwise he may be a philosopher, or a critic, or a moralist, but he is not a true poet. But we must go on from this standpoint to the Platonic doctrine that the highest form of beauty is spiritual and ethical. The poet must also see beauty in the light of truth. It is the harmony of the soul with the eternal music of the Good. And the highest poets are those who, like the psalmists, are most ardently enamoured of righteousness. This fills their songs with sweetness and fire incomparable and immortal:
The fear of the Lord is clean, enduring for ever:
The judgments of the Lord are true and righteous altogether.
More to be desired are they than gold, yea, than much fine gold:
Sweeter also than honey and the honeycomb.
The third quality of the poetry of the Psalms is their intense joy in God. No lover ever poured out the longings of his heart toward his mistress more eagerly than the Psalmist voices his desire and thirst for God. No conqueror ever sang of victory more exultantly than the Psalmist rejoices in the Lord, who is his light and his salvation, the strength of his life and his portion forever.
After all, the true mission of poetry is to increase joy. It must, indeed, be sensitive to sorrow and acquainted with grief. But it has wings given to it in order that it may bear us up into the air of gladness.
There is no perfect joy without love. Therefore love-poetry is the best. But the highest of all love-poetry is that which celebrates, with the Psalms,
that Love which is and was