A week later his daughter brought him a letter she had found lying in the vicarage grounds. It contained a passionate declaration of love, and ended with a threat of what might happen if the writer's passion were not reciprocated.

Although the letter was unsigned, the vicar could not disguise from himself the fact that there was a marked similarity between the handwriting of the two anonymous letters and that of his curate. He decided, therefore, to ask Blade if he could throw any light on the matter.

At first the young man had appeared bewildered; then he had pledged his word of honour, not only that he had not written the letters, but that there was no truth in the statements they contained.

With that the vicar had to rest content; but worse was to follow.

Two evenings later, one of the churchwardens called at the vicarage and, after behaving in what to the vicar seemed a very strange manner, he produced from his pocket a letter he had received that morning, in which were repeated the scandalous statements contained in the first epistle.

From then on the district was deluged with anonymous letters, all referring to the alleged passion of the curate for the vicar's daughter, and the intrigue they were carrying on together. Some of the letters were frankly indelicate in their expression and, as the whole parish seethed with the scandal, the vicar appealed to the police for aid.

One peculiarity of the letters was that all were written upon the same paper, known as "Olympic Script." This was supplied locally to a number of people in the neighbourhood, among others, the vicar, the curate, and the schoolmaster.

Soon the story began to find its way into the newspapers, and Blade's position became one full of difficulty and embarrassment. He had consulted Robert Freynes, who had been at Oxford with his father, and the K.C., convinced of the young man's innocence, had sought Malcolm Sage's aid.

"You see, Sage," Freynes had remarked, "I'm sure the boy is straight and incapable of such conduct; but it's impossible to talk to that ass Murdy. He has no more imagination than a tin-linnet."

Freynes's reference was to Chief Inspector Murdy, of Scotland Yard, who had been entrusted with the enquiry, the local police having proved unequal to the problem.