Sons of the Soil

by Honoré de Balzac

At the corner of the fireplace was an immense sofa, Rigou’s especial seat. In the angle, above a little “bonheur du jour,” which served him as a desk, and hanging to a common screw, was a pair of bellows, the origin of Rigou’s fortune.

From this succinct description, in style like that of an auction sale, it will be easy to imagine that the bedrooms of Monsieur and Madame Rigou were limited to mere necessaries; yet it would be a mistake to suppose that such parsimony affected the essential excellence of those necessaries. For instance, the most fastidious of women would have slept well in Rigou’s bed, with fine linen sheets, excellent mattresses, made luxurious by a feather-bed (doubtless bought for some abbe by a pious female parishioner) and protected from draughts by thick curtains. All the rest of Rigou’s belongings were made comfortable for his use, as we shall see.

In the first place, he had reduced his wife, who could neither read, write, nor cipher, to absolute obedience. After having ruled her deceased master, the poor creature was now the servant of her husband; she cooked and did the washing, with very little help from a pretty girl named Annette, who was nineteen years old and as much a slave to Rigou as her mistress, and whose wages were thirty francs a year.

Tall, thin, and withered, Madame Rigou, a woman with a yellow face red about the cheek-bones, her head always wrapped in a colored handkerchief, and wearing the same dress all the year round, did not leave the house for two hours in a month’s time, but kept herself in exercise by doing the hard work of a devoted servant. The keenest observer could not have found a trace of the fine figure, the Rubens coloring, the splendid lines, the superb teeth, the virginal eyes which first drew the attention of the Abbe Niseron to the young girl. The birth of her only daughter, Madame Soudry, Jr., had blighted her complexion, decayed her teeth, dimmed her eyes, and even caused the dropping of their lashes. It almost seemed as if the finger of God had fallen upon the wife of the priest. Like all well-to-do country house-wives, she liked to see her closets full of silk gowns, made and unmade, and jewels and laces which did her no good and only excited the sin of envy and a desire for her death in the minds of all the young women who served Rigou. She was one of those beings, half-woman, half-animal, who are born to live by instinct. This ex-beautiful Arsene was disinterested; and the bequest left to her by the late Abbe Niseron would be inexplicable were it not for the curious circumstance which prompted it, and which we give here for the edification of the vast tribe of expectant heirs.

Madame Niseron, the wife of the old republican sexton, always paid the greatest attention to her husband’s uncle, the priest of Blangy; the forty or fifty thousand francs soon to be inherited from the old man of seventy would put the family of his only nephew into a condition of affluence which she impatiently awaited, for besides her only son (the father of La Pechina) Madame Niseron had a charming little daughter, lively and innocent,—one of those beings that seem perfected only because they are to die, which she did at the age of fourteen from “pale color,” the popular name for chlorosis among the peasantry. The darling of the parsonage, where the child fluttered about her great uncle the abbe as she did in her home, bringing clouds and sunshine with her, she grew to love Mademoiselle Arsene, the pretty servant whom the old abbe engaged in 1789. Arsene was the niece of his housekeeper, whose place the girl took by request of the latter on her deathbed.

In 1791, just about the time that the Abbe Niseron offered his house as an asylum to Rigou and his brother Jean, the little girl played one of her mischievous but innocent tricks. She was playing with Arsene and some other children at a game which consists in hiding an object which the rest seek, and crying out, “You burn!” or “You freeze!” according as the searchers approach or leave the hidden article. Little Genevieve took it into her head to hide the bellows in Arsene’s bed. The bellows could not be found, and the game came to an end; Genevieve was taken home by her mother and forgot to put the bellows back on the nail. Arsene and her aunt searched more than a week for them; then they stopped searching and managed to do without them, the old abbe blowing his fire with an air-cane made in the days when air-canes were the fashion,—a fashion which was no doubt introduced by some courtier of the reign of Henri III. At last, about a month before her death, the housekeeper, after a dinner at which the Abbe Mouchon, the Niseron family, and the curate of Soulanges were present, returned to her jeremiades about the loss of the bellows.

“Why! they’ve been these two weeks in Arsene’s bed!” cried the little one, with a peal of laughter. “Great lazy thing! if she had taken the trouble to make her bed she would have found them.”

As it was 1791 everybody laughed; but a dead silence succeeded the laugh.

“There is nothing laughable in that,” said the housekeeper; “since I have been ill Arsene sleeps in my room.”

In spite of this explanation the Abbe Niseron looked thunderbolts at Madame Niseron and his nephew, thinking they were plotting mischief against him. The housekeeper died. Rigou contrived to work up the abbe’s resentment to such a pitch that he made a will disinheriting Jean-Francois Niseron in favor of Arsene Pichard.