Here romance ended. What remained behind it was a poor consumptive young fellow who had painfully accomplished his university career by private tutoring, only to be doomed to an early grave at the moment that he hoped to reap the fruits of his drudgery. The authorities did the best they could for him. They gave him easy work, and when they saw the hectic flush on his cheek they supplied his place and sent him home for a term. But this could not last, and, feeling that he was becoming a burden to the staff, he strove by suicidal efforts to show himself still capable of working. He volunteered to undertake all sorts of duties outside his province, and what men in health shirked he with one foot in the grave cheerfully took on his shoulders.
Lilly never forgot the day on which the principal brought him into the Selecta. It was between three and four, and the last lesson was in progress. The stout figure of the principal was closely followed by the slim, rather handsome young man with a slight stoop, who had stood during prayers in the big hall at Fräulein Hennig's side, and turned down the leaves of his book while the hymn was being sung. He wore a tight-fitting grey frock-coat, which revealed the lines of his emaciated figure, and a fashionable silk waistcoat that gave a false impression of the world to which he belonged. He made a series of abrupt military bows, and appeared shy and embarrassed.
"This is Dr. Mälzer," said the principal, introducing him. "He will initiate you ladies in the art of the Renaissance. I hope you will pay particular attention to the subject, which, though not obligatory, and one you will not be examined in, is of the greatest importance to general culture, and by-and-by will accelerate your progress in the study of Lessing, Goethe, and Winckelmann."
The principal, with these words, retired, leaving the young lecturer nervously tugging at the blond moustache, the thin ends of which drooped on either side of his mouth. A half-sarcastic, half-shy smile hovered about his lips. He looked uncertain whether he should sit or stand on the dais. Meta Jachmann, who was always inclined to be silly, began to giggle, and set half the class giggling too. His transparent face flushed. In a voice which, weak as it was, shook his whole narrow person, he said:
"Yes, ladies, laugh. You can afford to laugh in your position, for life lies before you full of possibilities of endeavour and attainment. I too may laugh over the privilege of being allowed to address you soul to soul. That does not often fall to the lot of a man at the outset of his teaching career. You will soon experience for yourselves what a happiness it is."
The whole class became quiet as mice, and from that moment onwards he held it spellbound.
"But my good fortune does not end there," he went on; "the authorities of this institution have been generous enough to place such confidence in my poor abilities as to entrust me with a theme that is the noblest in existence. Till the Renaissance, every thinker in history, no matter how much a revolutionist and free-lance at heart, has been made by the interpretations of history to play to the gallery in the personal expression of his ideas. The sages have labelled Plato as a mere shield-bearer of Christianity, Horace as a pedant, and Jesus as the Son of God; but no one has attempted to show Michael Angelo, Alexander Borgia, Machiavelli in any other light than that of an ego defying the world and relying on its own power in its lust for creative or destructive activity."
The pupils pricked up their ears and listened. They had never heard anything like this before. They felt that he was talking out his life's blood, and at the same time that this established a tie of protective freemasonry between him and them. He continued in bold, rapid outline to draw vivid pictures of the men and period, making dead bones live. What had long been repressed and dammed up within him poured from him now in passionate eloquence. His hearers realised that this was something more than an ordinary school lesson, more even than the fruits of ripe scholarship. It was a confession of faith, and they hung on his lips with all the abandon of woman's enthusiasm for what she doesn't understand.
Lilly, being a younger pupil, sat close under the dais, and she felt vaguely as if a vast flood of new melody was floating over her head; music having always played the supreme part in her life and imagination, pictures and thoughts came to her first through the world of sound. She grew pale, and gazed up at him in dawning appreciation. Through a mist of tears, her handkerchief crushed into a ball in her hand, she saw the nervous heaving of his chest, the drops on his forehead, the burning excitement that flamed in his cheeks, and she longed to laugh and cry together, to call out "Stop!" But, as she couldn't do this, she sat motionless, listening to the poor, thin voice as it proclaimed the gospel of that ancient yet ever-glorious time, and then she heard another voice deep down in her heart crying jubilantly, "It's coming!"
"But what of the world," he went on, "in which that exalted life developed? Like Moses on the mountain-top, I have only seen it from afar, only lingered in its outer courts; but I have seen enough to know that, as long as breath is left in my body, my soul's yearning for it will never cease. There, gleaming palaces and temples rise like part of the soil, white among dark cypresses and evergreen leafy oaks. All that is clay here is marble there; what is here cribbed and cabined by convention, there flourishes in free creative opulence; here we have barren imitativeness, there spontaneous growth; here laboured culture, there Nature's happy abundance; here the deadening sense of utility, there luxuriant revelling in the beautiful; here, plain hard, matter-of-fact Protestantism, there the joyous naïveté of Catholic paganism."