“Yes. You think that the whole question is opened because I ask you to be careful.”

In her heart of hearts she was delighted with the anger that leapt out in her lover’s eyes. Even as she tortured him, she was criticising him, watching every slightest change that passed over his face. If the General had been so unluckily inspired as to show himself generous without discussion (as happens occasionally with some artless souls), he would have been a banished man forever, accused and convicted of not knowing how to love. Most women are not displeased to have their code of right and wrong broken through. Do they not flatter themselves that they never yield except to force? But Armand was not learned enough in this kind of lore to see the snare ingeniously spread for him by the Duchess. So much of the child was there in the strong man in love.

“If all you want is to preserve appearances,” he began in his simplicity, “I am willing to——”

“Simply to preserve appearances!” the lady broke in; “why, what idea can you have of me? Have I given you the slightest reason to suppose that I can be yours?”

“Why, what else are we talking about?” demanded Montriveau.

“Monsieur, you frighten me!... No, pardon me. Thank you,” she added, coldly; “thank you, Armand. You have given me timely warning of imprudence; committed quite unconsciously, believe it, my friend. You know how to endure, you say. I also know how to endure. We will not see each other for a time; and then, when both of us have contrived to recover calmness to some extent, we will think about arrangements for a happiness sanctioned by the world. I am young, Armand; a man with no delicacy might tempt a woman of four-and-twenty to do many foolish, wild things for his sake. But you! You will be my friend, promise me that you will?”

“The woman of four-and-twenty,” returned he, “knows what she is about.”

He sat down on the sofa in the boudoir, and leant his head on his hands.

“Do you love me, madame?” he asked at length, raising his head, and turning a face full of resolution upon her. “Say it straight out; Yes or No!”

His direct question dismayed the Duchess more than a threat of suicide could have done; indeed, the woman of the nineteenth century is not to be frightened by that stale stratagem, the sword has ceased to be part of the masculine costume. But in the effect of eyelids and lashes, in the contraction of the gaze, in the twitching of the lips, is there not some influence that communicates the terror which they express with such vivid magnetic power?