CHAPTER VII.
GODS, SUPERNATURAL BEINGS, AND WORSHIP.
Image of Tezcatlipoca—His Seats at the Street-corners—Various Legends about his Life on Earth—Quetzalcoatl—His Dexterity in the Mechanical Arts—His Religious Observances—The Wealth and Nimbleness of his Adherents—Expulsion from Tulla of Quetzalcoatl by Tezcatlipoca and Huitzilopochtli—The Magic Draught—Huemac, or Vemac, King of the Toltecs, and the Misfortunes brought upon him and his people by Tezcatlipoca in various disguises—Quetzalcoatl in Cholula—Differing Accounts of the Birth and Life of Quetzalcoatl—His Gentle Character—He drew up the Mexican Calendar—Incidents of his Exile and of his Journey to Tlapalla, as related and commented upon by various writers—Brasseur's ideas about the Quetzalcoatl Myths—Quetzalcoatl considered a Sun-God by Tylor, and as a Dawn-Hero by Brinton—Helps—Domenech—The Codices—Long Discussion of the Quetzalcoatl Myths by J. G. Müller.
In the preceding chapter I have given only the loftier view of Tezcatlipoca's nature, which even on this side cannot be illustrated without many inconsistencies. We pass now to relations evidencing a much meaner idea of his character, and showing him whom we have seen called invisible, almighty, and beneficent, in a new and much less imposing light. We pass, in fact, from the Zeus of Plato and Socrates to the Zeus of Hesiod and Homer.
Let us glance first at the fashion of his representation in the temples, though with little hope of seeing the particular fitness of many of the trappings and symbols with which his statue was decorated. His principal image, at least in the city of Mexico, was cut out of a very shining black stone, called iztli, a variety of obsidian—a stone valued, in consideration of its capabilities of cleavage, for making those long splinters, used as knives by the Aztecs, for sacrificial and other purposes. For these uses in worship, and perhaps indeed for its manifold uses in all regards, it was surnamed teotetl, divine stone. In places where stone was less convenient the image was made of wood. The general idea intended to be given was that of a young man; by which the immortality of the god was set forth. The ears of the idol were bright with ear-rings of gold and silver. Through his lower lip was thrust a little crystal tube, perhaps six inches long, and through the hollow of this tube a feather was drawn; sometimes a green feather, sometimes a blue, giving the transparent ornament the tint at one time of an emerald, at another of a turquoise. The hair—carved from the stone, we may suppose—was drawn into a queue and bound with a ribbon of burnished gold, to the end of which ribbon, hanging down behind, was attached a golden ear with certain tongues of ascending smoke painted thereon; which smoke was intended to signify the prayers of those sinners and afflicted that, commending themselves to the god, were heard by him. Upon his head were many plumes of red and green feathers. From his neck there hung down in front a great jewel of gold that covered all his breast. Bracelets of gold were upon his arms, and in his navel was set a precious green stone. In his left hand there flashed a great circular mirror of gold, bordered like a fan with precious feathers, green and azure and yellow; the eyes of the god were ever fixed on this, for therein he saw reflected all that was done in the world. This mirror was called itlachia, that is to say, the 'looker-on,' the 'viewer.' Tezcatlipoca was sometimes seated on a bench covered with a red cloth, worked with the likeness of many skulls, having in his right hand four darts, signifying, according to some, that he punished sin. To the top of his feet were attached twenty bells of gold, and to his right foot the fore-foot of a deer, to show the exceeding swiftness of this deity in all his ways. Hiding the shining black body, was a great cloak, curiously wrought in black and white, adorned with feathers, and fringed about with rosettes of three colors, red, white, and black. This god, whose decorations vary a little with different writers—variations probably not greater than those really existing among the different figures representing in different places the same deity—had a kind of chapel built to hold him on the top of his temple. It was a dark chamber lined with rich cloths of many colors; and from its obscurity the image looked out, seated on a pedestal, with a costly canopy immediately overhead, and an altar in front; not apparently an altar of sacrifice, but a kind of ornamental table, like a Christian altar, covered with rich cloth. Into this holy of holies it was not lawful for any but a priest to enter.
WORSHIP OF TEZCATLIPOCA.
What most of all, however, must have served to bring the worship of Tezcatlipoca prominently before the people, were the seats of stone, built at the corners of the streets, for the accommodation of this god when he walked invisibly abroad. Mortal, born of woman, never sat thereon; not the king himself might dare to use them: sacred they were, sacred for ever, and always shadowed by a canopy of green boughs, reverently renewed every five days.[VII-1]
Lower and lower we must now descend from the idea of an almighty god, to take up the thread of various legends in which Tezcatlipoca figures in an anything but creditable light. We have already seen him described as one of those hero-gods whom the new-born Sun was instrumental in destroying;[VII-2] and we may suppose that he then ascended into heaven, for we find him afterward descending thence, letting himself down by a rope twined from spider's web. Rambling through the world he came to a place called Tulla, where a certain Quetzalcoatl—another, according to Sahagun, of the hero-gods just referred to—had been ruling for many years. The two engaged in a game of ball, in the course of which Tezcatlipoca suddenly transformed himself into a tiger, occasioning thereby a tremendous panic among the spectators, many of whom in the haste of their flight precipitated themselves down a ravine in the neighborhood into a river and were drowned. Tezcatlipoca then began to persecute Quetzalcoatl from city to city till he drove him to Cholula. Here Quetzalcoatl was held as chief god, and here for some time he was safe. But only for a few years; his indefatigable and powerful enemy forced him to retreat with a few of his adherents toward the sea, to a place called Tlillapa or Tizapan. Here the hunted Quetzalcoatl died, and his followers inaugurated the custom of burning the dead by burning his body.[VII-3]
The foregoing, from Mendieta, gives us a glimpse, from one point of view, of that great personage Quetzalcoatl, of whom we shall know much more anon, and whom in the meantime we meet again and again as the opponent, or rather victim of Tezcatlipoca. Let us consider Sahagun's version of the incidents of this strife:—
QUETZALCOATL.
Quetzalcoatl was, from very ancient times, adored as a god in Tulla. He had a very high cu[VII-4] there, with many steps up to it, steps so narrow that there was not room for a whole foot on any of them. His image was always in a recumbent position and covered with blankets. The face of it was very ugly, the head large and furnished with a long beard. The adherents of this god were all devoted to the mechanical arts, dexterous in working the green stone called chalchiuite, and in founding the precious metals; all of which arts had their beginning and origin with the said Quetzalcoatl. He had whole houses made of chalchiuites, others made of silver, others of white and red shells, others of planks, others of turquoises, and others of rich feathers. His adherents were very light of foot and swift in going whither they wished, and they were called tlanquacemilhiyme. There is a mountain called Tzatzitepetl on which Quetzalcoatl used to have a crier, and the people afar off and scattered, and the people of Anáhuac, a hundred leagues distant, heard and understood at once whatever the said Quetzalcoatl commanded. And Quetzalcoatl was very rich; he had all that was needful both to eat and to drink; maize was abundant, and a head of it was as much as a man could carry clasped in his arms; pumpkins measured a fathom round; the stalks of the wild amarinth were so large and thick that people climbed them like trees. Cotton was sowed and gathered in of all colors, red, scarlet, yellow, violet, whitish, green, blue, blackish, grey, orange, and tawny; these colors in the cotton were natural to it, thus it grew. Further it is said that in that city of Tulla, there abounded many sorts of birds of rich and many-colored plumage, the xiuhtototl, the quetzaltototl, the zaquan, the tlauquechol, and other birds that sang with much sweetness. And this Quetzalcoatl had all the riches of the world, of gold and silver, of green stones called chalchiuites, and of other precious things, and a great abundance of cocoa-nut trees of divers colors. The vassals or adherents of Quetzalcoatl were also very rich and wanted for nothing; they were never hungry; they never lacked maize, nor ate the small ears of it, but burned them like wood to heat the baths. It is said lastly that Quetzalcoatl did penance by pricking his legs and drawing blood with the spines of the maguey and by washing at midnight in a fountain called xicapoya;[VII-5] this custom the priests and ministers of the Mexican idols adopted.