As Terry continued to read aloud and talk in his Rogues' Gallery, Marie grew to reflect more and more the results of the reading of good things, and of the thinking and talking about these things. It shows how some temperaments are able to connect literature and philosophy with life, and thereby see their real meaning, quite independently of any merely conventional culture or education. One of the greatest prejudices of our time (and of all times) is the belief that intellectual culture, which is merely the perception in detail of how life and thought is expressed in form, is peculiarly dependent upon academic or conventional education. And yet, of course, somewhere or other, the nature capable of understanding form must come in contact with it, before the meaning of the whole thing is incorporated into its daily habit. Terry was Marie's point of contact with form, in its deep relation to life. Marie felt this and loved him and was grateful, to the depths of her nature, so different from his, so animal, so unideal, in comparison! She wrote:
"Terry gave me a new way to express myself, and that, after all, is the only thing worth living for. And he gave me this new way without trying to make me give up any other way of self expression, my sensuality, for example. This sensuality I have sometimes regretted, but not directly through Terry's influence, except that he has shown me the beauty of something else. He is a winged thing in comparison with me, but he is so wonderfully tolerant that he can see beauty in even the baser part of my nature. Why should I regret what I am, anyway? I believe that the only purity that means anything is that which results from working one's nature out harmoniously, not suppressing it. Terry must be a wonderful man, to have been able to encourage me in many new directions, and to take away the maiming sting of regret for what I inevitably was and could not help being.
"I do not think an ordinary person could have made me see the beauty of anarchism. I know that the anarchistic ideas are rather shocking, even at their best, and of course they naturally appeal most to the man with the hoe, inciting him to rebel, while the man behind the idea is usually endowed with so much sensitiveness that he shrinks from the rebellion part of the programme himself; he is not a man of action, only a man of ideas. It is shameful, some think, to disturb the blissful ignorance of the man with the hoe, for when the gleam of intelligence shines in his eye and he is aroused to the knowledge of his degrading position, he is likely to rebel in the most healthy but brutal manner, so much so that the æsthetic reformer shrinks back from the consequences of the propagation of his own ideas. Of course, the brutality of the proletariat is not nearly so subtle as that of the aristocracy, and it takes some cleverness to discover that the latter is brutality at all. It requires time and patience to drive into the thick heads of the workers that they are downtrodden, and that their oppressors are worthless parasites. When they finally do awaken to this idea and rebel, how terribly shocked the world is because these brutes have not the cleverness or delicacy to be more subtle in their brutalities.
"In your last letter you wrote of the crudeness of most propagandists of anarchism, naming Anatole France as one of the rare anarchists who express themselves otherwise than crudely. He rarely or never, you say, ever mentions the word 'anarchism,' although much of his writing is calculated to destroy belief in the value of organised society as it now exists. Don't you think you are perhaps prejudiced too much against certain words because of their associations? I know that many words are objectionable to refined, cultured people because they have been so long associated with the coarse and brutal mob, the working class, as the socialists would say. But you must remember that anarchism is intended to appeal to this 'mob' especially; that its doctrines might not be needed by refined people who ought to have enough sensibility not to enjoy 'freedom' unless it is shared by the coarse and brutal workers. Believe me, there is nothing so degrading as poverty. It makes the slave more slavish and the brute more brutal. It acts like a goad, spurring people on to do things which make them seem to themselves and others lower and lower, until they are truly no longer human beings but animals.
"Therefore it is that the propaganda of anarchism is generally crude. It is true that much good literature is permeated with the ideals of anarchism, for instance, Shelley, Whitman, Thoreau, and Emerson. Such reading is excellent as a means of humanising and making anarchists of refined people, but how could you appeal to the rebellious workers with such books as these? For instance, my father, do you think he could read Ibsen or any of the others? Indeed not; but let him go to a meeting where he can hear Emma Goldman speak, or let him read Jean Grave, or Bakunin, or some other writer of 'crude' pamphlets, and he might become interested, he might be able to understand. But since it seems that truly refined people cannot enjoy the pleasures of freedom without being, at any rate at times, worried because of the condition of the 'mass,' what is to be done? This objectionable crudity must remain until there is a demand for something more subtle on the part of the workers for whom is intended all propaganda. The rich and cultured presumably have brains which they can use to solve the problems for themselves or to digest the things written by Anatole France and others. But how do you suppose that I, for instance, could a few years ago have relished Anatole France? Wouldn't you think it idiotic for anyone to have given me such books, at that time, with any expectation of my appreciating their refined and evanescent anarchism?"
It must have been a strange sight that of Terry sitting on his dilapidated bed in the Rogues' Gallery, with his eternal cigarette in his mouth, talking to Marie and perhaps to some prostitute or pickpocket! We begin already to see the result on Marie's education: that will appear complex and manifold, but it is likely that on many a half-formed creature who afterward passed out of Terry's life, his words yet made an impression which perhaps in some later darkness revived an idea which explained and justified his miserable existence.