All turn and gaze, as they had pass’d a god.
Cowper.
[152] The great assembly.] The ancient Grecian princes, as Dionysius of Halicarnassus remarks, were not absolute like the Asiatic monarchs: their power being limited by laws and established customs:” and this is perfectly consonant to the higher authority of Homer. The poet himself appears a warm friend to monarchical rule, and takes every opportunity zealously to inculcate loyalty. “The government of many is bad: let there be one chief, one king.” It is, however, sufficiently evident that the poet means here to speak of executive government only: “Let there be one chief, one king,” he says: but he adds, “to whom Jupiter has intrusted the sceptre and the laws, that by them he may govern.” Accordingly in every Grecian government which he has occasion to enlarge upon, he plainly discovers to us strong principles of republican rule. Not only the council of principal men, but the assembly of the people also is familiar to him. The name agora signifying a place of meeting, and the verb formed from it to express haranguing in assemblies of the people, were already in common use; and to be a good public speaker was esteemed among the highest qualifications a man could possess. In the government of Phæacia, as described in the Odyssey, the mixture of monarchy, aristocracy, and democracy is not less clearly marked than in the British constitution. One chief, twelve peers (all honoured, like the chief, with the title which we translate king), and the assembly of the people, shared the supreme authority. The universal and undoubted prerogatives of kings were religious supremacy and military command. They often also exercised judicial power. But in all civil concerns their authority appears very limited. Every thing, indeed, that remains concerning government in the oldest Grecian poets and historians, tends to demonstrate that the general spirit of it among the early Greeks was nearly the same as among our Teutonic ancestors. The ordinary business of the community was directed by the chiefs. Concerning extraordinary matters and more essential interests, the multitude claimed a right to be consulted. Mitford, History of Greece, i. 3.
[153] Harpers and men of song.] Singer was a common name among the Hebrews, Greeks, Romans, and other ancient people, for poet and musician; employments which were then inseparable: as no poetry was written but to be sung; and little or no music composed, but as an accompaniment to poetry. Burney, History of Music, 312.
Is there one
Who hides some fresh grief.]
This whole passage is found among the fragments attributed to Homer. This sentiment of the power of poesy and the subjects chosen by the bard is entirely in the spirit of antiquity, when mythology and heroism were the favourite themes. Achilles is described by Homer as diverting the uneasiness of his mind by warlike odes which he accompanied on the lyre, Il. ix. 189:
Arriving soon
Among the Myrmidons, their chief they found