The mark of aught high-born, or ever better drest.
Here is a beautiful performance too of the Venetian school—a resurrection of Lazarus, by Leandro Bassano, esteemed the best performance of that family, and full of merit—the merit of character I mean; while Mary’s eyes are wholly employed, and her mind apparently engrossed by the Saviour’s benignity, and almighty power; Martha thinks merely on the present exertion of them, and only watches the deliverance of her beloved brother from the tomb: the restored Lazarus too—an apparent corpse, re-awakened suddenly to a thousand sensations at once, wonder, gratitude, and affectionate delight!—How can one coldly sit to hear the connoisseurs admire the folds of the drapery? Lanfranc’s St. Michael too is a very noble picture; and though his angel is infinitely less angelic than that of Guido, his devil is a less ordinary and vulgar devil than that of his fellow-student, which somewhat too much resembles the common peeping satyr in a landscape; whereas Lanfranc’s Lucifer seems embued with more intellectual vices—rage, revenge, and ambition.
But I am called from my observations and reflexions, to see what the Neapolitans call il trionfo di Policinello, a person for whom they profess peculiar value. Harlequin and Brighella here scarcely share the fondness of an audience, while at Venice, Milan, &c. much pleasantry is always cast into their characters.
The triumph was a pageant of prodigious size, set on four broad wheels like our waggons, but larger; it consisted of a pyramid of men, twenty-eight in number, placed with wonderful ingenuity all of one size, something like what one has seen exhibited at Sadler’s Wells, the Royal Circus, &c.; dressed in one uniform, viz. the white habit and puce-coloured mask of caro Policinello; disposed too with that skill which tumblers alone can either display or describe; a single figure, still in the same dress, crowning the whole, and forming a point at the top, by standing fixed on the shoulders of his companions, and playing merrily on the fiddle; while twelve oxen of a beautiful white colour, and trapped with many shining ornaments, drew the whole slowly over the city, amidst the acclamations of innumerable spectators, that followed and applauded the performance with shouts.
What I have learned from this show, and many others of the same kind, is of no greater value than the derivation of his name who is so much the favourite of Naples: but from the mask he appears in, cut and coloured so as exactly to resemble a flea, with hook nose and wrinkles, like the body of that animal; his employment too, being ever ready to hop, and skip, and jump about, with affectation of uncommon elasticity, giving his neighbours a sly pinch from time to time: all these circumstances, added to the very intimate acquaintance and connection all the Neapolitans have with this, the least offensive of all the innumerable insects that infest them; and, last of all, his name, which, corrupt it how we please, was originally Pulicinello; leaves me persuaded that the appellation is merely little flea.
A drive to Caserta, the king’s great palace, not yet quite finished, carries me away from this important study, and leaves me little time to enjoy the praises due to a discovery of so much consequence.
The drive perhaps pleased us better than the palace, which is a prodigious mass of building indeed, and to my eye appears to cover more space than proud Versailles itself; court within court, and quadrangle within quadrangle; it is an enormous bulk to be sure—not pile—for it is not high in proportion to the surrounding objects somehow; and being composed all of brick, presents ideas rather of squat solidity, than of princely magnificence. Ostentation is expected always to strike, as elegance is known to charm, the beholder; and space seldom fails in its immediate effect upon the mind; but here the valley (I might say hole) this house is set in, looks too little for it; and offends one in the same manner as the more beautiful buildings do at Buxton, where from every hill one expects to tumble down upon the new Crescent below. The stair-case is such, however, as I am persuaded no other palace can shew; vastly wider than any the French king can boast, and infinitely more precious with regard to the marbles which compose its sides. The immensity of it, however, though it enhances the value, does not do much honour to the taste of him who contrived it. No apartments can answer the expectations raised by such an approach; and in fact the chapel alone is worthy an ascent so fit for a triumphal procession, instead of a pair of stairs. That chapel is I confess of exquisite beauty and elegance; and there is a picture, by Mengs, of the blessed Virgin Mary’s presentation when a girl, that is really paitrie des graces; it scarcely can be admired or commended enough, and one can scarcely prevail on one’s self ever to quit it. Her marriage, a picture on the other side, is not so happily imagined; but it seems as if the painter thought that joke too good to part with, that there never was a particularly excellent picture of a wedding; and that Poussin himself failed, when having represented all the six other sacraments so admirably, that of marriage has been found fault with by the connoisseurs of every succeeding generation.
Well! if the palace at Caserta must be deemed more heavy than handsome, I fear the gardens must likewise be avowed to be laid out in a manner one would rather term savage than natural: all artifice is banished however: the king of Naples scorns petty tricks for the amusement of petty minds;—he turns a whole river down his cascade,—a real one; and if its formation is not of the first rate for assuming an appearance of nature, it has the merit of being sincerely that which others only pretend to be: while I am told that his architects are now employed in connecting the great stones awkwardly disposed in two rows down each side the torrent, with the very rocks and mountains among which the spring rises; if they effect this, their cascade will, so far as ever I have read or heard, be single in its kind.
Van Vittelli’s aqueduct is a prodigiously beautiful, magnificent, and what is more, a useful performance: having the finest models of antiquity, he is said to have surpassed them all. Why such superb and expensive methods should be still used to conduct water up and down Italy, any more than other nations, or why they are not equally necessary in France and England, nobody informs me. Madame de Bocages enquired long ago, when she was taken to see the fountain Trevi at Rome, why they had no water at Paris but the Seine? I think the question so natural, that one wishes to repeat it; and one great reason, little urged by others, incites me to look with envy on the delicious and almost innumerable gushes of water that cool the air of Naples and of Rome, and pour their pellucid tides through almost every street of those luxurious cities: it is this, that I consider them as a preservative against that dreadfullest of all maladies, canine madness; a distemper which, notwithstanding the excessive heat, has here scarcely a name. Sure it is the plenty of drink the dogs meet at every turn, that must be the sole cause of a blessing so desirable.
My stay has been always much shorter than I wished it, in every great town of Italy; but here! where numberless wonders strike the sense without fatiguing it, I do feel double pleasure; and among all the new ideas I have acquired since England lessened to my sight upon the sea, those gained at Naples will be the last to quit me. The works of art may be found great and lovely, but the drunken Faun and the dying Gladiator will fade from one’s remembrance, and leave the glow of Solfaterra and the gloom of Posilippo indelibly impressed. Vesuvius too! that terrified me so when first we drove into this amazing town, what future images can ever obliterate the thrilling sensations it at first occasioned? Surely the sight of old friends after a tedious absence can alone supply the vacancy that a mind must feel which quits such sublime, such animated scenery, and experiences a sudden deprivation of delight, finding the bosom all at once unfurnished of what has yielded it for three swiftly-flown months, perpetual change of undecaying pleasures.