The Argument.
The poem comprehends the general œconomy of industry and morals. In the first division of the subject, the state of the world, past and present, is described; for the purpose of exemplifying the condition of human nature: which entails on man the necessity of exertion to preserve the goods of life; and leaves him no alternative but honest industry or unjust violence; of which the good and evil consequences are respectively illustrated. Two Strifes are said to have been sent into the world, the one promoting dissension, the other emulation. Perses is exhorted to abjure the former and embrace the latter; and an apposite allusion is made to the circumstance of his litigiously disputing the patrimonial estate, of which, through the corruption of the judges, he obtained the larger proportion. The judges are rebuked, and cheap contentment is apostrophized as the true secret of happiness. Such is stated to have been the original sense of mankind before the necessity of labour existed. The origin of labour is deduced from the resentment of Jupiter against Prometheus; which resentment led to the formation of Pandora: or Woman: who is described with her attributes, and is represented as bringing with her into the world a casket of diseases. The degeneracy of man is then traced through successive ages. The three first ages are severally distinguished as the golden, the silver, and the brazen. The fourth has no metallic distinction, but is described as the heroic age, and as embracing the æra of the Trojan war. The fifth is styled the iron age, and, according to the Poet, is that in which he lives. The general corruption of mankind in this age is detailed, and Modesty and Justice are represented taking their flight to heaven. A pointed allusion to the corrupt administration of the laws, in his own particular instance, is introduced in a fable, typical of oppression. Justice is described as invisibly following those who violate her decrees with avenging power, and as lamenting in their streets the wickedness of a corrupted people. The temporal blessings of an upright nation are contrasted with the temporal evils which a wicked nation draws down from an angry Providence. Holy Dæmons are represented as hovering about the earth, and keeping watch over the actions of men. Justice is again introduced, carrying her complaints to the feet of Jupiter, and obtaining that the crimes of rulers be visited on their people. A pathetic appeal is then made to these rulers in their judicial capacity, urging them to renounce injustice. After some further exhortations to virtue and industry, and a number of unconnected precepts, the Poet enters on the Georgical part of his subject: which contains the prognostics of the seasons of agricultural labour, and rules appertaining to wood-felling, carpentry, ploughing, sowing, reaping, threshing, vine-dressing, and the vintage. This division of the subject includes a description of winter and of a repast in summer. He then treats of navigation: and concludes with some desultory precepts of religion, moral decorum, and superstition: and lastly, with a specification of Days: which are divided into holy, auspicious, and inauspicious: mixed and intermediary: or such as are entitled to no remarkable observance.
WORKS.
I.
Come, Muses! ye, that from Pieria raise
The song of glory, sing your father’s praise.
By Jove’s high will th’ unknown and known of fame
Exist, the nameless and the fair of name.
’Tis He with ease [27]the bowed feeble rears,