The treacherous art of reservation, the tricks of silence, the malice of suppositions, the pretended good nature of an inquiry, all these arts are employed against you. A man who undertakes to subjugate his wife is an example too dangerous to escape destruction from them, for will not his conduct call up against them the satire of every husband? Moreover, all of them will attack you, either by bitter witticisms, or by serious arguments, or by the hackneyed maxims of gallantry. A swarm of celibates will support all their sallies and you will be assailed and persecuted as an original, a tyrant, a bad bed-fellow, an eccentric man, a man not to be trusted.
Your wife will defend you like the bear in the fable of La Fontaine; she will throw paving stones at your head to drive away the flies that alight on it. She will tell you in the evening all the things that have been said about you, and will ask an explanation of acts which you never committed, and of words which you never said. She professes to have justified you for faults of which you are innocent; she has boasted of a liberty which she does not possess, in order to clear you of the wrong which you have done in denying that liberty. The deafening rattle which your wife shakes will follow you everywhere with its obtrusive din. Your darling will stun you, will torture you, meanwhile arming herself by making you feel only the thorns of married life. She will greet you with a radiant smile in public, and will be sullen at home. She will be dull when you are merry, and will make you detest her merriment when you are moody. Your two faces will present a perpetual contrast.
Very few men have sufficient force of mind not to succumb to this preliminary comedy, which is always cleverly played, and resembles the hourra raised by the Cossacks, as they advance to battle. Many husbands become irritated and fall into irreparable mistakes. Others abandon their wives. And, indeed, even those of superior intelligence do not know how to get hold of the enchanted ring, by which to dispel this feminine phantasmagoria.
Two-thirds of such women are enabled to win their independence by this single manoeuvre, which is no more than a review of their forces. In this case the war is soon ended.
But a strong man who courageously keeps cool throughout this first assault will find much amusement in laying bare to his wife, in a light and bantering way, the secret feelings which make her thus behave, in following her step by step through the labyrinth which she treads, and telling her in answer to her every remark, that she is false to herself, while he preserves throughout a tone of pleasantry and never becomes excited.
Meanwhile war is declared, and if her husband has not been dazzled by these first fireworks, a woman has yet many other resources for securing her triumph; and these it is the purpose of the following Meditations to discover.
MEDITATION XXIV.
PRINCIPLES OF STRATEGY.
The Archduke Charles published a very fine treatise on military under the title Principles of Strategy in Relation to the Campaigns of 1796. These principles seem somewhat to resemble poetic canons prepared for poems already published. In these days we are become very much more energetic, we invent rules to suit works and works to suit rules. But of what use were ancient principles of military art in presence of the impetuous genius of Napoleon? If, to-day, however, we reduce to a system the lessons taught by this great captain whose new tactics have destroyed the ancient ones, what future guarantee do we possess that another Napoleon will not yet be born? Books on military art meet, with few exceptions, the fate of ancient works on Chemistry and Physics. Everything is subject to change, either constant or periodic.
This, in a few words, is the history of our work.