So the manuscript of "The Song of Songs" reposed in the drawer of the linen-press, which had been saved from the wreck when Frau Czepanek and her daughter moved to a humble attic, where the sewing-machine continued to hum and whir day and night. Here, as a symbol of coming reunion, it spread a miraculous influence around it; while the deserted wife became more withered in face and gaunt in form, and paint could no longer conceal her projecting cheekbones or the hollows beneath her haggard eyes.
CHAPTER III
In these days Lilly bloomed into a tall, well-developed girl, who carried her satchel of books through the streets to school with the air of a princess. She was generally dressed in a green plaid woollen frock much cockled from rain, which, despite perpetual letting down, always remained too short. Her feet were shod in a pair of down-at-heel and worn boots. She wore woollen gloves, which, pull them up as she would, left below her sleeves a hiatus of bare slender red arm.
No one who saw her swinging down the street, with her easy graceful carriage, a picture of radiant health and youth, with her vivacious small head--too small for her tall figure--set on a long stemlike throat rising from broad shoulders, her white and rather prominent teeth beneath her smiling short upper lip, and with those eyes, afterwards known as "Lilly eyes"--no one noticed the poverty of her dress, or suspected that those erect, delicately formed shoulders stooped for hours over a sewing-machine. Who could guess that this magnificent young frame, with the vigorous blood coursing visibly through it, prone to blushing and paling without cause, was reared on salt potatoes, stale bread, and bad sausage?
The college students went mad about her, and the verses written to her in the lower school were legion. Lilly was not indifferent to their boyish homage. When she saw a batch of students coming towards her in the street, her eyes grew dim from self-consciousness. When they saluted her--for she had made their acquaintance on the ice--she felt dizzy and ready to sink through the earth to hide her blushes. But the sensation felt after such meetings was quite lovely. She recalled for hours with delight the face of the boy who had greeted her most courteously, or the one who had blushed as rosy red as herself. He was her chosen cavalier till next time, when she fell in love with another.
In spite of her numerous admirers, her school-fellows did not torment her as much as might have been expected. There was an innocent defencelessness about her which made it impossible to be her enemy. If her satchel was hidden, she only said, "Please, don't," and when the girls perched her on top of the stove, she sat there and laughed, and in addition to letting them copy her English exercises she did their sums for them. The only trouble was jealousy among her bosom friends, who flew at each other's throats on her account, for she was fickle, and dropped old friendships to take up new with an ease which startled herself. She could not help responding to every fresh overture of friendliness made to her.
With her masters, too, she was popular. The rebuke, "Lilly, you are dreaming again," that came sometimes from the dais, had no sting, but a tone of playfulness in it. And when she was a new-comer, and had sat at the end of the sixth row in Class I, B, more than one hand had stroked her brown head with paternal fondness.
Her nickname was "Lilly of the Eyes." Her school-fellows declared such eyes were uncommon to the point of being uncanny. They had never seen eyes like them. Sometimes they called them "witch's eyes," sometimes "cat's eyes." They said their colour was violet, and some were sure she darkened the lids with a pencil. However that might be, to look at Lilly meant looking at her eyes, and not caring much to look at anything else.
Lilly went into the advanced class, called "Selecta," when she was fifteen and a half, for it had been settled that she was to earn her living as a governess. This was a great change; everything was different--teachers, girls, lessons, and friendship meant a different thing. You were not called by your Christian name. There was no throwing of paper pellets and going home to find blotting-paper in your hair. Much was said about "the sacredness of vocation," of "noble living," and consecration of life to work, and at the same time there was no end of chatter about love affairs and secret engagements.
Lilly felt for the first time in her life a little envious. She was neither engaged nor had she any love affair to boast of. Anonymous presents of flowers, with verses signed "Thine for ever," of course didn't count. But in time it came. Love began to dawn in an imaginary atmosphere of marble statues and pillars, of dusky cypresses and eternally blue skies; it was the adoration of a schoolgirl for a master, and the longing to be a benefactress to the adored one. He was the assistant science-master, and taught in the junior school, where knuckles were rapped with the ruler and tongues thrust out in retort. He did nothing in the higher school, but he gave lectures to the young ladies of the Selecta on the history of Art. The very name of "Art" fills the budding soul of a young girl with ecstasy; how much more intense then was the sentiment when Art was associated with an interesting young man of delicate health, with deep-set burning eyes, and a snow-white brow--a young man who was called Arpad?