his signature, [71];
pictures by Giorgione completed by, [72];
Portrait of a Lady (Crespi Collection) wrongly attributed to, [74], [75];
portrait of Caterina Cornato by, [78 note];
other pictures wrongly attributed to, [86], [87], [94], [97];
his Sacred and Profane Love, [95];
his Madonna at Rovigo, [95]-[100];
his Venus (Uffizi) copied from Giorgione, [99];
his genius essentially dramatic, [108];
relations with the School of Bellini, [115];