The gowns of noble ladies were magnificent, and were made open to the waist, showing the kirtle or petticoat, and had trains. Ladies’ sleeves were made wide and separate, like those of the men, and could be attached at will to either gown or waistcoat. They were of very rich material, very gorgeous in colour and elaborate in construction.

The dresses of women of the middle classes were sober in this reign. They wore close hoods, and wore partly over their faces a muffle—an article that became very fashionable and remained in use among elderly women until the reign of Charles I. (Fig. 3.)

The coif or cap, familiarly known as the Mary Queen of Scots’ cap, came into use in this reign. (Fig. 12.)

Edward VI. and Mary.

Female costumes were the same as in the previous reign. The ordinary dresses of the commonalty were plain; a hood or cloth cap and apron with close collar and tight sleeves with a small puff at the shoulders were worn. (Fig. 6.)

Elizabeth.

Elizabeth was inordinately fond of dress and display, and from the portraits of her in existence we see very clearly the height of the fashions of her reign.

At the commencement the costumes passed through a transition period. Ladies copied men’s fashions by having doublets and jerkins as the men had, buttoned up at the breast with a small ruff about the neck. The skirts at this time were only padded to a slight extent at the hips.

Unmarried women wore low-necked dresses even out of doors at this time.

About the middle of Elizabeth’s reign the great change took place which gave female costume of the sixteenth century its remarkable character. Elizabeth herself was long waisted and narrow chested, and in this costume the body was imprisoned in whalebone to the hips, while an enormous ruff was worn, rising gradually from the front of the shoulders to nearly the height of the head behind. From the bosom, partly bare, descended the long stomacher on each side of which jutted out horizontally the enormous “fardingale” or farthingale, a construction of hoops similar to the crinoline of more recent times. It projected more at the sides than in front or at the back, and had a dwarfing effect on the height of the figure. (Fig. 10.)