Early in September, when I had parted from him to go to Paris, I left him methodically and industriously arranging for his début. He had brought some letters, mainly to newspaper people, and was already making progress toward what might be called the interior circles of the press, which are so essential to the success of a newcomer in London. Charles Reade and Andrew Haliday became zealous friends. It was to the latter that he owed his introduction to the Savage Club. Here he soon made himself at home. His manners, even his voice, were half English, albeit he possessed a most engaging disposition—a ready tact and keen discernment, very un-English,—and these won him an efficient corps of claquers and backers throughout the newspapers and periodicals of the metropolis. Thus his success was assured from the first.
The raw November evening when he opened at Egyptian Hall the room was crowded with an audience of literary men and women, great and small, from Swinburne and Edmund Yates to the trumpeters and reporters of the morning papers. The next day most of these contained glowing accounts. The Times was silent, but four days later The Thunderer, seeing how the wind blew, came out with a column of eulogy, and from this onward, each evening proved a kind of ovation. Seats were engaged for a week in advance. Up and down Piccadilly, from St. James Church to St. James Street, carriages bearing the first arms in the kingdom were parked night after night; and the evening of the 21st of December, six weeks after, there was no falling off. The success was complete. As to an American, London had never seen the like.
All this while the poor author of the sport was slowly dying. The demands upon his animal spirits at the Savage Club, the bodily fatigue of “getting himself up to it,” the “damnable iteration” of the lecture itself, wore him out. George, his valet, whom he had brought from America, had finally to lift him about his bedroom like a child. His quarters in Picadilly, as I have said, were just opposite the Hall, but he could not go backward and forward without assistance. It was painful in the extreme to see the man who was undergoing tortures behind the curtain step lightly before the audience amid a burst of merriment, and for more than an hour sustain the part of jester, tossing his cap and jingling his bells, a painted death’s head, for he had to rouge his face to hide the pallor.
His buoyancy forsook him. He was occasionally nervous and fretful. The fog, he declared, felt like a winding sheet, enwrapping and strangling him. At one of his entertainments he made a grim, serio-comic allusion to this. “But,” cried he as he came off the stage, “that was not a hit, was it? The English are scary about death. I’ll have to cut it out.”
He had become a contributor to Punch, a lucky rather than smart business stroke, for it was not of his own initiation. He did not continue his contributions after he began to appear before the public, and the discontinuance was made the occasion of some ill-natured remarks in certain American papers, which very much wounded him. They were largely circulated and credited at the time, the charge being that Messrs. Bradbury and Evans, the publishers of the English charivari, had broken with him because the English would not have him. The truth is that their original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. “Our aim,” they said, “in making the engagement, had reference to our own circulation in the United States, which exceeds twenty-seven thousand weekly.”
I suggested to Artemus that he enter his book, “Artemus Ward in London,” in advance, and he did write to Oakey Hall, his New York lawyer, to that effect. Before he received an answer from Hall he got Carleton’s advertisement announcing the book. Considering this a piratical design on the part of Carleton, he addressed that enterprising publisher a savage letter, but the matter was ultimately cleared up to his satisfaction, for he said just before we parted: “It was all a mistake about Carleton. I did him an injustice and mean to ask his pardon. He has behaved very handsomely to me.” Then the letters reappeared in Punch.
V
Whatever may be thought of them on this side of the Atlantic, their success in England was undeniable. They were more talked about than any current literary matter; never a club gathering or dinner party at which they were not discussed. There did seem something both audacious and grotesque in this ruthless Yankee poking in among the revered antiquities of Britain, so that the beef-eating British themselves could not restrain their laughter. They took his jokes in excellent part. The letters on the Tower and Chawsir were palpable hits, and it was generally agreed that Punch had contained nothing better since the days of Yellow-plush. This opinion was not confined to the man in the street. It was shared by the high-brows of the reviews and the appreciative of society, and gained Artemus the entrée wherever he cared to go.
Invitations pursued him and he was even elected to two or three fashionable clubs. But he had a preference for those which were less conventional. His admission to the Garrick, which had been at first “laid over,” affords an example of London club fastidiousness. The gentleman who proposed him used his pseudonym, Artemus Ward, instead of his own name, Charles F. Browne. I had the pleasure of introducing him to Mr. Alexander Macmillan, the famous book publisher of Oxford and Cambridge, a leading member of the Garrick. We dined together at the Garrick clubhouse, when the matter was brought up and explained. The result was that Charles F. Browne was elected at the next meeting, where Artemus Ward, had been made to stand aside.
Before Christmas, Artemus received invitations from distinguished people, nobility and gentry as well as men of letters, to spend the week-end with them. But he declined them all. He needed his vacation, he said, for rest. He had neither the strength nor the spirit for the season.