The Rogues' Gallery went the way of all good things: it ceased to exist when the creative spirit was gone. Terry went to Pittsburg, as we have seen, to find the flaw in the tanning process, and while he was away Marie attempted to conduct the academy of anarchism. But she was too much interested in what is called "life" to make a sustained mental or moral effort without the inspiring presence of a man whose central passionate ideas never changed. The personal jealousies which Terry's philosophic attitude and idealism tended to dissipate became, during his absence, too strong for the bond uniting the "rogues," and when Terry returned he found that his little colony had dispersed and that Marie, unable any longer to pay the rent, was living with her old friend Katie.
This was, to our idealist, a deep disappointment. On the heels of his final break in Pittsburg with society came this sign of woman's weakness. Terry might easily have expected it, but one of the limitations of an idealist is an insufficient knowledge of realities. To men of his temperament there is always a distinct shock envolved in coming face to face with an actuality. Truth is the element of the idealist, but an abstract truth into which concrete realities seldom fit. Terry did not, or tried not to, mind, at this time, this continued sexual freedom, or rather vagaries, of Marie's life; for that fitted into his scheme of personal freedom: he zealously strove to respect the private inclinations of every human being. But the least sign, in any of his acquaintances, of a compromise with the integrity of the soul, of any essential weakness, met with no tolerance from him. "He passed him up," on the spot, with a scornful wafture of his hand. That Marie had yielded to the stress of circumstances, had been unable to hold out in the Rogues' Gallery, galled the relatively uncompromising, exigent idealist. If she had resorted to temporary prostitution to hold the society together he would have admired her. But, instead, she weakly sought, like any merely conservative woman, the shelter of Katie's roof. The first seed of the essential discord which finally resulted, at a much later time, in their relations was planted thus in this deep irritation of Terry's soul; it did not, however, affect seriously his love for Marie as a person or his interest in her as a social experiment. But it tended to make him feel more lonely and to render him more hopeless of any realisation of the ideal, as he saw it.
When Terry returned, without a job, and with no intention of trying for one, and found Marie living with Katie, he had a long talk with the two women. Katie was still with her husband, Nick, but she was willing to quit him in order to live with and take care of, her darling Marie. She proposed to Marie and Terry to hire some rooms and all live together. She would work as cook in a restaurant and thus support the three of them.
To this eager desire of Katie's Terry refused to consent; but he also refused to work. What was to be done? He was too proud willingly to live on Katie, and he was principled against labour. Katie wanted the luxury of her proposed arrangement. She quarrelled with Terry, but he interested her. Already she began to look on these two as her superior cultivated ones, aristocrats, with whom it was a joy to live and for whom it was a pleasure to work. To work for them, especially for Marie, she would drop her old Nick, good dull man, in a moment.
An event which happened just at the right moment to decide things, finally brought about the union of the three. One night Terry was drinking in a saloon, talking philosophy, and quoting literature. Some rapid lines from Swinburne had just left his lips when an elderly man, who had been listening to Terry's talk approached him and said: "You are the man I'm looking for, won't you have a drink?"
As he spoke, he flashed a fifty dollar bill over the bar and repeatedly treated the crowd, all in Terry's honour.
"Before we separated that night," said Terry, telling me the story, "I learned that the old guy had fifty thousand dollars and that he would soon go down and out, for he had all sorts of bad diseases. He knew it himself, but he was an old sport and he wanted his fling before he died. He liked me and wanted me to be bar-tender in a saloon he owned. He lived above the saloon and wanted a housekeeper to take care of the rooms. So I told Kate here was her chance. The next day Marie, Katie, and I moved into the rooms, where the old man lived, too, and I began my work as a bar-tender.
"I did not regard this job as work: it was really graft, for I had decided that my old friend, not long for this world, did not need all of his money and that I might as well turn part of it toward Katie, to help maintain a common house for us all. So, every night, after the day's work, I turned the roll that I received behind the bar over to Katie, who tucked it away in the bank. I don't know whether the old guy knew about it or not, if he did, he did not care. He died after two or three months, but Katie had increased her bank account by three or four hundred dollars."
Terry is strenuous about this story. He is evidently anxious lest it be thought that he later became a mere parasite on Katie. He prides himself on having taught her to steal from an unkind world, but he does not like the idea that she has slaved for him without any help in return. Katie did not prove to be a good pupil. She was not naturally "wise," in the slang sense, but gained what she gained by hard labour. Even while she was housekeeper for the old guy she felt she earned all the money she tucked away.
"I worked hard for the old man," she said, "and I only got about one hundred and thirty dollars for all my work. I thought I made that much."