THE INTRIGUE
'Es ist eine Hofkabale.'—Schiller.
On the outskirts of the village of Oberhausen in South Wirtemberg stands a deserted house. Rats are its only denizens now; rats and the 'poor ghosts,' so the peasants say. Two hundred years ago this eerie mansion was occupied by living men and women, perchance the ghosts of to-day. Who can tell? But I, who have grown to love them, having studied the depths of their hearts, I pray that they may rest them well in their graves, and that the Neuhaus ghosts be not my friends of 1705.
It was a fitting place for intrigues this Neuhaus, standing as it did so near in actual mileage to the court of Stuttgart, and hard by the Jesuit centre of Rottenburg. The high-road was close at hand, yet Neuhaus, shut off by peaceful fields, was hidden from the passer-by, and here began the great intrigue, as it was called then. Of a truth the plot, as it was conceived, was no mighty thing; it was designed, as many another gossamer web of court gallantry and petty pecuniary gain, for obscure individuals; but great it became through the potent will of a woman.
On a dreary November afternoon of the year 1705, a party of four was assembled in the Neuhaus, the seldom-used country mansion of Madame de Ruth, an important personage at Stuttgart's court, and of Monsieur de Ruth, an undistinguished character, who played no rôle that we know of, save to bequeath his ancient name—and the Neuhaus—to his relict.
The house was a long, two-storied building, with large, black wooden beams showing quaintly outside against the white plastered walls; it was no imposing structure, but a certain air of melancholy aloofness lent it distinction.
A high wall shut off the village street on the one side, while to the south and east the mansion was surrounded by a garden. A row of beech-trees grew close to the windows, a narrow pathway led from a side door across the garden to a vast orchard. It was doubtless a beautiful spot in spring or summer, but on this November afternoon it was inexpressibly dreary. The rain had beaten down the unkempt grass, which lay in draggled sheaves along the edges of the pathway. Brown, fallen beech leaves made a sodden carpet around the tree-roots; the trees themselves, bare and gaunt, lifted their grey, leafless branches towards the hurrying, wind-driven clouds. The wind moaned fitfully round the house; every now and then, as though in uncontrollable wrath, it broke forth into a whistling howl. At intervals bursts of rain were borne by the tempest against the windows, adding a hurried patter to the tapping of the long beech branches, which grew near enough to enable the wind to drive them against the window-panes, while the greater branches strained and creaked in the blast. Rain-laden clouds swept across the sky, hastening the darkness of approaching night. It seemed strange that on so desolate a gloaming the inmates of the Neuhaus had not drawn the curtains to shut out the sadness of the storm-ravaged garden. The windows remained like despairing, unblinking eyes gazing at the desolate scene without. The room wherein was assembled the small company was unlit, save from the glow from the embers in the stove. The upper grating had been opened, and in the furnace a handful of half-dry wood sputtered and crackled, rising sometimes to a momentary flame, in whose glow four persons threw strangely contorted shadows on the ceiling. But for this, and a faint, uncertain light which crept through the windows, the room was entirely dark. When the wood flared, a lady seated to the left of the stove cast a caricature-like shadow slantwise on the ceiling, her head seeming gigantic in its piled-up masses of elaborately dressed hair. In the middle of the room was a huddled figure bending over the centre table. It seemed to be a mere heap of dark garments. The firelight caught and illumined a white ruffle and large pale hand belonging to this figure, but as it was flung out across the sombre covering of the table, the arm was invisible, and only the hand in the ruffled sleeve could be seen, and it seemed like some hideous dismembered thing. Outlined against the fading light stood a tall figure with an enormous ringleted wig falling far over the shoulders. When this being moved, his shadow, thrown upon the ceiling by the embers' glow, appeared to join in the wavering, dance-like movements of the other shadows, and seemed like some ungainly monster. One portion of the room was not reached either by light of fire or fading day, and out of this utter darkness came the sound of repressed sobbing, which alone revealed the presence of a fourth member of this lugubrious party. For many minutes the silence was unbroken save for the stealthy sobbing, the sough of the wind without, the pattering rain, and the tap-tap of the twigs on the windows, sounding for all the world like the fumbling of invisible fingers seeking for admittance. The man at the centre table broke silence at length.
'Impossible!' he said in a harsh voice. 'Madame la Baronne cannot imagine we can live in Stuttgart at the court,' this last pompously, in spite of the real distress of the voice. 'How can we? on five hundred gulden a year and debts to pay—alas! No! I must return to the army, only coming on leave once a year to fulfil my court appointment; and, Marie, you must live in Rottenburg with your mother while I am away.'
At this a figure moved out of the darkness behind the stove, and another fantastic shadow was cast upon the ceiling.
'Never, Friedrich! It is cruel to ask it. You know well enough that, if you did not gamble, we could live quite finely on what we have got. Your duties as Kammerjunker need not keep you for ever in Stuttgart; we might live in Rottenburg.' She clasped her hands, her voice trembled between tears and anger.