The French Revolution

by Hilaire Belloc

Why, then, was Robespierre popularly identified with the Terror, and why, when he was executed, did the Terror cease?

Robespierre was identified with the Terror because he was identified with the popular clamour of the time, with the extreme democratic feeling of the time, and its extreme fear of a reaction. Robespierre being the popular idol, had become also the symbol of a popular frenzy which was supposed to be ruling the country. But that frenzy was not ruling the country. What was ruling the country was the Committee of Public Safety, in which Carnot’s was the chief brain. Robespierre was indeed the idol of the populace; he was in no way the agent of their power or of any power.

Why, when he fell, did the Terror cease if he were not its author? Because the Terror was acting under a strain; it was with the utmost difficulty that this absolute, intolerant and intolerable martial system could be continued when once the fear of invasion was removed. For some weeks before Robespierre fell the victories had begun to render it unnecessary. When the Committee saw to it that Robespierre should be outlawed by the Parliament, they knocked away, without knowing it, the keystone of their own policy; it was his popular position which made their policy possible. When he was destroyed they suddenly found that the Terror could no longer be maintained. Men had borne with it because of Robespierre, falsely imagining that Robespierre had desired it. Robespierre gone, men would not bear with it any more.

Now, finally, if Robespierre himself had always felt opposed to the system of the Terror, why did he not take the lead in the popular reaction against it?

He had his opportunity given him by Danton in December 1793—seven months before his own catastrophe. The Committee determined to put Danton out of the way because Danton, in appealing for mercy, was weakening the martial power of their government. Robespierre might have saved Danton: he preferred to let him be sacrificed. The reason was that Robespierre wrongly believed popularity to lie upon the side of the Terror and against Danton; he was in no way a leader (save in rhetoric and in rhetoric directed towards what men already desired), and his own great weakness or vice was the love of popular acclaim.

Later on, in the summer of 1794, when he actually began to move against the Terror, he only did so privately. He so misread men that he still believed the Terror to be popular, and dared not lose his popular name. A man by nature as sincere as crystal, he was tempted to insincerity in this major thing, during the last months of his life, and he yielded completely to the temptation. For the sake of his memory it was deplorable, and deplorable also for history. His weakness has been the cause of an historical error as grave as any that can be discovered in modern letters, and at the same time has wholly maligned him to posterity.

A factor in Robespierre’s great public position which is often forgotten is the great effect of his speeches. That men should still debate, after so vast a change in taste, whether those speeches were eloquent or no, is a sufficient proof of their effect. He spoke in an ordered and a reasoned manner, which bored the fine spirits of the earlier Parliaments, but well suited the violent convictions of the later Revolution. His phraseology, his point of view, just jumped with that of his audience. He could express what they felt, and express it in terms which they knew to be exact, and which they believed to be grand. For his manner was never excessive, and those excessive men who heard him in an excessive mood, were proud to know that their violence could be expressed with so much scholarship and moderated skill.

By birth he was of the smaller gentry, though poor. It is an indication of his character that he had thought of taking Orders, and that in early youth literary vanity had affected him. He has left no monument; but from the intensity of his faith and from his practice of it, his name, though it will hardly increase, will certainly endure.

FOOTNOTES:

[2] There is but one trustworthy monograph on Marat. It will interest the student as a proof of the enthusiasm which Marat can inspire. It is by Champfleury.