As he had anticipated, he was one of the last arrivals, but he was not destined to experience the embarrassment he feared from this circumstance. The wide hallway of the great house was deserted, and he threaded his way through several dimly lighted drawing-rooms in the direction of a voice that indicated the location of the lecturer. Not until he stood in the doorway of what appeared to be an assembly hall, and was in reality the ballroom of the house, did he realise the reason of the obscurity through which he had passed. At the far end of the room, he saw one of the well-known portraits of Philip IV projected by a lantern upon a huge sheet of canvas. The widening shaft of light that traversed the intervening space dimly disclosed the audience as a series of heads, from which arose a sibilant wave of amused comment as the portrait of the king melted into that of his daughter, a serious infant with corkscrew curls, all unconscious of the monstrous absurdity of her voluminous skirts. This transition from one picture to another was accepted by one of the audience as an opportunity to shift his chair, and Leigh saw the bishop's salient profile thrown for a moment on the canvas, before he subsided again to the general level.

The young man supposed that in thus discovering the whereabouts of the bishop he had also located his daughter, and he marked the spot against the restoration of full light to the room. Meanwhile he maintained his position in the door, and would have continued to do so, had not his host tiptoed to his side and thrust him into a near-by chair.

For some time he remained almost rigidly still, as if he would make amends for the slight noise of his entrance by subsequent self-effacement. The succession of pictures, even the surrender of Breda and the scene of the jolly drinkers, shared his attention with that part of the room in which he had seen the bishop rise, but he soon realised that no further discoveries were possible as yet in that direction, and began to pay more heed to the lecturer.

He knew in a vague way that he was sitting beside a woman; but presently this consciousness increased till it became a delicate and pervasive atmosphere. There was a seduction in the shadowy presence that distracted his thoughts from the woman he loved, sitting somewhere there in the obscurity before him. He experienced a well-nigh guilty pleasure in this temporary yielding to a feminine influence other than that to which he had consecrated himself, and finally he admitted his deliberate appreciation. Leaning back in his chair and turning his head to satisfy his curiosity, he saw for the first time the trick his mind had played him. Convinced though he had been that Miss Wycliffe was in another part of the room, he had known all the time with his senses that she was sitting at his side. At least, it now seemed to him that his apparent disloyalty was in reality an involuntary tribute to her quality. She had made herself felt even when he thought she was another. As he looked down at her rounded cheek and white shoulders, she lifted her eyes with a recognition as suppressed as that of acquaintances in church, and then whispered inaudibly in the ear of a companion beyond. It was now that he saw a bunch of lilies of the valley in the hand that rested in her lap, and knew by what channel his imagination had been awakened.

The lecture was shorter than Leigh had anticipated, and all too short for his desire. There was in his present position a peculiar, unspoken intimacy of which he felt that she also must be aware. It seemed unlikely that he could see her alone, and he cherished every moment as perhaps the best that would be vouchsafed. Almost before he realised what had happened, the walls of the room sprang into view at the sharp click of the electric lights, and he saw the lecturer, previously a disembodied voice, making his final bow. As he rose with the others, he caught a glimpse of many faces already familiar, and felt unexpectedly at home. Among the crowd he recognized Cardington by the bishop's side, Cobbens's smiling face, several of his colleagues, and a number of the students. The tide set toward the door, and they were carried before it. Not until they reached the less crowded room beyond did Leigh perceive that Miss Wycliffe was still closely attended by the companion with whom she had exchanged an occasional whisper at the lecture.

"You remember Mrs. Parr?" she reminded him.

"I do indeed," he replied, though till now he had received merely the impression of a face vaguely familiar.

"But you passed me only yesterday on the street without recognition," Mrs. Parr complained. "I don't know whether I ought to speak to you or not."

The tone of her voice, which aimed at charming piquancy and realised only an airy affectation, attracted his attention, and revamped her upon his mind as one of the party of star-gazers. Her personality was acrid and insistent, and he imagined that the friendship between the two women was of her own making and maintenance. The nature of her greeting left him no choice but a flat and awkward confession of absent-mindedness. This trifling irritation, however, was of small moment compared with the fact that Miss Wycliffe was evidently content with his company and not disposed to leave him, as she could easily have done upon a reasonable pretext. The three continued together, drifting in the same direction through the rooms which now began to present a bewildering spectacle of changing groups and colours. Their talk was the usual art jargon which the recent lecture suggested, but in this Leigh bore perforce a subordinate part. It was Mrs. Parr who appealed to him from time to time for a confirmation of her views concerning composition, drawing, and high lights, and each appeal presented itself to him as an interruption. At last he was merely relieved to find that she had disappeared. Miss Wycliffe regarded him with a curious look, in which disapproval of his unconscious rudeness was mitigated by an indulgent appreciation of its cause.

"You 've succeeded in driving her away at last," she said, with a touch of severity.