CHAPTER II
THE AIRPLANE CONSIDERED AS A CAMERA PLATFORM
An essential part of the equipment of either the aerial photographer or the designer of aerial photographic apparatus is a working knowledge of the principles and construction of the airplane, and considerable actual experience in the air. Conditions and requirements in the flying plane are far different from those of the shop bench or photographic studio. As a preliminary to undertaking any work on airplane instruments a good text-book on the principles of flight should be studied. Such general ideas as are necessary for understanding the purely photographic problems are, however, outlined in the next paragraphs.
Fig. 1.—The elements of the plane.
Construction of the Airplane.—The modern airplane (Fig. [1]) consists of one or more planes, much longer across than in the direction of flight (aspect ratio). These are inclined slightly upward toward the direction of travel, and their rapid motion through the air, due to the pull of the propeller driven by the motor, causes them to rise from the earth, carrying the fuselage or body of the airplane. In the fuselage are carried the pilot, observer, and any other load. Wheels below the fuselage forming the under-carriage or landing gear serve to support the body when running along the ground in taking off or landing. The pilot, sitting in one of the cockpits, has in front of him the controls, by means of which the motion of the plane is guided (Figs. [2] and [3]). These consist of the engine controls—the contacts for the ignition, the throttle, the oil and gasoline supply, air pressure, etc., and the steering controls—the rudder bar, the stick and the stabilizer control. The rudder bar, operated by the feet, controls both the rudder of the plane, which turns the plane to right or left in the air, and the tail skid, for steering on the ground. The stick is a vertical column in front of the pilot which, when pushed forward or back, depresses or raises the elevator and makes the machine dive or climb. Thrown to either side it operates the ailerons or wing tips, which cause the plane to roll about its fore and aft axis. The stabilizer control is usually a wheel at the side of the cockpit, whose turning varies the angle of incidence of the small stabilizing plane in front of the elevator, to correct the balance of the plane under different conditions of loading.
Fig. 2.—Forward cockpit of DeHaviland 4, showing instrument board.
Fig. 3.—Rear cockpit of DeHaviland 4, showing rear “stick” and rudder bar.
The fuselage consists usually of a light hollow framework of spruce or ash, divided into a series of bays or compartments by upright members, connecting the longerons, which are the four corner members, running fore and aft, of the plane. Diagonally across the sides and faces of these bays are stretched taut piano wires, and the whole structure is covered with canvas or linen fabric. Cross-wires and fabric are omitted from the top of one or more bays to permit their being used as cockpits for pilot and observer. In later designs of planes the wire and fabric construction has been superseded by ply-wood veneer, thereby strengthening the fuselage so that many of the diagonal bracing wires on the inside are dispensed with. This greatly increases the accessibility of the spaces in which cameras and other apparatus must be carried.