[35]

;

influence of Giorgione on, [48];

the Pitti Concert attributed to by Morelli, [50], [51].

Christ bearing the Cross (Venice) wrongly attributed to, [54], [55];

difficulty of distinguishing between Giorgione and, [50], [69], [71];

influence of Giorgione on, [68], [69], [74];

his Tribute Money, [55];

the portrait of a gentleman of the Barberigo family, said to have been painted by, [68], [73];

portrait called Arrosto, wrongly attributed to, [69], [70];