The elderly lady stirring abroad at that hour was the Marquise d’Aiglemont, the mother of Mme. de Saint-Héreen, to whom the great house belonged. The Marquise had made over the mansion and almost her whole fortune to her daughter, reserving only an annuity for herself.
The Comtesse Moïna de Saint-Héreen was Mme. d’Aiglemont’s youngest child. The Marquise had made every sacrifice to marry her daughter to the eldest son of one of the greatest houses of France; and this was only what might have been expected, for the lady had lost her sons, first one and then the other. Gustave, Marquis d’Aiglemont, had died of the cholera; Abel, the second, had fallen in Algeria. Gustave had left a widow and children, but the dowager’s affection for her sons had been only moderately warm, and for the next generation it was decidedly tepid. She was always civil to her daughter-in-law, but her feeling towards the young Marquise was the distinctly conventional affection which good taste and good manners require us to feel for our relatives. The fortunes of her dead children having been settled, she could devote her savings and her own property to her darling Moïna.
Moïna, beautiful and fascinating from childhood, was Mme. d’Aiglemont’s favorite; loved beyond all the others with an instinctive or involuntary love, a fatal drawing of the heart, which sometimes seems inexplicable, sometimes, and to a close observer, only too easy to explain. Her darling’s pretty face, the sound of Moïna’s voice, her ways, her manner, her looks and gestures, roused all the deepest emotions that can stir a mother’s heart with trouble, rapture, or delight. The springs of the Marquise’s life, of yesterday, to-morrow, and to-day, lay in that young heart. Moïna, with better fortune, had survived four older children. As a matter of fact, Mme. d’Aiglemont had lost her eldest daughter, a charming girl, in a most unfortunate manner, said gossip, nobody knew exactly what became of her; and then she lost a little boy of five by a dreadful accident.
The child of her affections had, however, been spared to her, and doubtless the Marquise saw the will of Heaven in that fact; for those who had died, she kept but very shadowy recollections in some far-off corner of her heart; her memories of her dead children were like the headstones on a battlefield, you can scarcely see them for the flowers that have sprung up about them since. Of course, if the world had chosen, it might have said some hard truths about the Marquise, might have taken her to task for shallowness and an overweening preference for one child at the expense of the rest; but the world of Paris is swept along by the full flood of new events, new ideas, and new fashions, and it was inevitable the Mme. d’Aiglemont should be in some sort allowed to drop out of sight. So nobody thought of blaming her for coldness or neglect which concerned no one, whereas her quick, apprehensive tenderness for Moïna was found highly interesting by not a few who respected it as a sort of superstition. Besides, the Marquise scarcely went into society at all; and the few families who knew her thought of her as a kindly, gentle, indulgent woman, wholly devoted to her family. What but a curiosity, keen indeed, would seek to pry beneath the surface with which the world is quite satisfied? And what would we not pardon to old people, if only they will efface themselves like shadows, and consent to be regarded as memories and nothing more!
Indeed, Mme. d’Aiglemont became a kind of example complacently held up by the younger generation to fathers of families, and frequently cited to mothers-in-law. She had made over her property to Moïna in her own lifetime; the young Countess’ happiness was enough for her, she only lived in her daughter. If some cautious old person or morose uncle here and there condemned the course with—“Perhaps Mme. d’Aiglemont may be sorry some day that she gave up her fortune to her daughter; she may be sure of Moïna, but how can she be equally sure of her son-in-law?”—these prophets were cried down on all sides, and from all sides a chorus of praise went up for Moïna.
“It ought to be said, in justice to Mme. de Saint-Héreen, that her mother cannot feel the slightest difference,” remarked a young married woman. “Mme. d’Aiglemont is admirably well housed. She has a carriage at her disposal, and can go everywhere just as she used to do—”
“Except to the Italiens,” remarked a low voice. (This was an elderly parasite, one of those persons who show their independence—as they think—by riddling their friends with epigrams.) “Except to the Italiens. And if the dowager cares for anything on this earth but her daughter—it is music. Such a good performer she was in her time! But the Countess’ box is always full of young butterflies, and the Countess’ mother would be in the way; the young lady is talked about already as a great flirt. So the poor mother never goes to the Italiens.”
“Mme. de Saint-Héreen has delightful ‘At Homes’ for her mother,” said a rosebud. “All Paris goes to her salon.
“And no one pays any attention to the Marquise,” returned the parasite.
“The fact is that Mme. d’Aiglemont is never alone,” remarked a coxcomb, siding with the young women.