“Why so, Camille?” asked Madame de Rochefide.
“Really, my dear,” said Camille, seeing Calyste’s despair, “you are not generous; did I advise Conti to marry?”
Beatrix looked at her friend with a surprise that was mingled with indefinable suspicions.
Calyste, unable to understand Camille’s motive, but feeling that she came to his assistance and seeing in her cheeks that faint spot of color which he knew to mean the presence of some violent emotion, went up to her rather awkwardly and took her hand. But she left him and seated herself carelessly at the piano, like a woman so sure of her friend and lover that she can afford to leave him with another woman. She played variations, improvising them as she played, on certain themes chosen, unconsciously to herself, by the impulse of her mind; they were melancholy in the extreme.
Beatrix seemed to listen to the music, but she was really observing Calyste, who, much too young and artless for the part which Camille was intending him to play, remained in rapt adoration before his real idol.
After about an hour, during which time Camille continued to play, Beatrix rose and retired to her apartments. Camille at once took Calyste into her chamber and closed the door, fearing to be overheard; for women have an amazing instinct of distrust.
“My child,” she said, “if you want to succeed with Beatrix, you must seem to love me still, or you will fail. You are a child; you know nothing of women; all you know is how to love. Now loving and making one’s self beloved are two very different things. If you go your own way you will fall into horrible suffering, and I wish to see you happy. If you rouse, not the pride, but the self-will, the obstinacy which is a strong feature in her character, she is capable of going off at any moment to Paris and rejoining Conti; and what will you do then?”
“I shall love her.”
“You won’t see her again.”
“Oh! yes, I shall,” he said.