[61] Trinity Church, of which this observatory is architecturally at any rate the tower, is a really noteworthy specimen of seventeenth century Gothic. Tall pointed windows pierce the walls along the sides and round the apse; octagonal pillars sustain the high-ribbed vault with painted bosses. There is no clearstorey, and the effect within is as striking as it is simple.

[62] Hans Andersen. Brahe did not accept the Copernican system, though he first noticed the variations in the motions of the moon, and has hardly been excelled as a practical astronomer. He died in the service of the Emperor at Prague, 1601.

[63] Practically forming part of the same design as the Amalienborg, and admirably completing it, is the Frederiks Kirke, which raises a great dome behind a Corinthian portico to the height of over 260 feet. Its construction dragged on from 1749 to 1894. The view from the top passes that from the Round Tower.

[64] But while interest in the past, far more widespread than in most other countries, has done very much to bring objects of interest to the National Museum, England has been incomparably more happy than Denmark in preserving for generations yet to come the buildings of mediæval and Renaissance days (p. [125]).

[65] English education, in some ways excellent, attaches far too little importance to stimulating the imagination. I once met a very intelligent Cornishman who had been through the schools of his native county with credit, and could speak interestingly on many subjects, but he had never even heard of King Arthur. That is anything but an isolated instance.

[66] Nor is it well to forget that the main reason for their great success is that the Danes are sufficiently educated to co-operate, instead of deeming every neighbour a necessary rival. Both town and country benefit alike. The capital is provided with pure milk at about half the London prices by the Copenhagen Milk Supply Company, from which the very poor may have milk for their babies without money and without price.

[67] The church was designed by Hansen, and erected about a century ago. The general appearance of the neighbourhood will be greatly improved by the tall spire in the style of Wren, which Dr. Carl Jacobsen is giving, but the portico will be still further crushed. No one ever yet designed a Greek temple that would look well surmounted by a tall Christian steeple.

[68] All the figures were designed by Thorwaldsen, but some were finished by pupils. There is a reproduction of that representing Christ in the Johns Hopkins Hospital at Baltimore.

[69] Lady Wilde, Driftwood from Scandinavia, 1884.

[70] Knut the Holy (p. [118]), dedicated to St. Alban his church at Odense.