In Vain

by Henryk Sienkiewicz

But, on the other hand, Yosef was something entirely new for the countess, something which made her admire. There were not many words in him, but there was force. In a short time he became for her everything; she found in the man decision, energy, and swiftness of action. Perhaps she could not explain to herself that that also was manhood, only different from the manhood of the past; or was she unable to discern that? The old count succeeded in nothing. Yosef when he had taken up her affairs did in one day more than the count had ever done in ten. He understood that the countess needed some resources, so as not to appeal in small things to the kindness and pocket of Pani Visberg. At this thought she trembled. He had foreseen it. He rescued radically the remnant of her income; and his acts in this regard were like the cut of a lancet, ever sure, always efficient. Naturally, Yosef managed by the aid of a jurist, an acquaintance, who, though young, would have talked love of God into Satan. But why did not the old count help himself in a similar fashion?

This brought the countess to a certain idea: Aristocracy she imagined to herself in the person of her father, democracy in the person of Yosef. "Oh, what people they must be!" thought she, almost with dread, "terrible people who know how to crush obstacles, another kind of people." Books told the rest to her.

The countess went far in such thoughts. Once when she asked Yosef for details concerning his past, she heard him answer with perfect freedom, "My father was a blacksmith." She could hardly understand how he dared tell such a thing, so natural did it seem to her that if that were the case he ought not to mention it. Why did he not conceal it? These words were really a hammer which struck the soul of the countess most heavily.

She surveyed Yosef with an astonished glance, as if seeking a leather apron on him, or traces of sparks on his hands. Besides, it is proper to confess that, despite all her gratitude to him and Pani Visberg, she judged at first, in silence it is true, that the coronet inclined those people to her; she judged that in sheltering the daughter of a lord they did that somewhat to do themselves honor. But she learned that touching Yosef she was thoroughly mistaken. He pronounced the word count just as he did the word Jew, gipsy, or noble, not even turning attention to the special sense of those sounds.

Did he not understand? She could not admit that, though really the question of aristocracy lay thus far untouched in his mind. She suspected him, however, of ignoring it purposely. But that was not enough,—the countess noticed in Yosef's treatment of her a certain loftiness or rather indulgence. He was considerate and kind toward her, but in such a manner as if he wished to show that his action was the yielding of strength before weakness, the indulgence of a strong man for a child; though, on the other hand, how safe she felt under such protection!

It seemed to her as if there was nothing impossible to Yosef. She could sleep quietly and calmly; he was on guard. She tried, however, at once to relate herself to him differently; she wished to dazzle him with her culture. Meanwhile it came out that Yosef corrected her ideas gently,—showed her what was right in them, what was erroneous. Briefly, to her great disgust, he taught and enlightened her. She tried to impose by her talent, and on a certain occasion she sat down at the piano as if by chance and displayed cascades of melody before him; but what? That tormented Augustinovich sat down after her and played far better. This fellow also knew how to do everything, he knew everything!

The countess went in deep thought to her chamber that evening. But that she comprehended and understood these relations showed that her intelligence was not among the least, and it was not wonderful that she thought of these relations so soon after the death of her father, for even the very despair of a "well-bred" woman has in it a certain coquetry more or less conscious, though always innocent.

So a silent battle had begun between a new child of the people and an aristocratic young lady. It was developed by those relations which we have mentioned, relations which were barely tangible. This struggle was the more dangerous for him since he did not suspect it. The countess was not able to dazzle him, but she roused in him the most lively sympathy. For him she became a kind of beloved child whose fate he held in his hand, as it seemed to him.

Occupied with her actively, he neglected Helena; his visits to her became rarer. He pursued more the thought of doing something which might be agreeable to the countess than he fled before the thought of doing something disagreeable to Helena.

As for the countess, it is easy to understand that in her feelings for him there was not and could not be anything which contained hate in it. A somewhat roused vanity might lead rather to love than to hatred. To tell the truth, Countess Lula wished simply that that energetic democrat might in future bend to her aristocratic knees his submissive and enamoured head.