A History of Bohemian Literature

by hrabe Francis Lützow

Of the author of this very interesting work little is known. His Christian name was Ludvik, and he represents himself as being himself the discarded lover who addresses his complaint to Misfortune. He adopted the name of the Weaver, being, as he writes, "a weaver of learned lines." He was, according to recent research, not a nobleman of the Bohemian court, as had been formerly supposed, but a literary man who was in the service of the Dowager-Queen Elizabeth at Königgrätz, employed as a "writer" in some not clearly defined position. While it thus appears that the Weaver was a man of comparatively humble position, a more thorough study of the book has also proved that the fair Adlička, who had forsaken him to marry another, was not, as has been written, "one of the beauties of the Bohemian court," but that she was (as her lover indeed himself tells us) employed at that court as a "topička" (literally, lighter of fires), a word that we must reluctantly translate by "housemaid". Ludvik is, therefore, yet another instance of the facility with which a literary man idealises his mistress. It has been proved in recent years that the Weaver in many respects resembles a somewhat earlier German book entitled Der Ackermann aus Beheim, which dates from the year 1399. Without entering into the controversy that has arisen on this subject, it will be sufficient to state that the Weaver is not an adaptation, far less a translation of the German work, though there are certainly many resemblances between the two books. It may be interesting to quote part of one of the laments which the Weaver addresses to Misfortune. He thus expresses his grief: "After a loss a man often incurs mockery; the sorrow of others is to many an object of ridicule, such as thou hast bestowed on me, O unfortunate Misfortune! Through thee this has happened to me, the unhappy and thrice unhappy weaver. This all know and feel, this they fully understand. For already have all said and loudly affirmed it, that my most delightful, most excellent serving-maid[23] has been endowed with diverse gifts, happy and most choice; greater were her gifts than any that Nature has allowed any one to have; for all these gifts that she had from fortune, she had them not from fortune only; she obtained them also from the supreme Creator. Not only was she endowed with goodly customs, but a shapely form, a beautiful figure, and noble birth also God gave her, who had chosen her for her virtues and (who gave her also) much that was very good, sweet, and honourable; hardly ever has God given to one person so many remarkable, good, and prosperous gifts. And yet you mockingly tell me that my most excellent serving-maid, my most beloved maiden, is not different from others. And not only this (do you say), but also that I could find many other matrons and maids such as she, did I but cast glances around me.... I wonder at this: what devil has sent you to me? what devil gave you power over me? what devil or what demon,[2] or what fiend[24] has roused you and instigated you against me? I wonder indeed at the meaning of this. I trust in my Creator for this, that He has not given you this power, and that you have not from Him this authority, and that this is by no means just. But you tell me that God has instructed you—chosen you for this! but I know not this; rather do I know that I have been deprived of all my comfort, of all my pleasure, of all good merriment; to me is bequeathed poverty and eternal grief; my name is marked out and written down in the doleful register of the longing and anxious ones until I die. Now indeed there is truly discord between me and the beloved and adored one; now indeed there is a quarrel worse than all other quarrels and discords. This indeed may be called truly discord and anger, which never again will change to peace. Oh, that I should ever have known what wrath between two lovers is. Alas and again alas, and woe to you, wicked, infamous Misfortune! Oh, wicked Misfortune, now, indeed, through your evil anger all my happiness, and with it my youth, is at an end. Why then am I still alive? what can I rejoice over? in what can I find pleasure? where can I seek refuge in this my great need? What shall I now love, what can I love now that everything is lost to me. In what shall I now find pleasure, what shall render me merry and happy, when I no longer love her through whom everything appeared lovable to me. Little now will be my joy, for little mercy shall I find.... And for what purpose have you endeavoured to do this, shameful, wicked, false Misfortune? Alas, alas! Woe, ever woe to thee. Gone is all my grace, gone are all my many qualities. O Misfortune, to whom shall I now go for counsel in this my hateful adversity? to whom shall I complain of my loss in this my depression and sorrow? I have no one to whom to complain of my misfortunes, of whatever nature they may be, except you, evil, disagreeable, and displeasing Misfortune, from whom I expect no relief.

"Alas, alas, and again alas! What yearnings have besieged me, what woe has bound me, what orphanage (i.e. bereavement) has subdued me! What longings and more than longings have overwhelmed me, and still overwhelm me from day to day, from hour to hour, so that I know of them neither beginning, nor middle, nor end. I am like a child that has been separated from its mother before the time, like a kitten which, though not yet grown up, is deprived of milk. As the colt of an ass that has not yet acquired strength is driven and forced to work before the time, thus I, evil Misfortune, am subject to you and given over to you before the time and in my youthful years; and still I do not know in what manner and wherefore and by whose orders. Alas, alas, O Misfortune! were it but possible that you, instead of Lot's wife, could be changed into that statue of salt, then at last your end would be certain. For it is you, O Misfortune, evil and shameful, and yet again evil Misfortune, who hast made of me more than a widower, more than an orphan, more than a man in whom all hope is dead. Every widower, when he is deprived of her who comforts him and loses her—knowing that it cannot be otherwise, and that his wife cannot return to him—gets over it, and so to speak forgets her, if not for ever, yet occasionally. But how should I forget my dearest, my most excellent and most beloved serving-maid? for she is yet alive, she is yet in good health, she is full of strength; she is as the pastime for another, not for me. And yet greater therefore is my bitterness, my sorrow, my anguish."

A short extract from one of Misfortune's replies to the Weaver will be sufficient. I shall here quote from Mr. Wratislaw's translation: "How much more fortunate then dost thou desire to be that I may honour thee more than the Emperor Julius or the King Alexander, or the excellent, truly excellent Emperor Charles, at this time king of Bohemia? who, powerful as they were, could not at times escape my power and my contrariety. Prithee, imagine how many of my misadventures have happened to those only whom thou knowest, and of whom thou hast heard in thine own days, whether of higher or lower rank; and neither thou nor any one else will be able to express in writing or words how many times this has happened to them.... If thou wilt, as thou canst, recollect thine own adversities only in thine own mind, how many of them hast thou also had from me? For it would have been more proper to cry out against me about them, or to argue with me about that which once threatened thy life, thy property, thy honour, and all the good that thou hadst, and it would have been convenient to speak of that rather than of that damsel of thine. Therefore, Weaver, hold thy peace, speak no more with me of thy darling."

Other early Bohemian prose-writings are the Tale of Alexander the Great, founded on the writings attributed to Callisthenes, but probably a translation from the Latin. It has little in common with the rhymed Bohemian Alexandreis. The Chronicle of Troy, also one of the earliest existent works in Bohemian prose, is also probably a translation from the Latin. The chronicle is remarkable as being the first Bohemian work that was printed (at Pilsen in 1468). These and other translations which require no special mention prove that the development of the Bohemian language was proceeding rapidly at this period.

I shall now refer to a group of writers and thinkers who are generally known as the precursors of Hus. This designation is still correct, though more extensive study of the works of Hus has recently proved it to be so to a lesser extent than was formerly supposed. It will be mentioned, when treating of the writings of Hus, that they show very little trace of the study of the works to which I shall now refer, while the influence of Wycliffe, from whom Hus quotes extensively, is constantly perceptible in his works, particularly in those written in Latin. Some ideas common to Wycliffe and Hus can also be traced far farther back; still many thoughts which we frequently meet with in the writings of Hus, his indignation against the immorality and avarice of the clergy, his endeavours to encourage the study of the Bible and to extend the use of the national language in the religious services, are clearly to be found in the writings of his Bohemian precursors. Štitný, in particular, was also a precursor of Hus in that sense that he greatly developed and perfectioned the Bohemian language, endowing it with a phraseology such as was necessary for the proper rendering of difficult theological and philosophical definitions.

By employing his native language for subjects which had hitherto only been dealt with in Latin, Štitný set an example that was afterwards followed by Hus.

The great prosperity which the wise rule of Charles IV. had assured to his country had produced a great change in the hitherto simple fashion of living of the Bohemians, and of the citizens of Prague in particular. A more sumptuous mode of life now prevailed, and the contemporary writers are eloquent in their references to the luxurious fashion of dress, the extreme devotion to the pleasures of the table, and the general immorality of the citizens of Prague. The clergy, with a few honourable exceptions, gave by no means a good example to the laymen. Simony, and immorality—according to the Catholic creed a far greater offence on the part of a priest than of a layman—were almost general, both among the monks and the members of the secular clergy.

This deplorable condition of his beloved Bohemia did not escape the notice of Charles IV., whom his countrymen in his lifetime already described as "Otec Vlastí" (=Pater Patriæ). Hoping to improve the moral condition of the country by calling in foreign priests, Charles in 1358 invited the Austrian monk Conrad Waldhauser to Bohemia. Conrad, a native of Upper Austria, had lately attracted great attention by the eloquent sermons he had preached at Vienna. A German by nationality, Conrad was ignorant of the Bohemian language, but though he was thus unable to make himself understood by the mass of the people, the impression produced by his sermons was none the less very great. The educated citizens of Prague were then, as now, almost as familiar with the German as with their own language. Graphic accounts of his eloquent denunciations of the corruption and luxuriousness of his age have been preserved; they sometimes read like a modern account of a revival meeting. The Teyn Church, where Conrad preached, soon became too limited for his audience; people assembled in squares and public places to listen to his sermons. The ladies of Prague discarded their jewellery and sumptuous clothing, while many men publicly confessed their sins. Though Conrad's preaching was in the strictest conformity with the teaching of the Church of Rome, he yet incurred the hostility of the monks, particularly the Dominicans and the Augustines. The protection of Charles, however, ensured his safety, and Conrad's death, in 1369, put a stop to the controversy which his sermons had caused. Waldhauser has left a considerable number of Latin works; of these, the Postilla Studentium Sanctæ Universitatis Pragensis super evangelia dominica and the Apologia, which contains his defence against the attacks of the monks, are the most important.

Among those on whom the preaching of Conrad Waldhauser produced a strong and permanent impression was the Moravian Milič of Kremsier, who, after Conrad's death, became his successor as rector of the Teyn Church at Prague. We find a considerable amount of information concerning Milič in his biography, contained in the Miscellanea of the learned Jesuit Balbinus. This biography, which dates from the second half of the seventeenth century, written, if not by Balbinus himself, by a member of his order, is noticeable for its conscientious impartiality. It is the foundation of all the more recent notices of Milič. The date of the birth of Milič is unknown; we only learn that he was of humble origin, and was probably born in the town of Kremsier in Moravia. He took orders early in life, probably in the year 1350. From the year 1360 downward he seems to have held an important official position in the chancery of Charles IV.; somewhat earlier he had already become archdeacon and canon of the cathedral of St. Vitus at Prague.

The ever-increasing reaction against the corruption of the times, which had already found expression in Waldhauser's sermons, caused Milič in 1363 to renounce all these dignities. In spite of the remonstrances of his Archbishop, Ernest of Pardubic, he decided to devote himself entirely to the preaching of the word of God. He first preached for a short time in the small town of Bischof-Teinitz, and then in several churches at Prague. The sermons of Milič vigorously inveigh against the immorality and corruption of the times, and do not spare the secular clergy and the monks. As Milič preached in Bohemian, his teaching was accessible to the great mass of the people, whom Conrad's German sermons had not reached.